Bio Takursi sɣur Vladimir Zagorac d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.

LbrunzIferrasen· 2022

Bio Takursi

sɣur Vladimir Zagorac

Amsaɣ: Vladimir Zagorac

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Iferrasen

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #140098

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Bio Takursi

Bio d tajmilt n tkursiyin ẓẓayen yettwaselken i useqdec deg iɣerbazen n zzman-agi. Tanaqqit yellan deg uɛnab n tkursit tettemcabi ɣer wafriwn neɣ ɣer tuẓult, tuɣda tettbeddal ɣer tama tazzayrit ar tugna tettemcabi i ujeǧǧig n tnalit Calla aethiopica. Tama-agi tekref cwiṭ ɣer deffir yerna tali ɣef yiwet n tama, ayen i d-yettarran tugna ur nemsawa ara. Ɛemden anemsawi ala deg iswiren izzayriyen n tugna, ihi taraḥt akked usnas amasan ttwaḥerzen. Ilugan n ubna ttaɣen-d thermoplastique yettwaskalen, uzzal, aluminyum yettwargan, aẓekka n adarn (oak) akked weglim.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Bio Takursi d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Bio Takursi ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Bio Takursi yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
Tigejdiwin & Akemmus: Width / Depth: up to 680mm, Height: 849mm (medium)
Tibzimin: Asymmetry, Natural, Bio-form, Growth, Stylization
Tasnakta n Ufares: Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
Asewḥel n Usnulfu: The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
Anadi: The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
Aseḥbiber: Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
Tanzagt n Usenfar: The project lasted one semester at the Faculty of Applied Arts in Belgrade.
Tanila n Umahil: Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
Ibrivan: Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
Igmamen n Terbaɛt: Designer: Vladimir Zagorac
Mentor: Marko Lukovic
Imsuren n Tugniwin: Vladimir Zagorac, Faculty of Applied Arts in Belgrade