Orinnoro Tabaqit n izlig sɣur Sini Majuri

Orinnoro Tabaqit n izlig sɣur Sini Majuri d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.

LbrunzIferrasen· 2022

Orinnoro Tabaqit n izlig

sɣur Sini Majuri

Amsaɣ: Icy Design Oy

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Iferrasen

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #140225

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Orinnoro Tabaqit n izlig

Orinnoro d tabaqit yettwaxedmen i uhraz n ifergan am ijeğğigen d lmakla. Lḥaǧa n izlig ewɛiran teɣzi-s d 65 cm, yettwaxedmen s ufus deg wexxam n uselmed seg izlig n yiḥarayen yettwarnan. Yal tabaqit tettwasufeɣ deg lqaleb n uɣanim, ɣef tazrigt n izegzawen i d-yettusiwlen s tesnukyest tatrart n tarrayt taqburt n Incalmo deg usufeɣ n izlig. Ammud n usentel n izlig ittak i yal aḥric ineggura yiwet n taluft n iniyen ur nettemcabi ara ɣer wiyaḍ. Askan aẓidan n umyag yettwaxedmen d asebrureg n unaḍur i d-ittban, ma d taḍilli n izlig tettbeddil s tafat i t-yezzin. Asuneɣ-agi issimal-d tarmit n tmeẓṛit n Ugafa yesɛan talwit.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Orinnoro Tabaqit n izlig d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Orinnoro Tabaqit n izlig ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Orinnoro Tabaqit n izlig yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Studio made Orinnoro jar is hand shaped from recycled waste glass with a combination on sustainable thinking and Scandinavian design philosophy. Every jar has unique color hue that is created with a modern interpretation of a classic Incalmo glass blowing technique. The rhythm of the glass making process ensures that each object has a unique play of color.
Tigejdiwin & Akemmus: The jar is 65 cm tall. The glass objects are packed in eco-friendly recycled cardboard packages
Tibzimin: glass, jar, vase, studioglass
Tasnakta n Ufares: Orinnoro jar is studio made from recycled waste glass. Every jar is shaped by hand and blown in a wooden mold by using ilcalmo glass blowing technique for the color stripes.
Asewḥel n Usnulfu: The design challenge in the objects is to create voluminous objects that appear light as well as use color in a way that leaves room for the interior of the piece. The challenge in the process is to find the perfect flow for the colors, so that the appearance is remains fresh.
Anadi: Preserving the endangered craftsmanship as well as environment by respecting the material are starting points of the design. The object has preserving also as its primary function. The design philosophy is to create high quality everyday objects that hold the value of uniqueness history and provenance. Collection aims to highlight the nature of recycled waste glass in an aesthetic way. Objects appear voluminous yet light in the balance of playfulness serenity and freshness.
Aseḥbiber: The recycled waste glass jar is inspired by the Orinniro gorge located in central Finland. The tall shape as well as the color combinations mirror the atmosphere in the silent natural formation. The design philosophy is to reflect the calm Northern aesthetics with the recycled material that questions the relationship of quality and pureness of the glass medium in modern design. The rough texture of the waste glass with impurities is highlighted as a statement.
Tanzagt n Usenfar: The project started in 2021 and was first exhibited in Venice Glass Week 2021 at Bel Air Fine Art Gallery. Orinnoro is also exhibited in the Museum of Fine Arts Eemil, Lapinlahti
Tanila n Umahil: The Orinnoro jar is designed to create harmonious moments into everyday life. When the tall jar is opened, it takes time and calmness to place items, such as flowers or food inside it to be preserved. These moments of serenity are rare and valuable in a hectic World. When the light interacts with the glass, the shadow looks vivid and alive because of the recycled materials texture. The shadow of the glass object is also an important part of the piece, because glass material is never static. It reacts to the surrounding light and environment.
Ibrivan: Sini Majuri, Helsinki Finland
Imsuren n Tugniwin: Sofie Jokinen. Helsinki, Finland
Sini Majuri. Helsinki, Finland