Silhouette Taḥekkurt n weččar sɣur Joana Santos Barbosa

Silhouette Taḥekkurt n weččar sɣur Joana Santos Barbosa d anerbaz yettwaqadren meqqren n 2024 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.

UzzalIferrasen· 2024

Silhouette Taḥekkurt n weččar

sɣur Joana Santos Barbosa

Amsaɣ: InsidherLand

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Iferrasen

13,355

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #153043

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Silhouette Taḥekkurt n weččar

Tettwafeṣṣel sɣur umusnaw Joana Santos Barbosa, Silhouette d taḥekkurt n weččar i d-yeǧǧan lbaḍ i tiṭ, tecba ɣer lǧirrat n tmeṭṭut. Teṭṭuẓeɛ sɣur inaẓuren n lqern wiss XX i yessuneɣen ddeqs n tilisa di yiwet kan n teɣzi, am imsidag yesɛan tiɣawasin-nsen d aḥric seg yiman-nsen, Joana tessedmer taɣzi-ya tazdukelt ɣer usunef igeǧǧen tikti s waṭas. Tadrut taberkanit tbeccer-d amutti n yiɣallen n tmeṭṭut i yeqqimen ɣef tɣawsa-ya, ma d annes akurkur yessuneɣ taḍeggriḍt i d-yettɛerdilen. Silhouette tezmer ad d-teǧǧ taneqqist d izmulen, teḥder tiṭ s tidet.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Silhouette Taḥekkurt n weččar d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Silhouette Taḥekkurt n weččar ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Silhouette is a surreal reminiscence of a woman's sensual curves that arise designed in an eye catching dining chair.
The slightly curved seat draws an inviting smile that harmonizes with the structure, revealing the movement of the hips, as parts of a female body. Silhouette shows contours of a mysterious profile and presents the observer with feminine sensuality.
Tigejdiwin & Akemmus: Height 87cm
Width 46cm
Depth 53cm
Seat Height 48cm
Tibzimin: diningchair, chair, silhouette, luxurychair, organicdesign, modernchair, moderndesign, luxuryfurniture
Tasnakta n Ufares: Beech wood structure frame with translucent dark brown finish in high gloss varnish and luxury soft fabric with gold accents.
Asewḥel n Usnulfu: The creative process of this chair was one of the most "suffered" among the pieces in Joana Santos Barbosa's portfolio. In fact, the design of this chair took more than two years to be completed between back and forth in the process because it carries such a strong symbolism that she wanted to transform it into a clean and sensual design.
The beech wood structure was hand crafted and carved to bring to mind the profile of a female body and was given a translucent brown finish that naturally stands out on the soft beige upholstery with fine golden threads that represent the delicacy of the female personality.
Anadi: The design of the Silhouette dining chair was influenced by the sensuality of a woman's curves. Both the woman and the functional object seem to merge naturally. It is thus possible to admire this integration in the surrounding perspectives of the chair, with special focus on the back, in which we identify parts of a body that seem to be living in the object.

The creative process was based on some works by twentieth century painters who applied the same technique of representing people and objects in a single dimension. However, working on the design of the chair in three dimensions, its development was carried out in full-scale prototypes, in order to get a functional and sensual final design that conveyed all its inspiration in an elegant look.
Aseḥbiber: The representation of several realities seen simultaneously from a single point of view has become fascinating for several twentieth century artists like Paul Klee who drawn musicians and fragments of their musical instruments as an integral part of their own bodies.
The joint dimension of people and objects strongly influenced the Silhouette dining chair, whose elegant wooden structure uncovers parts of a woman’s body who sits on it.
Tanzagt n Usenfar: Since the first sketch, the design took more than two years to be fully developed. The production is entirely made in the city of Porto, located in the north of Portugal.
Tanila n Umahil: Being a chair made of a single structure in solid wood, the object cannot be manipulated to acquire other forms. This chair was specially designed for dining spaces that appreciate the high quality of manual manufacturing processes and luxurious finishes.