Spidique Akursi sɣur Siqi Yang d anerbaz yettwaqadren meqqren n 2024 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.

LfeṭṭaIferrasen· 2024

Spidique Akursi

sɣur Siqi Yang

Amsaɣ: Yang Siqi

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Iferrasen

2,796,226

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #154548

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Spidique Akursi

Spidique d akursi yettwaxedmen s tetiknulujit n usiggez 3D s PLA. Talɣa n Spidique tettwarna s useɣẓan Ameba, i yesseqdacen alguritm BESO i uslugen atopoluji. Talɣa yettwaḥesben tettwaseggem sakin sɣur tarbaɛt n ufeṣṣel akken ad tennerni tergunumit d ucbuḥ n tmuɣli. Izirig irqaqen ddukklen ɣer lebni akken ad yili lmizan gar udem d tmikanikt. Ttwasiggzen-d imedyaten imezwura, ttwajerrben ɣef talwit d tezmert. Iswi n Spidique d anekcum ɣer twuri yettwasran s drus n uplastik akked usenqes n usexser n tɣawsiwin.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Spidique Akursi d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Spidique Akursi ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Spidique is a chair manufactured using 3D printing technology. Its shape calculation and design were carried out using the Ameba software, which employs the BESO (Bidirectional Evolutionary Structural Optimization) algorithm for topological optimization. A primary challenge during the design process was how to further optimize and redesign the computed chair shape.
Tigejdiwin & Akemmus: 808.56mm x 750.57mm x 799.28mm
Tibzimin: Parametric design, future, 3D printing，Innovative furniture，industrial design， modern design
Tasnakta n Ufares: 3D printing technology, PLA
Asewḥel n Usnulfu: Navigating the optimization of the chair's computed shape posed a significant challenge. Historically, chair designs have been a blend of functionality and aesthetics, crafted over centuries of human experience. Today's social perspective demands both comfort and sustainability. While computation provides precise design outcomes, it sometimes lacks the human touch essential for ergonomics and visual appeal. External factors, such as production constraints, also influenced design choices. Moreover, with evolving technology, leveraging the right tools for accurate simulations was paramount. Bridging this gap between computational efficiency and human-centric design was the crux of my challenge.
Anadi: This design research focuses on the application of 3D printing technology in furniture manufacturing, aiming to explore its potential impact on innovation and environmental sustainability. I employed a comparative analysis, contrasting the efficiency, material usage, and environmental footprint between traditional furniture production and 3D printed furniture. Data collection primarily relied on surveys involving 20 furniture designers and 100 general consumers, and we also crafted a series of prototypes using CAD software and 3D printers. The results revealed that 3D printing technology can reduce material waste by approximately 25% and shorten production time by about 30% in furniture manufacturing. This discovery underscores the significant innovation opportunities 3D printing introduces to the furniture design industry, while also presenting a reduced environmental impact. In real-life implications, this suggests that the furniture sector is on the cusp of a transformative shift, which could not only stimulate commercial growth but also reshape consumption patterns and innovative thinking in the design world.
Aseḥbiber: Plastic's introduction has drawn both praise and criticism. Its unmatched convenience makes it indispensable, but its environmental impact is concerning. In my opinion, plastic's eco-impact largely rests on our handling. When recycled efficiently, its harm lessens. Moreover, achieving design goals with minimal plastic material signifies sustainable design. Inspired by this, I'm developing a plastic-based design, leveraging simulations for structural support. Merging elegant lines into the chair's design, I aim to balance aesthetics with mechanics.
Tanzagt n Usenfar: from February 2022 to September 2023.
Chengdu, Sichuan,China
Tanila n Umahil: Operation:
1. Initialize the algorithm with set parameters.
2. Run the algorithm to get the initial chair design.
3. Designers evaluate the computer-generated model.

Process:
1. Refine the model post-review, emphasizing ergonomics.
2. Create a prototype, using methods like 3D printing.
3. Test the prototype's comfort and durability.
4. Analyze feedback, refine the design as needed, and repeat until optimal.

Interaction:
1. Designers input parameters and refine the algorithm's output.
2. Physical prototypes help designers assess design quality.
3. End-users test the chair, providing comfort and usability feedback.
4. Designers work with the production team to ensure the design is production-ready.
Imsuren n Tugniwin: Image #1:creator Yang Siqi ，2023
Image #2: Model Yang Siqi , 2023
Image #3: Model Yang Siqi , 2023
Image #4: creator Yang Siqi ，2023
Image #4: creator Yang Siqi ，2023