Ɛeddi ɣer ugbur
Goldrify Aslaɣ amecṭuḥ sɣur Vittawat Archanainant

Goldrify Aslaɣ amecṭuḥ sɣur Vittawat Archanainant d anerbaz yettwaqadren meqqren n 2024 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ifarisen d Ifecka n Tafat.


LbrunzTafat· 2024

Goldrify Aslaɣ amecṭuḥ

sɣur Vittawat Archanainant

Amsaɣ: Andwhitestudio

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tafat

24,515

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #156351

Initen

Afeṣṣel

Ɣef Goldrify Aslaɣ amecṭuḥ

Goldrify d aslaɣ amecṭuḥ udmawan yettnalγen tisertiyin d yidles n Asya s umuγ ur nettales ara yezmer ad yettubeddel yettwarnan s uṭṭunen ibesnen n yal amenyaf. S useqdec n ukerwas yettunnan s ufus deg talγa n tefsut n weḍheb, timerna n tuqqna taẓrigt tamsawant, tezzi yerna tgamant, s telγa tafessast n ukerwas, tettaǧǧa-d asnegnem fessus d ufrin n imuγa γef yal talγa, s tatiknikt n usuddem n tefsut n weḍheb γef uγerras, anamek-is d timeṛfet d tezmert, i d-yusan seg usuddem n weḍheb deg yidles n Tayland.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Goldrify Aslaɣ amecṭuḥ d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Goldrify Aslaɣ amecṭuḥ ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Goldrify Aslaɣ amecṭuḥ yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Goldrify chandelier is designed to compromise between belief and physical aesthetics in the scope of personalization, which allows adjusting sizing and rearranging patterns according to the given lucky number and generated by script to create unrepeated patterns under the concept of gold gliding from Buddhist Thai culture, which overlaying gold leaf on the sacred surface, with a gold leaf designed shape, square golden glass sheet allows to array along the surface with visually connected, while the patterns itself create an outline surface following each space.
Tigejdiwin & Akemmus
Glass module: 70mm x 70mm, Which can turn into various shapes, sizing, and patterns according to the given space with an arrangement technique of surface gliding and wrapping.
Tibzimin
Chandelier, Modern chandelier, Personalized chandelier, Digital handcraft chandelier, Modern Asian chandelier, Implicative chandelier, Lighting fixture, Installation, lighting products and fixtures design, Lighting design
Tasnakta n Ufares
From a physical point of view, the glass is made by handcrafting and blowing techniques, which are guided by a 3D model, Intended to create a natural and reduced industrial environment.

For a digital world, we create a python script to create a parametric arrangement according to the difference in sizing and shape. While generating an infinite never-repeating pattern according to the given number.
Asewḥel n Usnulfu
The challenge is how to turn subjective such as belief into the physical form of a chandelier. Since belief is a personal perspective, it is challenging to create a physical form of a chandelier with a similar understanding and perception from a different cultural point of view.
Anadi
Since chandeliers started in Europe, they have been full of imported designs in Asia. But lacking chandeliers in Asian perception that fit Asian context, architecture, and culture. From our experience in this market, we got an opportunity to interview customers, which led us to understand that from a Buddhist country's point of view, a significant object such as a chandelier is an item that needs to fulfill not only appearance. But the story and beliefs behind it are also keys to complete their satisfaction.
Aseḥbiber
Goldrify chandelier is inspired by Thai culture all Buddhists glide a gold leaf on the Buddha statue to complete the true body appearance believing it supplements their splendor, dignity, and luck as a gift from Buddha assistance. Under this inspiration, emotional and cultural value has been driven over function and luxury. Shape itself reflects the technique of Goldgliding in Thai culture which tries to connect with the beliefs of supplementing the owner's luck.
Tanzagt n Usenfar
Started in March 2022 in Thailand
Tanila n Umahil
Goldrify is composed of a goldleaf-shaped glass module, which is lightweight, allowing installation without any support above the ceiling. Since Goldrify is freely installed, the possibility of a suitable shape to be recreated with any space is widely open while the pattern is also freely arranged in the area, leading to the unrepeatable gold gliding-like patterns arraying on an invisible surface. Together with the simple shape of glass rotation and direction can visually connect in any axis which keeps the overall surface look connected.
Ibrivan
Designer : Vittawat Archanainant
Project manager : Niti Potitatkul
Igmamen n Terbaɛt
Designer : Vittawat Archanainant
Project manager : Niti Potitatkul
Imsuren n Tugniwin
Vittawat Archanainant

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