Hoshino Jinja Asegmes sɣur Shigetaka Mochizuki

Hoshino Jinja Asegmes sɣur Shigetaka Mochizuki d anerbaz yettwaqadren meqqren n 2024 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Wagama Adelsan d Yinerni Adelsan.

LfeṭṭaAgama Adelsan· 2024

Hoshino Jinja Asegmes

sɣur Shigetaka Mochizuki

Amsaɣ: Mochizuki Corporation

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agama Adelsan

130,955

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #160556

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Hoshino Jinja Asegmes

D tarrayt tamaynut i yesdukkulen titiknulujiyin tiqburin d timaynutin, am tarrayt n lebni aqbur ajappuni ur nseqdac ara iwagen n wuzzal, Ishiba-building akked usmigher n tezmert tamarwant s useddes n usleḍ azegrur amiran. Asfar, i yettwabnan s izirigen iglawan d ibedden, ɣur-s tajmilt tameẓlant meqqren yerna yettwenwa d jmilt n tebna tameṛṛant i yebnan ɣef tsensit tajappunit tamayant n tjmilt.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Hoshino Jinja Asegmes d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Hoshino Jinja Asegmes ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The simple design of the new covered hall, with its copper-sheet roof, the main element of the shrine, gabled roof, and horizontal and vertical lines of the pillars, stiles, and footings, expresses the Japanese sense of beauty with a very high level of design. This building is open to those who study, manage, and use architectural techniques, and functions as a place to learn about such knowledge.
Tigejdiwin & Akemmus: Main applications Shinto shrine
Site area 0.402248ha
Building area 0.009565ha
Total floor area 0.009277ha
Maximum height 30.8395ft
Eaves Height 20.669ft
Tibzimin: Mochizuki Corporation, Mochizuki Architects, Architectural Design Office, Shrine carpenter, traditional techniques, architect, Architect Builder,artisan,
Tasnakta n Ufares: The masonry structure employed in this building has the aptitude to resist earthquakes and typhoons without damaging the earth.
The building was calculated and planned using the limit capacity design method, which is based on the frictional and restorative forces resulting from the combination of members, a characteristic of wooden architecture. It is truly an epoch-making building that makes full use of traditional Japanese construction methods and new technologies.
Asewḥel n Usnulfu: function and reflect its role without eclipsing the sacred building. The sensitive design solution was to emphasize simplicity and strength.
Anadi: The building has been used as a training site for university and technical college students, engineers, and prefectural and city officials to foster younger generations and pass on traditional techniques, and has been widely covered by the media through several public tours. As a result, it has become possible to sustain the traditional techniques of architecture. The use of local wood contributes to tradition, culture, industry, and the environment, and the shrine has become a local landmark.
Aseḥbiber: The design, composed of horizontal and vertical continuous lines, is aesthetically pleasing and unique to Japanese architecture, and is considered an "attractive structural beauty.
An innovative approach that combines traditional Japanese construction methods that use no hardware at all with modern structural analysis and "limit strength calculations" to create buildings that will last for 100 or 200 years, blending old and new technologies.
Tanzagt n Usenfar: The project started in August 2019 in Toyokawa City, Aichi, Japan and finished in December 2021
Location 102 Kamikaizu, Hirao-chou, Toyokawa City, Aichi, Japan, Aichi,
Tanila n Umahil: Tradition evolves through innovations and is reborn as a new tradition.
Centuries-old traditional skills and craftsmanship combined with new modern practices and designs, will be bridging to a new traditional residential architecture, that carries on succession of skills.
Imsuren n Tugniwin: Photographer, Yasuo Hagiwara