Flip Tkerrust Tabeddelt sɣur Niko Kapa d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.

UzzalIferrasen· 2025

Flip Tkerrust Tabeddelt

sɣur Niko Kapa

Amsaɣ: Snk

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Iferrasen

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #166217

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Flip Tkerrust Tabeddelt

S lsas n ucḍiḍ n lmadda d tigezza n telɣa, taγara n usnefli tessexdam iḍfaren d yizirigen n tjumitrit ara d-yawin azday gar yiḥricen imgaraden yettxeddimen meṛṛa i tɣewsa. Asnefli-agi yettajja tkerrust ad tiniged gar yidigen imgaraden yerna ad terr ɣer tikli d yisutriwin n useqdac, imi tzemreḍ a tt-tbeddleḍ s ukettuy kan. Yal ayen yesεa tiɣewsa-s, yerna iferdisen meṛṛa ttekkin yid-sen i wakken ad d-rnun tasmekt tfessast maca tuǧhimt aṭas.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Flip Tkerrust Tabeddelt d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Flip Tkerrust Tabeddelt ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Flexibility and transformation are the fundamental ideas behind this design. The design allows the chair to migrate between different settings and respond to moods and needs of the user, since it can be transformed just by flipping it. This results to different seating postures and designs as per the needs of the user. Besides the alteration, this gives the product a visual consolidation, emphasizing the reduction of materials and unification of forms.
Tigejdiwin & Akemmus: Structural stability is attained by the overlapping plywood strips that curve into one another and are glued on connection points. These provide the necessary flexibility that thin layers of plywood offer as a construction material, together with the cushions attached to them. Plywood sheets are spray painted and varnished on all sides. Besides the natural beech wood finish, they come in black and white colored types.
Tibzimin: Transformable, flexible, fluid, plywood, sustainable
Tasnakta n Ufares: The manufacturing process used for the plywood is steam bending which is a low energy, low waste process using no toxic glues, just water. The process of steaming the wood also seasons it at the same as it is bent, using a fraction of the energy required in conventional kiln drying. Having in mind always the use of low environmental impact solutions, plywood is used with low VOC finishes and Bio Shield natural oil finishes, in order to reveal the textural qualities of wood construction.
Asewḥel n Usnulfu: With the fluidity of seat and the linearity if strips, the design is suggestive of plant growth. In this way it expresses the spirit of the material it is made of and reveals the textural qualities of wood construction. With an intentionally clear and simple form for this furniture, adaptation to the product philosophy of Dorma Design was taken into account, in order to make this chair complementary of company’s group of furniture and suitable for mass production.
Anadi: The research focused on how the curve segments can be combined together taking into account physically satisfying posture as well as ergonomics. Full scale mockups were produced in order to check the weight and functionality of the furniture prior to fabrication. Cushions were tested in order to act as an extension of the main framing, having as a basic principle the minimum use of material and minimum number of construction elements.
Aseḥbiber: When you bend a strip of plywood you get an elastic curve. What geometry does this curve follow? The interest in line and movement is expressed through a refined vocabulary, derived from the functional aspects of the design. The main structural elements are strips of plywood that fold in a specific and supplementary manner, in line with proportions of the human body so as to establish the dimensions of the chair.
Tanila n Umahil: Exploring the value of wooden manufacture and the flexible nature of wood as a construction material, the Flip Flop chair is constructed of a series of plywood elements. Fluid linear forms establish a visual rhythm through the graphic lines of the design. This analytical construction logic with curves and crisp lines defines a characteristic profile with a light and elegant effect.
Imsuren n Tugniwin: Studio Niko Kapa