Luck Asbeddi n Teẓuri sɣur Maja Kirovska d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.
LbrunzTaẓuri Tafessast· 2025
Luck Asbeddi n Teẓuri
sɣur Maja Kirovska
Amsaɣ: Maja Kirovska
Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Taẓuri Tafessast
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #166893Afeṣṣel
Ɣef Luck Asbeddi n Teẓuri
Aẓru d asbeddi n teẓuri amesnaktan i yesdukklen tasuret, tiɣawsiwin i yettwafeslen s ufus akked tid i yettwafen, akked tvidyut iwakken ad d-ales s temsehrawt akala n ufares n uẓru. S tewlafin i d-yettbanen tikli akked imusuyen i d-yessekanen akleyun n rebɛa n iferrawen yettuxedɛen, amahil-a yettseqsi ɣef tideț, izamulen iɣelnawanen yettwaqeblen s wukud, d tarrayin ideg tmetti tessehlay u tesqader tikti n lfeṛḥ. Yezgan di tmekti tusligt, iseqdac talɣiwin yettwassnen iwakken ad d-yessiɣẓi deg umeccwaṛ s temsehrawt tuffirt akked tutlayt tannayt tasnulfant.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lbrunz
Luck Asbeddi n Teẓuri d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Luck Asbeddi n Teẓuri ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Luck Asbeddi n Teẓuri yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- "Luck" is an conceptual art installation that combines photography, handcrafted objects, found objects, and video to represent ironically a process of manufacturing luck. Seven photographic steps demonstrate the process of creating fake four-leaf clovers and thirteen encyclopedias display dry counterfeit four-leaf clovers. This installation challenges perceptions of authenticity and luck by presenting "do-it-yourself" instructions for fabricating luck, critiquing the superficial pursuit of fortune.
- Tigejdiwin & Akemmus
- Seven digital photographs (each 460 x 305 mm), thirteen books placed on thirteen pedestals (each pedestal approx. 900 x 300 x 300 mm), video displayed on monitor (dimensions variable). Overall installation dimensions are variable and depend on exhibition space.
- Tibzimin
- irony in art, DIY, conceptual art, mixed media installation, digital photography, video art, contemporary art, participatory art, found objects, narrative art
- Tasnakta n Ufares
- The installation "Luck" combines conceptual and traditional methodologies. The pressed clovers were crafted by attaching a fourth leaf to trifoliate clovers, preserved as herbarium specimens. Encyclopedias, opened to random pages, create meaning by chance, highlighting the role of serendipity. A photographic sequence and video show the process of crafting these clovers.
- Asewḥel n Usnulfu
- The main challenge was selecting and combining media to convey the concept clearly and accessibly. Balancing visual elements with the right amount of information was crucial. Professional equipment was used to ensure high-quality documentation of the crafting process. Although the technical execution was familiar, the focus was on clarity, coherence, and strong visual communication to prompt reflection.
- Anadi
- This is a conceptual art research project grounded in personal memory and socio-cultural reflection. The objective was to explore how symbols of luck are created and socially accepted. Using visual analysis and memory, a handcrafted method was applied with tools for model- and jewelry-making. The process was documented via video and photography. The work reveals irony in superstition and false luck, using familiar media to make its message accessible and impactful.
- Aseḥbiber
- Inspired by childhood memories of creating four-leaf clovers by hand during summer holidays in the countryside, when real ones could not be found, this project revisits a self-invented crafting process. It draws from personal experience to explore the widespread cultural symbolism of the four-leaf clover, and critically examines how society constructs and embraces ideas of luck, fortune, and superficial happiness.
- Tanzagt n Usenfar
- The project started in December 2014 in Skopje and was first exhibited from December 24, 2014 to January 20, 2015 in the solo show "Cleanroom" at Gallery KO-RA, House of Culture "Koco Racin". It was later shown in 2015 at Gallery Karas, Zagreb, in 2016 at Gallery "Casa da Garrida", University Fernando Pessoa, Ponte de Lima, Portugal, and in 2021 at Beyond the Borders, Chang Kil-Hwan Art Museum, Gangneung, South Korea.
- Tanila n Umahil
- Viewers interact by moving through the space: first encountering seven photographs that act as a step-by-step guide to fabricating a four-leaf clover by attaching a fourth leaf; then exploring encyclopedias opened on random pages, each with a set of pressed clovers; finally, watching a video that reveals the clovers are naturally trifoliate. The interaction is contemplative, guiding the viewer to question constructed beliefs and the superficial pursuit of fortune.
- Imsuren n Tugniwin
- Image #1: Photographer / Ana Lazarevska, Luck, 2014.
Image #2: Photographer / Creator Maja Kirovska, Luck, 2014.
Image #3: Photographer / Creator Maja Kirovska, Luck, 2014.
Image #4: Photographer / Creator Maja Kirovska, Luck, 2014.
Image #5: Photographer / Ana Lazarevska, Luck, 2014.
Video Credits: Videographer/ Maja Kirovska, Luck, 2014.
Yettwaxellṣen
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