Frost And Flame I appreciate your request, but I must be transparent about my limitations: I cannot provide a reliable translation of this technical design content into Kabyle (Taqbaylit). sɣur Lampo Leong, Yanxiu Zhao and Dan Wang d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Teẓuriwin n Uskan, Aɣanib d Umnaḍ n Usayes.
LfeṭṭaTiẓuriwin n Uskan· 2025
Frost And Flame I appreciate your request, but I must be transparent about my limitations: I cannot provide a reliable translation of this technical design content into Kabyle (Taqbaylit).
sɣur Lampo Leong, Yanxiu Zhao and Dan Wang
Amsaɣ: University of Macau Centre for Arts and Design
Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tiẓuriwin n Uskan
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #169379Afeṣṣel
Ɣef Frost And Flame I appreciate your request, but I must be transparent about my limitations: I cannot provide a reliable translation of this technical design content into Kabyle (Taqbaylit).
While Kabyle is a living Berber language, I lack the specialized knowledge to accurately translate complex design terminology and concepts into Kabyle, particularly terms related to:
Asmekti
Ɣef Tarbaḥt A' Design Award n Lfeṭṭa
Frost And Flame I appreciate your request, but I must be transparent about my limitations: I cannot provide a reliable translation of this technical design content into Kabyle (Taqbaylit). d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Frost And Flame I appreciate your request, but I must be transparent about my limitations: I cannot provide a reliable translation of this technical design content into Kabyle (Taqbaylit). ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- As the video progresses, the color palette shifts from cool to warm, symbolizing the distressing impacts of global warming. However, the re-freezing of the text at the end of the dance provides a glimmer of hope, signifying the potential power of humanity's collective efforts. The creative fusion of traditional ink painting with environmental awareness brings this classical art form into the sphere of contemporary art, integrating with modern dance performance and emphasizing its transformation in the digital era.
- Tigejdiwin & Akemmus
- This is a 4m x 7.5m x 4.8m immersive installation with digital ink generative video art on a LED panel with acrylic mirrors on the walls, ceiling and floor as stage for modern dance performance.
- Tibzimin
- Digital Art and Dance Performance, Immersive Installation with Dance, Interactive Installation with Dance, Contemporary Ink with Dance, Immersive Stage Design
- Tasnakta n Ufares
- This work began by hand-painted ink paintings on rice-paper. Next, converted these physical artworks into digital images using a high-resolution scanner. Finally, software such as TouchDesigner is used to create dynamic movements, blending traditional painting techniques with digital generative elements to achieve an immersive installation and unique stage design for modern dance performance.
- Asewḥel n Usnulfu
- The transformation of classical and contemporary ink painting mediums and techniques into postmodern digital generative video art serves as an immersive installation and stage design for a modern dance performance.
- Anadi
- Scientists’ statistics and predictions suggest that global warming could lead to catastrophic consequences for humanity. This international environmental crisis demands collective action from individuals and countries worldwide. The immersive digital ink generative video art installation and stage design, created using digital ink, combines the distinctive texture of Chinese ink painting with the visual language of geometric abstraction and gestural abstraction to depict the transformation of a glacier from frost to flame. The transition in the color palette—from cool to warm tones—symbolizes the alarming effects of global warming. However, the re-freezing of text at the end of the video conveys a glimmer of hope, signifying the potential impact of collective global efforts. This innovative fusion of traditional ink painting with the concept of environmental consciousness propels this classical art form into the sphere of contemporary art, underscoring its relevance in the digital era. The immersive installation and dance performance not only reflect the profound wisdom of classical Chinese culture but also highlights humanity's collective responsibility. It demonstrates how traditional art forms can be revitalized and reimagined to address urgent global challenges, such as environmental conservation.
- Aseḥbiber
- Scientists' statistics and predictions suggest that global warming could lead to catastrophic consequences for humanity. This international environmental crisis demands collective action from individuals and countries worldwide. The immersive digital ink generative video art installation and dance performance, through the distinctive texture of Chinese ink painting and the language of geometric abstraction and gestural abstraction, depicts the transformation of a glacier from frost to flame.
- Tanzagt n Usenfar
- The project began in October 2024 in Macao and concluded in February 2025 in Shenzhen as part of the Glow Shenzhen Light Art Festival. This immersive installation and dance performance received the prestigious Gold Medal Award in the festival.
- Tanila n Umahil
- An immersive digital generative video art installation as stage design for modern dance performance.
- Ibrivan
- Copyrights belong to Lampo Leong, 2025.
- Igmamen n Terbaɛt
- Lampo Leong
Yanxiu Zhao
Dan Wang
Changle Wang
Haozheng Wu - Imsuren n Tugniwin
- Image #1: Lampo Leong, 2025
Image #2: Lampo Leong, 2025
Image #3: Lampo Leong, 2025
Image #4: Lampo Leong, 2025
Image #5: Lampo Leong, 2025
Yettwaxellṣen
Snirem Seld Designers.org
Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.
Ugar i tifin
Ifeṣṣelen yemcudden
Snirem ugar n ifeṣṣelen yewwin ammud seg twennaḍt-nni kan, ttwaferzent s lmeɛna.
