Ɛeddi ɣer ugbur
Circus Tasuqilt n Tmesrayin n Djaj sɣur Egemen Kemal Vurusan

Circus Tasuqilt n Tmesrayin n Djaj sɣur Egemen Kemal Vurusan d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.


UzzalTaẓuri Tafessast· 2025

Circus Tasuqilt n Tmesrayin n Djaj

sɣur Egemen Kemal Vurusan

Amsaɣ: Usta Design

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Taẓuri Tafessast

15,466

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #170504

Initen

Afeṣṣel

Ɣef Circus Tasuqilt n Tmesrayin n Djaj

Circus d tasuqilt n tmesrayin n djaj i d-yefkan asirem seg imahilen n circus. Tafuk-nsent tettwaxdem seg djaj n taddart yellan d azal ameqqran (soda-lime), s tarrayin n uneffukh d useglem n djaj yeskkasen. Ini-s ibirek, imgirriden gar wa d wa, akked tissekniwin tibarraniyin ur nemsawa ara, d asuffeɣ n tuggdi n tudert n tmurt tatrart n wass-a. Tiferdisin (aḍenṭaḍ) akked iḍarren n yal tamsart ttwarnan s useglem s uḥmu, ma d asseglem s uḥmu (thermal annealing) ittarra taɣara-nsen ɣer tewsatin tineggura. Yal tamsart ttwaxdem s ufus s telqey tameqqrant iwakken ad tesɛu lmizan d tuɣalin s telqey. Circus tettwaxdem i lmuqel, akken ara d-tban tban-d yettbeddil s tafat n twennaḍt akked tefṛant n uwala.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Circus Tasuqilt n Tmesrayin n Djaj d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Circus Tasuqilt n Tmesrayin n Djaj ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Circus is a contemporary glass art series created using hot glass blowing and shaping techniques. Inspired by circus performers, the sculptures reflect the chaos and unpredictability of urban life through bold, mismatched colors and dynamic forms. Each piece is meticulously handcrafted, emphasizing craftsmanship and artistic expression. The use of exaggerated shapes and vibrant contrasts sets this series apart, offering a critical yet playful commentary on modern cityscapes.
Tigejdiwin & Akemmus
(Left to Right) Product dimensions:
1. 300 mm (W) x 250 mm (D) x 750 mm (H)
2. 350 mm (W) x 230 mm (D) x 280 mm(H),
3. 420 mm (W) x 250 mm (D) x 300mm (H) Fabricated using advanced hot glass sculpture techniques, the ball and legs are attached via a hot bonding process to ensure robust integration. Each piece's legs were meticulously produced with high precision for optimal balance and stability. The design process began with detailed 2D sketches on an iPad using Sketchbook, guiding the creation of dynamic, asymmetrical forms.
Tibzimin
Circus, hot glass sculpture, urban chaos, dark humor, asymmetrical forms, precision hot bonding, contemporary art, dynamic color contrasts
Tasnakta n Ufares
Utilizing advanced hot glass blowing and shaping techniques, Circus was crafted from high-grade soda-lime glass. Thermal annealing was applied for form stabilization, while precision color segmentation accentuated contrasting hues. The design process began with detailed 2D sketches on an iPad using Sketchbook, guiding the iterative creation of asymmetrical, dynamic forms inspired by circus performers.
Asewḥel n Usnulfu
The main challenge was translating the unpredictability of urban chaos into controlled glass forms while maintaining artistic intent. Hot glass blowing requires precision, yet the concept demanded organic, dynamic shapes. Socially, balancing dark humor with meaningful critique posed a challenge. Limited access to specialized pigments and shaping tools added complexity. Overcoming these obstacles led to a fusion of satire and craftsmanship, pushing the boundaries of narrative-driven glass art.
Anadi
This research explores the intersection of satire, social critique, and glass artistry. The objective was to reflect urban chaos through circus-inspired sculptural forms using advanced hot glass blowing techniques. A practice-based methodology combined material experimentation with color theory analysis. Data was collected through iterative prototyping and audience feedback. The findings revealed how form and color evoke emotions, offering insights into visual storytelling. This research contributes to contemporary art and design by fostering deeper engagement with societal themes.
Aseḥbiber
Inspired by the disorder and unpredictability of modern urban life, Circus references circus performers to critique social chaos with dark humor. Motivated by a desire to merge satire and artistry, the series employs advanced hot glass blowing techniques and color theory exploration to achieve visually striking, sculptural forms.
Tanzagt n Usenfar
The project commenced in 2024 in Istanbul. It is regularly featured in local art exhibitions and cultural events, reflecting its evolving creative vision and the dynamic spirit of contemporary urban art.
Tanila n Umahil
This sculpture is designed for passive observation, without the need for direct interaction. Its appearance subtly changes with the ambient light and viewer's perspective, revealing different textures and vibrant hues. Key moments occur when light and shadow interplay to highlight its form, creating an engaging experience that captures the dynamic energy of urban life
Imsuren n Tugniwin
Photo Credit: Okan Kaya

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Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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