Ab Chair Akersi n Usteɛfu sɣur Eduardo Acero

Ab Chair Akersi n Usteɛfu sɣur Eduardo Acero d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.

LbrunzIferrasen· 2026

Ab Chair Akersi n Usteɛfu

sɣur Eduardo Acero

Amsaɣ: Eduardo Acero Rodriguez

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Iferrasen

7,808

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #176570

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Ab Chair Akersi n Usteɛfu

Ab Chair d akersi n usteɛfu yettwaxedmen i wesgunfu deg ixxamen atraren. Takti-ines tesɛa aqcuc n usɣar ipulikini yettwaseknen s uglim n usɣar aɣelnaw, i yeṭṭfen isumtiyen yettwaɣummen s ucettiḍ aleggaɣ s yini imtawan. Isumtiyen sseqdacen taεekkumt n lmusa s teneẓẓi meqqren i lḥir d tezmert. Lsas n aluminyum yettwafesyen i yettezzin irennu arkad d umussu isehlen. Yiwen n uṭuman i as-yemṣadan yettεawan tafekka akken ad testeεfu s lekmal-is. Izirigen ileggaɣen d lqedd imtawan ttaken i ukersi talɣa am tin n uneqqac. Afares yesdukkel taxeddimt s tmacinin CNC akked tarrayin timensayin n uɣummu.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Ab Chair Akersi n Usteɛfu d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Ab Chair Akersi n Usteɛfu ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Ab Chair Akersi n Usteɛfu yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This lounge chair combines ergonomic comfort with sculptural elegance, featuring a molded wooden shell that cradles upholstered cushions in soft, neutral fabric. Its design balances precision and warmth, uniting natural materials with contemporary craftsmanship. The swivel base provides flexibility, while the integrated ottoman enhances relaxation. Defined by fluid lines and thoughtful proportions, it distinguishes itself as both a functional seat and a refined design.
Tigejdiwin & Akemmus: Chair: Height 840 mm x Wide 840 mm x Deep 880 mm
Ottoman: Height 420 mm x Wide 630 mm x Deep 500 mm
Tibzimin: lounge chair, ergonomic design, sculptural furniture, contemporary seating, modern craftsmanship, plywood shell, upholstered comfort, swivel base, conceptual furniture, design innovation
Tasnakta n Ufares: The concept envisions a molded plywood shell with natural veneer to achieve both strength and sculptural form. Cushions are proposed in high-density foam with textile upholstery to ensure comfort and durability. A cast aluminum swivel base provides stability and flexibility. The realization would rely on CNC machining for precision, combined with traditional upholstery techniques to highlight craftsmanship within a contemporary production framework.
Asewḥel n Usnulfu: The main challenge was uniting ergonomic comfort with a sculptural identity while keeping the design feasible for production. Internally, balancing proportions and ensuring posture support demanded continuous refinement. Externally, limits of material behavior, sustainable sourcing, and potential manufacturing methods shaped the design. Overcoming these obstacles led to a concept that harmonizes function, aesthetics, and future production possibilities.
Anadi: This research was conceptual design research aimed at creating a lounge chair that merges ergonomics with sculptural form. The objective was to study posture and material potential. Methodology included digital modeling and ergonomic analysis, using 3D software as main tools. Participants were posture studies and design simulations. Results showed the value of fluid proportions, leading to insights on comfort and aesthetics. The impact highlights how design can enhance well being and enrich furniture culture.
Aseḥbiber: Inspired by the harmony between nature and modern living, this design draws from the organic fluidity of wood and the softness of upholstered comfort. The concept emerged from a study of human posture and the desire to merge ergonomics with sculptural elegance. Research into traditional craftsmanship and contemporary production methods informed the balance of warmth, durability, and precision, creating a timeless piece that invites both rest and reflection.
Tanzagt n Usenfar: The project Start in May 2025 in New York and finished July 2025
Tanila n Umahil: The chair is designed to invite relaxation through intuitive use. Its gently reclined form and supportive cushions naturally adapt to the body, while the swivel base allows smooth movement without effort. The accompanying ottoman extends comfort, encouraging a full resting posture. By combining ergonomic proportions with a seamless flow of materials, the interaction feels effortless, offering a balance of functionality and calmness in daily living.
Igmamen n Terbaɛt: Eduardo Acero
Imsuren n Tugniwin: Eduardo Acero Rodriguez