Cube Asufag deg-s Ṭṭabla sɣur Saya Takamine

Cube Asufag deg-s Ṭṭabla sɣur Saya Takamine d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.

UzzalIferrasen· 2026

Cube Asufag deg-s Ṭṭabla

sɣur Saya Takamine

Amsaɣ: Saya Takamine

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Iferrasen

5,431

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #179553

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Cube Asufag deg-s Ṭṭabla

Taḥerfit-agi tekka-d seg umgirred gar ubiṭun d tizegzewt i nettaf deg twennaṭ n temdint n yal ass. Iferdisen igamanen turmiden ttwaselken ɣer tutlayt n ufeṣṣel tanezgunt. Udem-is yesmektay-d abiṭun yebzeg s ugeffur, ma d icettiḍen sbegginen-d taḥercawt d war-alugen n wugur. Ini aẓerwal asemmaḍ akked yiwet n tduli n ṭṭabla iwehden sbedden-d azal i tnalit d wassaɣen n yiniten. Uḥcic n lekdeb yettwaxelḍen yessekcam-d tilin tagamant yettwaḥebsen maca yettbanen. S usenqed uḥric n wadeg d teɣzi, taḥerfit-agi tewweḍ ɣer umtawi n uẓri deg twennaṭ-ines.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Cube Asufag deg-s Ṭṭabla d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Cube Asufag deg-s Ṭṭabla ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Cube is a modular furniture piece that integrates seating and surface functions within a unified, sculptural form.
The texture of concrete is expressed through a curated combination of different fabrics which is achieving a solid appearance with tactile softness.
Inspired by Karesansui, faux moss representing plants is arranged in a natural and restrained yet noticeable balance. The three blocks have different aspect ratios, translating the accidental beauty found in natural concrete cracks into geometric design. The inverted trapezoidal form provides a wide, comfortable seat while minimizing floor contact, allowing the piece to harmonize with the surrounding space.
Tigejdiwin & Akemmus: Depth 600 mm x Width 650 mm x Seat Height 370 mm
Tibzimin: Sofa, Table, Concrete, Greenery, Plants, Moss, Contrast, Artificial, Urban Landscape
Tasnakta n Ufares: The internal structure is primarily made of plywood, achieving a lightweight form while maintaining the appearance of concrete. The two sofa cubes incorporate cushioning materials and soft, tactile fabrics, creating seating surfaces that visually resemble concrete yet remain comfortable and inviting.
Asewḥel n Usnulfu: Determining the taper angle of the base and achieving a realistic visual balance were major challenges. Even a one degree difference in the taper significantly affected the overall impression and proportions, requiring the examination of numerous 3D models. In pursuit of realism, extensive experimentation was conducted to identify the optimal fabric combinations and paint color adjustments to express the texture of concrete.
Anadi: In the process of translating the concept into a product, existing furniture was researched and evaluated based on real world usability. This informed a balance between visual appeal and functional comfort. From the structural framework to the upholstery, the piece was repeatedly examined and refined from a makers perspective, leading to continuous improvements throughout the production process.
Aseḥbiber: This project draws inspiration from the contrast between the inorganic, artificial concrete that fills urban environments and the greenery that sprouts powerfully from its crevices. It aims to transform the relationship between artificial outdoor elements and the modest yet vigorous vitality of the plants thriving within them into an indoor object at a scale suitable for everyday living spaces.
Tanzagt n Usenfar: The project started in June 2025 and finished September 2025 in Okinawa, Japan
Tanila n Umahil: Of the three cubes, two function as cushioned sofas and one as a wooden table. The table can hold drinks or books, encouraging communication with others, while also allowing a single user to relax comfortably with ample space. While the concept is fully expressed when all three cubes are combined, each cube can also be used independently, allowing flexible arrangements depending on the occasion and environment.
Imsuren n Tugniwin: Image #1-5: Saya Takamine, Hiroto Nakamura