Lacey Isvaren imeqqranen sɣur Diana Sokolic

Lacey Isvaren imeqqranen sɣur Diana Sokolic d anerbaz yettwaqadren meqqren n 2015 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Isegbaren n Tmuḍa d Usikel.

LbrunzAsegbar· 2015

Lacey Isvaren imeqqranen

sɣur Diana Sokolic

Amsaɣ: Diana Sokolic

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Asegbar

18,101

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #35692

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Lacey Isvaren imeqqranen

Akk nessaɛa tidderɣelt yeččuṛen s rebṭ i xedmen yemmawen-nneɣ d siṭṭatwen-nneɣ. Imendilen-a ttusqedcen d ccetla ɣef ttbulin n lqehwa, tilivizyunat, neɣ ttkarayen. Ass-a, sɛan azal n ul, maca ulac aseqdec-nsen. Diana Sokolic texdem isvaren imeqqranen s rebṭ ger sin n teḥbult n Plexiglas azeddig. Tiḥbulin timeǧhudin i xedmen s leḥmala d ṣṣbeṛ uɣalen-d ɣer unamek-nsen, qqnen azekkaz-nneɣ d assa.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Lacey Isvaren imeqqranen d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Lacey Isvaren imeqqranen ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Lacey Isvaren imeqqranen yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Our great grandmothers and grandmothers were brought up to play piano, read poetry and make lace. In the 60ies, their daughters kept those lace doyleys under the glass on coffee tables and commodes. Now we have drawers full of lace and needlework. It has no use in modernly furnished flats, it hass just an emotional value.
I have made cuff bracelets with lace between two plates of transparent Plexiglas.
In this way the lace has kept its transparency, gained new use, at the same time recognizing the women who made it and those who kept it for us.
Tigejdiwin & Akemmus: 130 x 75 x 50 mm
Tibzimin: lace,cuff bracelet, accessorie, fashion
Tasnakta n Ufares: Lace and PMMA
I did not want to put delicate lace in a metal frame or any other heavy material. So I decided to put it between two pieces of transparent Plexiglas.
Asewḥel n Usnulfu: Since PMMA has to be heated in order to be bent, the most challenging part was how to heat it without burning the delicate threads of needlework and then how to connect the lace and the Plexiglas without the glue.
Anadi: This project was technically the most diffucult one for me. I was affraid that I will burn the lace while experimenting with different temperatures in order to bent the PMMA, since I could not experiment with something else except the lace itself.
PMMA plates have to be really hot in order to stick to one another, while the lace is between the layers.
I had to find lace doyleys which are not to big because cuffs have to be weareable.
Aseḥbiber: From time to time I open the drawer with lace and needlework kept between sheets of thin white paper. I look at them with love and patience, expecting to hear them talking to me. I know that those pieces want to be used again, that they want to show their beauty. And one day it just happened! They talked to me!
Tanzagt n Usenfar: I have made these bracelets in my hometown Zagreb, Croatia
and the process lasted for several month.
This project has not been shown jet.
Tanila n Umahil: Cuffs are open at the back so one size fits all
Igmamen n Terbaɛt: Diana Sokolic
Imsuren n Tugniwin: Diana Sokolic, 2014.