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Original by Nature ការតំឡើងសិល្បៈ by Egemen Kemal Vurusan

Original by Nature ការតំឡើងសិល្បៈ by Egemen Kemal Vurusan is a highly esteemed winner of the very prestigious 2025 A' Design Award កម្រិតដែក in រចនាវិចិត្រសិល្បៈ និងការដំឡើងសិល្បៈ Competition Category.


ដែកវិចិត្រសិល្បៈ· 2025

Original by Nature ការតំឡើងសិល្បៈ

by Egemen Kemal Vurusan

Client: Egemen Kemal Vurusan

A' Design Award កម្រិតដែក Winner in វិចិត្រសិល្បៈ Category

Colors

The Design

About Original by Nature ការតំឡើងសិល្បៈ

Original by Nature គឺជាការតំឡើងសិល្បៈមួយដែលបំប្លែងដបកញ្ចក់ដែលបោះចោលឲ្យទៅជារូបសណ្ឋានប្រតិមាដែលហូរស្ទាត់។ ដបទាំងនោះត្រូវបានធ្វើឲ្យមានរាងថ្មីដោយកម្ដៅ និងគំរូតាមរយៈវិធីសាស្ត្រ upcycling កម្រិតខ្ពស់។ រូបសណ្ឋានកញ្ចក់នីមួយៗផ្ទុកនូវប្រព័ន្ធភ្ជាប់ជាមួយទឹក (hydroponic) ដែលអនុញ្ញាតឲ្យរុក្ខជាតិដុះលូតលាស់នៅខាងក្នុងការតំឡើងនេះ។ ប្រព័ន្ធស្រោចទឹកគ្រប់គ្រងដោយឧបករណ៍ចាប់សញ្ញា ផ្គត់ផ្គង់ទឹកទៅគ្រប់ម៉ូឌុលនីមួយៗ ខណៈពន្លឺអ៊ុលត្រាវីយូឡែតពណ៌ស្វាយនៅផ្នែកខាងក្រោយជួយគាំទ្រការលូតលាស់របស់រុក្ខជាតិ។ ឯកតាម៉ូឌុលចម្បងមានទំហំទទឹង 5000 មម ជម្រៅ 2000 មម និងកម្ពស់ 3500 មម។ ស្នាដៃនេះផ្សំបញ្ចូលគ្នារវាងសិល្បៈ ធម្មជាតិ និងបច្ចេកវិទ្យា ដើម្បីធ្វើឲ្យនិរន្តរភាពមើលឃើញច្បាស់។

The Recognition

About the A' Design Award កម្រិតដែក

Original by Nature ការតំឡើងសិល្បៈ គឺជាអ្នកឈ្នះ A' Design Award កម្រិតដែក ដែលជាការទទួលស្គាល់ដ៏មានកិត្តិយសចំពោះការរចនាល្អដែលបំពេញតម្រូវការវិជ្ជាជីវៈ និងឧស្សាហកម្មដែលរំពឹងពីស្នាដៃដែលបានរចនាយ៉ាងល្អ។ អ្នកឈ្នះកម្រិតដែកបង្ហាញពីជំនាញខ្ពស់ ជំនាញឯកទេស ការយល់ដឹងរបស់អ្នកជំនាញ និងសមត្ថភាពច្នៃប្រឌិតរបស់អ្នកបង្កើត។ Original by Nature ការតំឡើងសិល្បៈ ត្រូវបានរំពឹងថាជាស្នាដៃដែលត្រូវបានគោរព កោតសរសើរ និងស្រឡាញ់ ដែលអនុវត្តបាន និងថ្មីថ្មោង។ ការរចនាកម្រិតដែកនេះរួមបញ្ចូលវិធីល្អបំផុតរបស់ឧស្សាហកម្ម ហើយមានលក្ខណៈបច្ចេកទេសដែលមានសមត្ថភាព ភ្ជាប់ជាមួយជំនាញ និងទេពកោសល្យ។ Original by Nature ការតំឡើងសិល្បៈ ត្រូវបានគោរពចំពោះភាពហ្មត់ចត់ ហើយត្រូវបានរចនាដើម្បីកែលម្អគុណភាពជីវិត និងធ្វើឱ្យពិភពលោកកាន់តែល្អ។

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
This design redefines the potential of glass by transforming discarded bottles into fluid, amorphous forms through advanced upcycling techniques. Inspired by the continuous movement of water, the installation merges sustainability with artistic expression, turning glass into both a functional and aesthetic element. Presented in the exhibition, this project highlights the cyclical nature of transformation, where waste glass is reborn as a medium for urban agriculture and digital art.
Dimensions & Packaging
Physical Installation Details:
Main Modular Unit: 5000 mm (W) x 2000 mm (D) x 3500mm (H)
The glass components are upcycled via high-temperature annealing (approx. 850°C) to achieve amorphous forms. The integrated hydroponic system features sensor-controlled irrigation delivering 0.5 L/min per module. Additionally, purple UV lights positioned at the back of the installation enhance photosynthesis, supporting optimal plant growth.
Tags
urban agriculture, glass upcycling, hydroponics, sustainable design, digital art integration, interactive installation, eco-friendly innovation, cyclic transformation
Production Technology
This project utilizes advanced glass blowing upcycling techniques, including thermal deformation and mold-based reshaping, to transform discarded bottles into amorphous sculptural forms. The integration of hydroponic systems within these glass structures enables sustainable urban agriculture. Digital art, design principles, and plant growing were employed to achieve seamless structural integrity, ensuring both aesthetic fluidity and functional resilience.
Design Challenge
The biggest challenge was transforming discarded glass into organic, fluid forms without compromising structural integrity. Balancing artistic expression with hydroponic functionality required extensive material experimentation. Limited access to specialized recycling technologies and shaping techniques added complexity. Socially, raising awareness of glass upcycling’s potential was crucial. Overcoming these obstacles led to an innovative fusion of sustainability, art, and urban agriculture.
Research
This research explores sustainable design through glass upcycling and urban agriculture. The objective was to repurpose discarded glass into functional, aesthetic forms supporting hydroponic growth. Using experimental prototyping, material analysis, and user interaction studies, data was collected through iterative testing and observational feedback. The findings highlight glass’s adaptability, demonstrating its potential in eco-conscious design. This research contributes to sustainable production methods, influencing both environmental awareness and future urban agriculture initiatives.
Inspiration
This project, centered on an urban agriculture system driven by the advanced upcycling of used bottles, represents the completion of a life cycle. Discarded bottles are repurposed into artistic, amorphous forms, while simultaneously serving as vessels for hydroponic plant cultivation. Inspired by the purity and continuity of natural spring waters, the Original By Nature project is, at its core, a sustainability initiative, aiming to harmonize art, innovation, and environmental responsibility.
Project Duration
This project took place from March 1-22, 2022 at Akaretler Sıraevler in Besiktas, Istanbul
Operation Flow
This installation transforms discarded glass bottles into fluid, sculptural forms that serve as vessels for hydroponic plant growth. Visitors engage with the piece by observing how water and plants interact within the glass structures, highlighting the beauty of sustainable transformation. The seamless fusion of art, nature, and technology creates an immersive experience, making sustainability tangible while demonstrating the potential of upcycled materials in urban agriculture.
Image Credits
Main image 1: Photographer, Numan Alkan, Celal Burak Özgül, 2022
Optional image 1: Photographer, Numan Alkan, Celal Burak Özgül, 2022
Optional image 2: Photographer, Numan Alkan, Celal Burak Özgül, 2022
Optional image 3: Photographer, Numan Alkan, Celal Burak Özgül, 2022
Optional image 4: Photographer, Numan Alkan, Celal Burak Özgül, 2022

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