GGO Biomorphic គ្រឿងសង្ហារិមសាលទទួលភ្ញៀវ by Yoko Komatsu and Hajime Tokura

GGO Biomorphic គ្រឿងសង្ហារិមសាលទទួលភ្ញៀវ by Yoko Komatsu and Hajime Tokura is a highly esteemed winner of the very prestigious 2026 A' Design Award កម្រិតមាស in រចនាគ្រឿងសង្ហារិម Competition Category.

មាសគ្រឿងសង្ហារិម· 2026

GGO Biomorphic គ្រឿងសង្ហារិមសាលទទួលភ្ញៀវ

by Yoko Komatsu and Hajime Tokura

Client: Grand Green Osaka JV Group

A' Design Award កម្រិតមាស Winner in គ្រឿងសង្ហារិម Category

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The Design

About GGO Biomorphic គ្រឿងសង្ហារិមសាលទទួលភ្ញៀវ

ស្ថិតនៅ Grand Green Osaka កៅអីវែងបែបជីវរូបនេះ ដែលមានប្រវែង ១៦ ម៉ែត្រ ត្រូវបានផលិតឡើងពីឈើអុកជប៉ុន។ បច្ចេកទេសផលិតកម្មឌីជីថលទំនើបត្រូវបានប្រើប្រាស់ដើម្បីផ្គុំគ្រឿងបន្លាស់ចំនួនជាង ៦,០០០ ចំណែកចូលទៅក្នុងឯកតាសរីរាង្គចំនួន ២៩។ គ្រឿងបន្ថែមដែកទាំងអស់ត្រូវបានលាក់បាំងដោយជោគជ័យតាមរយៈប្រព័ន្ធតភ្ជាប់ដែលលាក់កំបាំង។ នៅក្នុងគ្រឿងសង្ហារិមសាធារណៈបែបចម្លាក់នេះ សិប្បកម្មប្រពៃណីដោយដៃត្រូវបានបញ្ចូលគ្នាជាមួយនឹងការរចនាគណនាបែបប៉ារ៉ាម៉ែត្រ។ វាត្រូវបានរចនាឡើងដើម្បីដំណើរការជាទាំងកៅអីសម្រាកនិងជាធុងដាំរុក្ខជាតិនៅក្នុងទីតាំងសាលទទួលភ្ញៀវ។

The Recognition

About the A' Design Award កម្រិតមាស

GGO Biomorphic គ្រឿងសង្ហារិមសាលទទួលភ្ញៀវ គឺជាអ្នកឈ្នះ A' Design Award កម្រិតមាស ដែលជាការទទួលស្គាល់ដ៏មានកិត្តិយសខ្ពស់ចំពោះការរចនាថ្នាក់ទីមួយ អស្ចារ្យ និងឆ្នើម។ អ្នកឈ្នះកម្រិតមាសគឺជាស្នាដៃច្នៃប្រឌិតខ្លាំង មានទស្សនវិស័យ ភ្លឺចែងចាំង ដែលឆ្លុះបញ្ចាំងទេពកោសល្យ ប្រាជ្ញា និងសមត្ថភាពរបស់អ្នករចនា។ GGO Biomorphic គ្រឿងសង្ហារិមសាលទទួលភ្ញៀវ ត្រូវបានរំពឹងថាជាការច្នៃប្រឌិតដែលត្រូវបានសរសើរខ្លាំង បង្កើតនិន្នាការ និងផ្តល់តម្លៃមិនធ្លាប់មាន។ ការរចនាកម្រិតមាសនេះគឺជាគម្រោងដ៏អស្ចារ្យដែលពង្រីកព្រំដែននៃសិល្បៈ វិទ្យាសាស្ត្រ ការរចនា និងបច្ចេកវិទ្យា។ GGO Biomorphic គ្រឿងសង្ហារិមសាលទទួលភ្ញៀវ បង្កើតចំណង់ខ្លាំង បំផុសចំណង់ចំណូលចិត្ត លើកទឹកចិត្តការច្នៃប្រឌិត និងទាក់ទាញចិត្តយើង។

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
Dimensions & Packaging: Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
Tags: Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
Production Technology: The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
Design Challenge: The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
Research: Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
Inspiration: Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
Project Duration: The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
Operation Flow: Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
Patents: Copyrights belong to KOKUYO Co., Ltd., 2025.
Team Members: Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao
Image Credits: Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.