រំលងទៅមាតិកា
Franco Pupillo

អ៊ីតាលីពិព័រណ៍ពាណិជ្ជកម្ម

បទសម្ភាសន៍ជាមួយ Franco Pupillo

អានបទសម្ភាសន៍ជាមួយ Franco Pupillo៖ ស្វែងយល់អំពីទស្សនវិជ្ជា ដំណើរការច្នៃប្រឌិត និងស្នាដៃដែលទទួលបានពានរង្វាន់។

ប្រវត្តិរូបអ្នករចនា

យើងមានបទសម្ភាសន៍ជាច្រើនជាមួយ Franco Pupillo។

បទសម្ភាសន៍ទាំងនោះត្រូវបានបោះពុម្ពផ្សាយជាភាសាអង់គ្លេសតែប៉ុណ្ណោះ ហើយត្រូវបានបង្ហាញខាងក្រោមជាភាសាដើម។

បើកទំព័រភាសាអង់គ្លេស

បទសម្ភាសន៍អ្នករចនាប្រចាំថ្ងៃ

18 សំណួរ

I started working when I was very young, after the art institute I enrolled in the Faculty of Architecture in Florence and at the same time I opened the office together with a classmate.

Could you please tell us about your experience as a designer, artist, architect or creator?

I started working when I was very young, after the art institute I enrolled in the Faculty of Architecture in Florence and at the same time I opened the office together with a classmate. We worked in furniture and advertising as well as studying. From there started the long experience that has grown in several directions, based on the requests and trust of the customers and this made me develop a sensitivity that still allows me to take care of every area of communication. I am convinced that every specialization must be coordinated by a director who knows the company's philosophy. We have often grown together with our customers, one of the most significant experiences was with NOMINATION jewelery, we started with a small project and we managed to manage all the communication both Italian and international. A true complete service, we managed advertising campaigns, media buying, public relations, packaging and stands for all jewelry fairs in the world, including Basel. Another important client was THE BRIDGE bags, we worked together for almost twenty years, starting with a project to renew the identity up to the complete management of the communication. For DESMO handbags we created the logo, a four-leaf clover formed with DESMO's four Ds, which then became a chandelier made up of 370 transparent LED-illuminated plexiglass tubes, in the stores we designed for them.

How did you become a designer?

When I went to middle school, I was attracted by manual work and drawing. During the last year I received an invitation to visit the Institute of Art Policarpo Petrocchi of Pistoia, as soon as I entered the school, with my mother, I saw some works that made me fall in love and I decided to attend that school . I had important Masters, who taught me love for the subject and above all that you learn by doing. Later I attended the Faculty of Architecture in Florence.

What are your priorities, technique and style when designing?

Before starting to design I gather information, I try to get to know the company well to understand its philosophy, what distinguishes it and what it wants to achieve. Then I do research to find inspiration and start evaluating the right materials for the project. Normally I value more than one solution that I visualize with hand-made drawings, this allows me to understand and choose what to draw with renderings. I begin to design considering all the elements collected, then I remove until leaving the essential to represent the idea, the one that identifies it for its uniqueness.

Which emotions do you feel when designing?

I feel important, I know that I can do something special, useful, which allows me to express myself with my experience and sensitivity. A great job then generates word of mouth, because all the jobs talk about us. The most delicate and exciting phase is to find the idea, the one that makes the difference, but I also like the verification of materials and feasibility techniques, where you need to be concrete and humble to interact with those who will then have to carry out the project.

What particular aspects of your background shaped you as a designer?

Surely the curiosity, I like to observe and understand how things are made, see the beauty of nature, learn. I love traveling, seeing new places and getting to know them. It gives me excitement to see the differences, how culture affects the development of cities and what happens in the world. Traveling, seeing museums, art, architecture, are a richness, a stimulus for new ideas and for improvement.

What is your growth path? What are your future plans? What is your dream design project?

My path, from the first steps, was based on the knowledge of the techniques to be able to design in a concrete, practical way, also considering the feasibility and production costs. The skill for me is also in making sustainable projects, without waste. I'd like to design a new, functional commercial environment that can interact with online sales without losing the charm of "shopping". But even finding a solution to solve the packaging problem, we are inundated with waste, we cannot continue to pollute the earth, now even the seas are full of plastic and we have lost control. Another dream is to design a golf course, my sport.

What are your advices to designers who are at the beginning of their career?

In my experience, I recommend having courage to express oneself according to one's nature and try to innovate through beauty. Learning the techniques and understanding why you do something, knowing the materials and following the projects to understand how they are made is a professional value that enriches and makes the difference. It is very important to study the masters, to learn from what they have achieved, this applies to everyone, you never stop learning and it is better to do it with good ones.

You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?

The thing I like most is trying to be unique, giving personality to do something new or to improve and do better what is already there. Evolution has its rules, which go towards simplicity and the use of materials helps to innovate.

What is your day to day look like?

I like to see what happens in the world and in design, through internet and magazines, I am attracted by the new that I need to design. I am greedy and I know many places where I stop for a break when I go out for work, I like this and I ask to know the right ones in every place, this is also culture.

How do you keep up with latest design trends? To what extent do design trends matter?

I certainly like to learn about trends in design, fashion and culture, but I prefer to follow my style. When I design, I go towards simplicity and I like to do something that lasts over time, without following trends. Inspiration can come from anything, especially a light mood, designed to recognize and accept the signals that arrive. Fashion and design look forward, I often carry a new concept from one sector to another.

How do you know if a product or project is well designed? How do you define good design?

Experience and sensitivity make me understand if we are on the right path, from an aesthetic point of view then there is a natural attraction that tells us if a project is well done. The proportions, the material, the colors and the functionality are valid. However, confirmation comes from the consensus of others, if a project is well done, it is successful. The errors to be avoided, are above all to do something that is not needed or that looks like something else, instead of imitating it can be improved.

How do you decide if your design is ready?

I think you can always improve a project, it depends on the preparation, the cultural level and the technology that offers us new materials and techniques. But everything has its time and for me a drawing is ready when I have checked the feasibility and the alternatives. The success of a project can be understood from the reactions of the customers during the presentation, even if it is necessary to wait for the judgment of the public for the confirmation.

What is your biggest design work?

Difficult to talk about one's projects is like saying if one child is better than the other, I prefer to talk about projects that have been awarded by A’DESIGN AWARD. The CROMIA stand at MIPEL Milano was born to give a new identity to the company, to design I started from the inspiration of an iconic bag made with trapezoidal walls. With this concept, I characterized the walls of the stand, which change image at each edition in harmony with the showcase (each time the stand looks new), made with printed fabric and LED backlit. The stand is designed as a shop, at the entrance there is a large window, the interior is divided into various areas that allow the display of the bags divided by lines. Behind the window we have the bar area, the shaped shelves are made of lacquered wood, while the display bases are finished with cement-effect paint. The light colors make the bags presented stand out. The concept of the stand was successful and led to the creation of a second stand for the fair in Germany and above all the shops in Corso Venezia in Milan and in Piazza di Spagna in Rome. The stand of Martini Pio of Lineapelle in Milan was born from the customer's desire to make a stand with a modern identity, to represent the leather products of the tannery. I started from a minimal architectural concept and as a distinctive element I created the illusion that the stand was suspended from the ground. In reality, only the entrance is raised, climb the stairs and then descend inside. The bar and the table with glass top have the structure made of Concreo concrete slabs. Three Quercus suber enrich the interior space.

Who is your favourite designer?

There are so many so good that it's hard to choose, however one of my favorites is Raymond Loewy who characterized the twentieth century, but also Philippe Starck. If I had the chance to talk to a designer from the past, I'd like to meet Loewy, surely it would be very interesting. Among the architects, my favorites are Le Corbusier, Calatrava and Zaha Hadid, while in the communication my favorite remains Armando Testa.

Would you tell us a bit about your lifestyle and culture?

I like traveling a lot and every city has its own way of stimulating, apart from the Italian cities, I feel good in New York, Paris and London. Music helps a lot, because it prepares a mood, the musical frequencies stimulate us, but when I get to the heart of the project I normally need silence. Culture inevitably influences design projects too, that's why we need to have interests, we never stop learning. Right now I started a collaboration with ZAMPIERE, a Spanish customer who produces quality men's shoes. A path with a new identity to enhance the brand and increase international markets. We have developed a strategy that involves the support of a stylist to give more personality to the shoes, therefore the presence in the fairs with a higher image and then the development of single-brand stores in the most important European, Asian and American cities. I think good design helps us live better, gratifies us, adapts to the times giving us new and evolved things, often improves our sensitivity and culture.

Would you tell us more about your work culture and business philosophy?

Hard to say if it's easy to work with me, because when I design sometimes I see things that others don't immediately understand, everyone has their mental and cultural form. I work with my collaborators and normally choose trusted business partners with whom I can understand myself and from whom I have a technical contribution. In the people to be hired, I look for skills, passion and desire to learn to succeed. When I talk about my work, we understand that I try to make an iconic project that lasts over time. The main challenges of design are in achieving the goal, doing beautiful things that work and give results to the client, and I feel that they are also my responsibilities. A good designer should be optimistic, transmit confidence on the projects to be addressed.

What are your philanthropic contributions to society as a designer, artist and architect?

I would very much like to make a real contribution to the community through my abilities, I would be very pleased. I admire those who give a part of their time and knowledge to help others.

What positive experiences you had when you attend the A' Design Award?

When I was contacted for my projects, I was pleasantly surprised, a confirmation that I had worked well. This is gratifying also for the customers to whom I made the projects, they too were pleased to be rewarded. Having won prizes creates interest around my work, it gives it value. Having to describe my projects made me think about things I took for granted. Surely being awarded in a competition like A' Design Award gives a quality visibility that can bring new customers.

បទសម្ភាសន៍ទេវតារចនា

46 សំណួរ

I trained at the Art Institute of Pistoia and later at the Faculty of Architecture in Florence. At the same time at the university I opened the office and for the first few years I worked and studied simultaneously, so…

Could you please tell us a bit about your design background and education?

I trained at the Art Institute of Pistoia and later at the Faculty of Architecture in Florence.

At the same time at the university I opened the office and for the first few years I worked and studied simultaneously, so I can say that I learned by doing.

What motivates you to design in general, why did you become a designer?

With design I can express myself, I can pull out my features. I became a designer because I had a predisposition to drawing, to geometry and a passion for the material, all characteristics that led me to this profession.

Did you choose to become a designer, or you were forced to become one?

I decided to become a designer when I realized what my passions and abilities were, I simply followed my nature.

What do you design, what type of designs do you wish to design more of?

I like starting from an idea of geometry, with balance and possibly symmetrical. In this moment I love to design stands and shops, but I like every kind of project, every time it's an adventure that allows me to do what I love.

What should young designers do to become a design legend like you?

Work with passion, try to learn to improve every day. Skills can be developed, the important thing is to decide who we want to be, to become one.

What distinguishes between a good designer and a great designer?

Certainly the natural abilities, but also the awareness of one's abilities and the will to do great things. Even training and having good collaborators helps to make better projects, but the thing that most indicates the level of ability is the success of the projects.

What makes a good design a really good design, how do you evaluate good design?

Good design becomes excellent if all the features are centered, style, form, material, but also function and utility.

What is the value of good design? Why should everyone invest in good design?

Good design is a great investment that pays off and gets excellent results, this is enough to explain why you have to invest in design.

What would you design and who would you design for if you had the time?

I would have liked to design a train, to deal with problems like reliability and comfort. Make the wagons become a livable and pleasant space.

What is the dream project you haven't yet had time to realize?

I'd like to design a new, functional commercial environment that can interact with online sales without losing the charm of "shopping”. Another project of my dreams is to design a golf course, my favorite sport.

What is your secret recipe of success in design, what is your secret ingredient?

Research, information to understand the company philosophy and the desire to create something unique, iconic, with the help of the matter.

Who are some other design masters and legends you get inspired from?

There are many, some of the most interesting are Raymond Loewy, Philippe Starck, Zaha Hadid and Calatrava.

What are your favorite designs by other designers, why do you like them?

I am attracted by the soft shapes of Zaha Hadid and by the essential and sinuous signs of Calatrava.

What is your greatest design, which aspects of that design makes you think it is great?

Speaking of a project awarded by A'Design Award, I can say that the CROMIA stand has a personality that, while maintaining its forms, seems new to every edition because the walls change every time in harmony with the new collections.

How could people improve themselves to be better designers, what did you do?

The recipe I know to improve is to work seriously with passion, always trying to give the best of myself.

If you hadn't become a designer, what would you have done?

I don't know, I never thought of doing another profession. I like what I do because every time I do something new.

How do you define design, what is design for you?

Design is something that improves an object with aesthetics and functionality, giving it value.

Who helped you to reach these heights, who was your biggest supporter?

The trust of the clients who entrusted me work even when I was at the beginning of my activity and the consents received.

What helped you to become a great designer?

The passion that pushed me to develop my skills and the desire to realize myself in this sector.

What were the obstacles you faced before becoming a design master?

I don't remember any particular obstacles, I have always faced the problems related to work with pleasure.

How do you think designers should present their work?

In my opinion it is necessary to present the works with very real drawings, the clients cannot imagine what the designer sees. And it is very important to accompany the projects with the materials you intend to use.

What's your next design project, what should we expect from you in future?

We have started an important project with Zampiere, a Spanish company of quality male footwear, classic and sneakers. A path with a new identity to enhance the brand and increase international markets. We have developed a strategy that involves the support of a stylist to give more personality to the shoes, therefore the presence in the fairs with a higher image and then the development of single-brand stores in the most important European, Asian and American cities.

What's your ultimate goal as a designer?

My goal is to grow and improve my level to make more important projects. I would like to tackle new projects especially abroad.

What people expect from an esteemed designer such as yourself?

I think they are expecting valuable projects, which give emotion, that communicate beauty and charm.

How does design help create a better society?

Design improves our life because it gives personality and beauty to the function of the objects we use every day. Beauty gratifies and makes us feel better.

What are you currently working on that you are especially excited about?

We have just finished the project of the shop-in-shop of Melluso footwear. The first store is going very well, sales have increased considerably and the company policy is to aim in this direction.

Which design projects gave you the most satisfaction, why?

The CROMIA stand had a lot of success, so much so that with the same concept we also created the stores in Milan and Rome. The satisfaction has been to see sales increase considerably, this gives me satisfaction, a project that gives results.

What would you like to see changed in design industry in the coming years?

Greater responsibility towards sustainability, with the search for materials suitable for combating pollution deriving from the products we use.

Where do you think the design field is headed next?

Evolution leads us to look for style by simplifying forms and functions. Just think of smartphones, objects that have many functions with an essential form.

How long does it take you to finalize a design project?

It depends on the nature of the project, the production processes and the quantities, there are projects that are made by artisans and others by industries, this lengthens the time.

When you have a new design project, where do you start?

I always start from the knowledge of the customer and his philosophy, I store information that helps me understand how to design, then simplify and focus on the important things that give character and identity.

What is your life motto as a designer?

I believe in simplicity.

Do you think design sets the trends or trends set the designs?

I believe that one influences the other, trends sometimes influence design which in turn becomes a trend.

What is the role of technology when you design?

The role of technology is fundamental, designing something without knowing the production processes is risky, you risk thinking about something that cannot be achieved. Instead knowing the techniques leads to intelligent solutions that help project.

What is the role of the color, materials and ambient in design?

In my opinion, materials and colors play a fundamental role in enhancing a project. I am convinced that designers must take into account the pollution produced and, when possible, choose sustainable materials.

What do you wish people to ask about your design?

I want them to ask for a design that represents their philosophy and that works, that makes a center.

When you see a new great design or product what comes into your mind?

I get excited, I try to understand to learn something new. Seeing a beautiful design gratifies, attracts and stimulates us to do better.

Who is your ideal design partner? Do you believe in co-design?

I have my own design team, but I believe that different skills can enrich a project.

Which people you interacted had the most influence on your design?

Those that gave me a style contribution and made me understand the importance of the matter.

How did you develop your skills as a master designer?

I developed my work after work skills, improving my sensitivity and technical knowledge.

Irrelative of time and space, who you would want to meet, talk and discuss with?

I would have liked to meet Raymond Loewy, I certainly would have had so much to learn from him.

What is your favorite color, place, food, season, thing and brand?

My favourite colour is blue. One of my favorite areas is the French Riviera in France, it gives me the feeling of being in a special place. For food I have a very wide choice, I like to taste everything and when I travel I prefer to eat local specialties. The seasons are all beautiful, each has its own characteristics, but if I have to choose, summer is what makes me feel free.

What makes your day great as a designer, how do you motivate yourself?

The thing that gives me the most satisfaction is to start a new project, the fantasy is unleashed and I want to do something special.

When you were a little child, was it obvious that you would become a great designer?

Let's say that even as a child I had the right characteristics, both in design and in interest in materials. Then growing awareness has increased and it was a natural choice.

What do you think about future; what do you see will happen in thousand years from now?

Times are changing too fast, impossible to predict what will happen. However, it seems that the future is developing towards robotics, we will have to live with this idea.

Please tell us anything you wish your fans to know about you, your design and anything else?

I want a world where beauty is for everyone, without war and pollution. My design seeks the essence, simplicity and wants to be a good investment that brings results. In my spare time I like to play golf

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A' Design Award គឺជាពានរង្វាន់រចនាល្អអន្តរជាតិដែលវាយតម្លៃដោយគណៈកម្មការ។ ចូលរួមក្នុង A' Design Award ដើម្បីទទួលបានឱកាសក្នុងការទទួលស្គាល់ដោយគុណសម្បត្តិ ទទួលបានកិត្តិនាម កិត្តិយស និងការផ្សព្វផ្សាយសម្រាប់ការងាររបស់អ្នក។ ដាក់ស្នាដៃរបស់អ្នកសម្រាប់ A' Design Award ហើយប្រកួតប្រជែងដើម្បីឈ្នះ A' Design Prize ដ៏គោរពរាប់អាន។

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សំណួរ និងចម្លើយបទសម្ភាសន៍អ្នករចនា ដែលបោះពុម្ពផ្សាយនៅលើទំព័របទសម្ភាសន៍របស់យើងជាមួយអ្នករចនា Franco Pupillo មកពី Designer Interviews ដែលជាវេទិកាអន្តរជាតិដែលអ្នករចនាកំពូលពិភពលោក ស្ថាបត្យកររូបផ្កាយ អ្នកច្នៃប្រឌិត និងអ្នកច្នៃប្រឌិតត្រូវបានសម្ភាសន៍។