រំលងទៅមាតិកា
Olga Shchukina

អាល្លឺម៉ង់គ្រឿងអនាម័យ

បទសម្ភាសន៍ជាមួយ Olga Shchukina

អានបទសម្ភាសន៍ជាមួយ Olga Shchukina៖ ស្វែងយល់អំពីទស្សនវិជ្ជា ដំណើរការច្នៃប្រឌិត និងស្នាដៃដែលទទួលបានពានរង្វាន់។

ប្រវត្តិរូបអ្នករចនា

យើងមានបទសម្ភាសន៍ជាច្រើនជាមួយ Olga Shchukina។

បទសម្ភាសន៍ទាំងនោះត្រូវបានបោះពុម្ពផ្សាយជាភាសាអង់គ្លេសតែប៉ុណ្ណោះ ហើយត្រូវបានបង្ហាញខាងក្រោមជាភាសាដើម។

បើកទំព័រភាសាអង់គ្លេស

បទសម្ភាសន៍រចនា

Elements ប្រព័ន្ធខាងក្នុងជាសកល · 20 សំណួរ

The design is based on versatility and environmental friendliness. We wanted to create a system that could fit into any room for its intended purpose.

What is the main principle, idea and inspiration behind your design?

The design is based on versatility and environmental friendliness. We wanted to create a system that could fit into any room for its intended purpose. At the same time, it should not crush the visual ecology of the space.

What has been your main focus in designing this work? Especially what did you want to achieve?

The "Elements" system is suitable for all spaces and styles thanks to its simple shapes and familiar materials.

What are your future plans for this award winning design?

The WUD (Wood Unique Design) company is already produces the system in Russia. The module manufactured and exhibited in the showroom, we are establishing contacts with sellers. Of course, It is very desirable to complete every home with the such a convenient system. We will promote the product as much as possible, and the Award is a good assistant for it!

How long did it take you to design this particular concept?

The first ideas and samples appeared quite a long time ago as part of an individual project back in 2016. In 2020, we began to think about it as a concept and a more like a universal system, standardize the dimensions and select fasteners that are invisible. So in 2020-2022 it turned into a full-fledged serial product.

Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?

We worked with an individual interior, where a very spacious wardrobe had to be assembled in a small room. So the idea was born and tested for the first time. The experience turned out to be very successful, and the principle and design were in demand among other customers. Therefore, it was a very natural transition from a craft to a design product.

Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?

Our design is being produced by our own company WUD (wood unique design). But we would like to find a partnership to export the product to Europe and the USA or find a partner to manufacture it under license.

What made you design this particular type of work?

We have been designing interiors for more than 15 years. In 2015, we opened a carpentry manufactory to complete our own interior projects with individual interior items. We at WUD are sure that when interior items and furniture are created by the same talented hand of an architect and a manufacturer, it turns out not just a beautiful, but a harmonious interior with furniture that perfectly match each other.

Where there any other designs and/or designers that helped the influence the design of your work?

At the root, this design is quite simple and resembles many designs of shelving 50-70s

Who is the target customer for his design?

The best contribution to the distribution can be made by studios, involved in interior design. But also customers who are engaged in the arrangement of their own home can purchase a product from the website or showrooms.

What sets this design apart from other similar or resembling concepts?

What distinguishes it from classical wardrobe furniture, is the absence of blind partitions. A system without doors allows for an immediate view and quick retrieval as well as space where light can flow freely.

Sure, there are many modern storage systems on frames. The main thing that we intentionally brought into it is the replacement of metal frames with wooden ones, because we consider metal in the house inappropriate, cold and noisy. We also made fasteners invisible to the eye.

How did you come up with the name for this design? What does it mean?

"Elements" is a name that speaks for itself. After all, the base is a constructor that can be supplemented with elements at its discretion.

Which design tools did you use when you were working on this project?

We used all the design tools. Starting from hand sketches and mock-ups, ending with the manufacture of the product and testing it in real conditions.

What is the most unique aspect of your design?

Besides providing free access to clothes and shoes the open structure showcases your belongings to create a space that looks like your own personal boutique. The production is based on the aesthetic principles of sustainability and has a well-thought-out concept for installation.

Who did you collaborate with for this design? Did you work with people with technical / specialized skills?

We create our projects from the very first step on our own. It is a great advantage when you have your own well-equipped experimental workshop in your hands.

What is the role of technology in this particular design?

Thanks to the perfect connection of the parts at an angle of 45 degrees, the design looks elegant with an accentuated pure geometry. All elements are supplied full ready for installation, so the assembly does not take much time. Any element can eventually be replaced by another necessary element. There is no need to disassemble the entire system.

Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?

In this project we needed a good knowledge of ergonomics and material. Many people think that wood is not as durable as metal. We calculated the weight load on one frame and it turned out that it can withstand a weight of 600 kg.

What are some of the challenges you faced during the design/realization of your concept?

The main challenge was to create connections invisible to the eye and at the same time not lose structural rigidity.

How did you decide to submit your design to an international design competition?

When you work with a project that not only inspires you, but also has the potential for greater development, it seems be natural if you want to share it with a large audience.

What did you learn or how did you improve yourself during the designing of this work?

Systematisation. This is a fairly voluminous project consisting of a large number of details.

Any other things you would like to cover that have not been covered in these questions?

The "Elements" system impresses with its modern language of form and function with a human-oriented design in mind. It is able to showcase your entire wardrobe at its best and act as your personal boutique!

បទសម្ភាសន៍ទេវតារចនា

24 សំណួរ

I've been studying in the Art school since I was 10 y.o. After all I have got 3 degrees in prestigious schools in Russia and Sweden.

Could you please tell us a bit about your design background and education?

I've been studying in the Art school since I was 10 y.o. After all I have got 3 degrees in prestigious schools in Russia and Sweden. Finally I am a Master of industrial Design in Lund University and Master of Architecture in Saint Petersburg State University of Architecture and Civil Engineering.

What motivates you to design in general, why did you become a designer?

I am motivated by the joy of bringing value and the creative pleasure of creating beautiful and functional things.

Did you choose to become a designer, or you were forced to become one?

I believe that my nature chose for me what I should become, but one word from my mother when I was choosing a university definitely forced me.

What do you design, what type of designs do you wish to design more of?

Most of all I like to design products that interact with people - to be moved, touched, used in any ways. I design objects for life that the consumer comes into contact with on a daily basis, I strive to create a useful type of design.

What should young designers do to become a design legend like you?

Well, to become a design legend like me, young designers should start by perfecting the art of wearing sunglasses indoors and carrying around a sketchbook at all times. It's also important to develop a signature pose for photoshoots, preferably something enigmatic and mysterious. And of course, never underestimate the power of a good beret or a quirky pair of socks to add that extra touch of artistic flair. But in all seriousness, it takes passion, dedication, constant learning, and a willingness to push boundaries to become a designer. So, keep experimenting, stay inspired, and who knows, maybe one day you'll be the next design legend in town!

What distinguishes between a good designer and a great designer?

What differ a good designer from a great designer is his ability to get to the heart of things.

What makes a good design a really good design, how do you evaluate good design?

What differ a good designer from a great designer is his ability to get to the heart of things.

What would you design and who would you design for if you had the time?

By choosing good design we enter into a longer relationship with the item and thereby reduce consumption.

What is your secret recipe of success in design, what is your secret ingredient?

By choosing good design we enter into a longer relationship with the item and thereby reduce consumption.

What is your greatest design, which aspects of that design makes you think it is great?

If you follow the axiom that the best design is the one that is invisible, then I think my best work I can give to the INDUKU multifunctional holder.

How could people improve themselves to be better designers, what did you do?

To become the best at anything, you need to think constantly about how I can do even better.

If you hadn't become a designer, what would you have done?

I have a master’s degree in architecture, but before deciding on my life’s work, I faced the choice of becoming a designer or a pathologist. I like to systematize everything, so my activity would most likely be related to science.

Who helped you to reach these heights, who was your biggest supporter?

My clients. Every time they voted for my product with money, it made it possible to move forward.

What were the obstacles you faced before becoming a design master?

At the beginning of my career in Russia it was impossible to find a manufacturer who would be interested in collaborating with a designer. We had to equip our own experimental workshop - full-cycle production - in order to produce interior items of the level and quality that the client required.

What's your next design project, what should we expect from you in future?

I see my big project and mission as uniting the creative community to support and promote talents.

What are you currently working on that you are especially excited about?

An interior harmonisation project that allows the owner to find his own special supportive space, which will give a “feeling of Home”, enhance innate talents, emphasise the external and internal uniqueness of the individual, become a true source of inspiration and energy, and also activate his potential and help in self-realisation.

How long does it take you to finalize a design project?

The timing depends on the scope of the design. This can take from six months to two years. But we never stop improving the product after

When you have a new design project, where do you start?

Inspiration. I draw it from travel, interaction with historical heritage, other cultures

What is your life motto as a designer?

"Nothing great was ever achieved without enthusiasm, " said Ralph Waldo Emerson

Do you think design sets the trends or trends set the designs?

I don't like trends: for me they are too predictable. I think they are born from the collective design mind - the designer creates it.

What is the role of technology when you design?

Knowledge of manufacturing technologies is very important because they are both your limitation and a challenge that forces you to think outside the box

When you see a new great design or product what comes into your mind?

Wow, what a smart person has made it!

Who is your ideal design partner? Do you believe in co-design?

This is a person who supports my ideas, asks the right questions and complements the product with his vision.

What makes your day great as a designer, how do you motivate yourself?

I am an optimist in life and I don’t need additional motivation to be a designer during the day, because at night I feel like a creator even when I dreaming.

បទសម្ភាសន៍អ្នករចនា

22 សំណួរ

Oh no, I always wanted to become a pathologist, but there were no children's courses in this direction, so I studied at the Art School from the age of 10.

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

Oh no, I always wanted to become a pathologist, but there were no children's courses in this direction, so I studied at the Art School from the age of 10. After all I have got 3 degrees in prestigious schools in Russia and Sweden. Finally I am a Master of industrial Design in Lund University and Master of Architecture in Saint Petersburg State University of Architecture and Civil Engineering.

Can you tell us more about your company / design studio?

More than 10 years, I help my clients to create interiors, which will delight and will not become obsolete even in 50 years! Crafting interiors that implement Sense in touch philosophy. In my portfolio, both small family nests and spaces of thousands of meters - offices and stadiums.

In 2015 I startup and manage my own manufactory of furniture and interior items. For three years we have designed more than 100 designs and produced more than 1,000 products for private interiors, restaurants, VIP offices and Stadium hospitality areas.

What is "design" for you?

First is function. I like things that designed to improve people lives.

What kinds of works do you like designing most?

Most of all I like to design products that interact with people - to be moved, touched, used in any ways.

What was the first thing you designed for a company?

Showcases for smartphones.

What is your favorite material / platform / technology?

Wood is always perfect to work with. It is ecological and timeless.

When do you feel the most creative?

When I travel exploring other cultures and architecture.

Which aspects of a design do you focus more during designing?

During designing I focus more on ergonomics and sustainability.

What kind of emotions do you feel when you design?

I feel impatience when I design. I want to see and show the result.

What kind of emotions do you feel when your designs are realized?

I feel satisfied when my projects come to life

What makes a design successful?

Relevance

When judging a design as good or bad, which aspects do you consider first?

Proportions and emotions are the first thing we notice and feel. The subject will not arouse interest and desire to study it if there is no harmony and liveliness in it.

From your point of view, what are the responsibilities of a designer for society and environment?

The designer is responsible for improving the aesthetic level of society and environment

How do you think the "design field" is evolving? What is the future of design?

Simplification

When was your last exhibition and where was it? And when do you want to hold your next exhibition?

We have been invited to take part in a new international design event in Malmo, the Design Days of Southern Sweden (SSDD), in May 2021. Despite the fact that we could not be physically represented there, we made a short film to show our idea and the process of creating a product.

Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

Inspiration lives in ordinary life and consists of everyday affairs. If you just sit and wait for "it", you can miss a lot.

How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?

I create valuable interiors in the manner of Timeless Life, with the meaning of "sense in touch" for objects and in a deeper sense - "existence beyond styles".

No frills, kitsch and even outrageous! After all, "Sense in touch" interiors are harmony, restraint and dignity. It is important for me to fill the house with things that are valuable, which will reflect the impeccable taste of the owner.

Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?

Surrounded by timeless architectural aesthetics we design with respect to our context. Our small creative studio located one of the most beautiful cities of the world Saint-Petersburg, Russia.

Can you talk a little about your design process?

Everything I do is part of the design process in my daily routine. I know that there are designers who can connect to design and disconnect from it, moving into another part of life. I'm in the process around the clock and any incident affects what I'm thinking about.

What are 5 of your favorite design items at home?

The Interstuhl office chair is my absolute assistant in comfortable work

My imac & macbook, of course

My Flos Table Lamp

Beautiful minimalistic high doors of my design without platbands

Collection of books on design and architecture

What is the most frequently asked question to you, as a designer?

"Excuse me, did I wake you up?"

The universal confidence that the designer sleeps all the time until he designs really touches... The designer seems to be such a celestial being for people who, apart from design and sleep, has no life, no children, even parents, vacations and hobbies

How can people contact you?

websites, phone, e-mail, facebook, linkedin and other

បន្តអាន

បទសម្ភាសន៍អ្នករចនាបន្ថែមទៀត

អានបទសម្ភាសន៍នៅ designers.org ដើម្បីស្វែងយល់អំពីទស្សនវិជ្ជា ដំណើរការច្នៃប្រឌិត និងស្នាដៃរបស់អ្នករចនាដែលទទួលបានពានរង្វាន់បន្ថែមទៀត។

ឧបត្ថម្ភ

រុករកហួសពី Designers.org

ស្វែងរកផលិតផល សេវាកម្ម និងឱកាសពីដៃគូផ្សាយពាណិជ្ជកម្មរបស់យើង។

រចនាល្អសមនឹងទទួលបានការទទួលស្គាល់ដ៏អស្ចារ្យ

A' Design Award គឺជាពានរង្វាន់រចនាល្អអន្តរជាតិដែលវាយតម្លៃដោយគណៈកម្មការ។ ចូលរួមក្នុង A' Design Award ដើម្បីទទួលបានឱកាសក្នុងការទទួលស្គាល់ដោយគុណសម្បត្តិ ទទួលបានកិត្តិនាម កិត្តិយស និងការផ្សព្វផ្សាយសម្រាប់ការងាររបស់អ្នក។ ដាក់ស្នាដៃរបស់អ្នកសម្រាប់ A' Design Award ហើយប្រកួតប្រជែងដើម្បីឈ្នះ A' Design Prize ដ៏គោរពរាប់អាន។

ដាក់ឈ្មោះ

ប្រភពទិន្នន័យ

ទិន្នន័យបទសម្ភាសន៍រចនាដែលបង្ហាញនៅលើទំព័របទសម្ភាសន៍រចនារបស់យើង ជាមួយអ្នករចនា Olga Shchukina អំពីស្នាដៃ Elements ប្រព័ន្ធខាងក្នុងជាសកល មកពីវេទិកា Design Interviews ដែលអ្នករចនា ស្ថាបត្យករ និងម៉ាកឈានមុខត្រូវបានសម្ភាសន៍អំពីការរចនា ផលិតផល និងគម្រោងឈ្នះពានរង្វាន់របស់ពួកគេ។