I am a pure artist. I didn't have official art education, but I felt sentimental from an early age, imagined creatively, and enjoyed drawing it. I started uploading my paintings on social media a year ago.
01Could you please tell us about your experience as a designer, artist, architect or creator?
I am a pure artist. I didn't have official art education, but I felt sentimental from an early age, imagined creatively, and enjoyed drawing it. I started uploading my paintings on social media a year ago. Since then, I got the opportunity to sell works in partnership with galleries in Korea, and sells original paintings on the Artsper online platform in France.
02How did you become a designer?
I thought creatively and diversely and really liked to paint it. But I didn't have the courage to show it to anyone. Of course I didn't think I'd be an artist. I worked in a lot of part-time jobs but none of them fit me. I failed so many things and couldn't adapt well to the world. Then one day, I thought I didn't want to end my life like this. I had a strong passion to leave my paintings after I died. Previously, cheap materials were used to paint alone in spare time without anyone knowing. However, after that day, I bought professional paints and canvases and began painting most of the time.
03What are your priorities, technique and style when designing?
When I paint, I try to immerse myself in a quiet space alone. When I enter that stage of immersion, I connect and separate the many things I want to hold strongly among the many things I have accumulated in my head so far. After that process I get something that connects. It is sketched, modified, moved to canvas, and painted with a brush, other tools, or hand with acrylic paint or other materials.
04Which emotions do you feel when designing?
I have a strong sense of immersion and a pleasure when I imagine an idea.
To imagine an idea, I have to feel pleasant. If I'm too sad or depressed, I'm in a slump and can't start. I get rid of standards, be generous and pursue childlike pleasures to escape oppression and framing. But it doesn't just mean the idea of a pleasant subject. Joy is the key to opening the door, but once I enter it, I feel all my emotions, memories, thoughts, intuition, etc. It uses a lot of energy, captures the moment, connects and separates it. When I’m thinking of an idea that time makes me feel that I’m alive.
After the idea is finished, I begin to implement on canvas. I feel good if it goes well as intended, but I worry a lot if it doesn't go well as intended. After all that process, I feel positive about myself when one piece is completed. It supports my life.
05What particular aspects of your background shaped you as a designer?
My sensitivity and intuition are the important factors that make the idea of my painting. Ever since I was young, I have loved to feel sensitive and intuitive about things that are invisible. Those tendencies helped me imagine, and became the personality of my paintings.
06What is your growth path? What are your future plans? What is your dream design project?
I liked to imagine and paint with intuition. I just liked to paint with my own personality. So I didn't have the courage to show others. My parents didn't like me painting, they wanted me to have another job. They wanted me to be more emotionally strong. They were conventional people. But I was a child who felt sensitive and hated convention. When I was exposed to a lot of people and a lot of situations, I was confused and lost because of a lot of stimulation. So even now, I usually meet a few people and prefer to live in isolation for my artistic mental activity.
My desire for my painting is bordering on instinct. I want my paintings to inspire many people. So after I die, I want to be inspired by the work of an artist who tries to leave creative pictures behind.
07What are your advices to designers who are at the beginning of their career?
I'm just an artist who wants to keep painting. I have a great affection for all my paintings, but I don't think I'm successful now. So honestly, I have nothing to advise to new designers.
I spend almost all my time painting in my isolated space in my own way. So practical advice, such as curator, gallery, and mechanical system of the a'design award & competition was more important to me than anything else.
08You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
I really appreciate you telling me that I succeeded as a designer. But I'm not an artist enough to give advice or suggestions to anyone. I’m just an artist who I imagine creatively and enjoy drawing it.
09What is your day to day look like?
I arrive at the studio at 7 a.m. And I clean up a little bit and drink coffee looking out of the window.
I paint in the morning and do miscellaneous things in the afternoon. And I paint again.
At the end of the day, I encounter various contents such as books, movies, and general news.
To be honest, thinking and drawing ideas in my own way makes me the happiest and most excited. So sometimes I just want to keep drawing.
10How do you keep up with latest design trends? To what extent do design trends matter?
For my ingenuity I tend to avoid looking at other people's paintings or designs. I want to keep making my own designs with creativity. I draw inspiration from small and varied things. These days, I enjoy watching news and reality contents.
11How do you know if a product or project is well designed? How do you define good design?
In my case, when the painting is unique and the message is delivered well, I am satisfied with my painting. But in general, when I encounter the design of a product, I think it is a good design if it fits the purpose of use and is convenient.
12How do you decide if your design is ready?
In my case, when the painting is unique and the message is delivered well, I am satisfied with my painting. But in general, when I encounter the design of a product, I think it is a good design if it fits the purpose of use and is convenient.
13What is your biggest design work?
I'm proud and special about most of the works except a few. Every moment I draw those pictures, I put in a lot of creative effort. Of course, I feel that the quality of the painting improves over time.
14Who is your favourite designer?
I don't have a favorite architect, artist, designer. I just admire and like most of the creators.
15Would you tell us a bit about your lifestyle and culture?
I think and paint ideas in a very quiet state. I like isolated life and I hate conventional things. The place where my studio is is clean and beautiful. There are great design buildings, streets and parks here. When I need a rest, I walk in the park and on the street. I feel respected because of beautiful, modern and natural design of my surroundings. It really refreshes me and helps me create artwork.
16Would you tell us more about your work culture and business philosophy?
I like to work alone in isolation. However, when choosing a business partner, the dominant person is not preferred. I don't want a partner who can be suppressed to my creativity or mental activity. My creativity comes from a free, unbridled imagination. Therefore, we need a partner who can protect it.
I like partners who are fair, cooperative and can keep their economic promises.
17What are your philanthropic contributions to society as a designer, artist and architect?
I was only engaged in painting myself in isolation. Although I have tried to paint pictures that inspire many, I regret to say that I have not made a philanthropic contribution to society. But I have great respect and gratitude for people who do those things. Before painting, I served society with other occupations.
18What positive experiences you had when you attend the A' Design Award?
First of all, I am truly grateful that the design award recognized the value of my art. They returned detailed feedback on what I described. It has improved my skills to explain my paintings a lot, and I felt various feeling like traveling.
I am given the opportunity to promote my paintings and designs to many countries because the Awards are prestigious worldwide. That means that my art can be used in a variety of areas beyond the realm of pure art.
Until now, I've had a feeling of happiness that I’ve been painting which is my favorite hobby but at the same time anxiety to uncertainty about my future. But by winning this award this time, I have more confidence in my future.
This painting is designed to make two groups face each other, and to connect the two groups. It shows confrontation and harmony at the same time. It is not limited to an era.
01What is the main principle, idea and inspiration behind your design?
This painting is designed to make two groups face each other, and to connect the two groups. It shows confrontation and harmony at the same time. It is not limited to an era. I wanted to talk about the nature of relationships.
I was inspired by human relationships and realized ideas in pictures.
I understand situations in which individuals and individuals, groups and groups, countries and countries are at odds and conflicts.
I think it is natural that many people are hurt by confrontation and conflict and are desperate to protect each other's interests. It causes hatred and fear.
But we are connected to each other. The connection is fate. So we confront and collide, but we move in the same direction. When we overcome confrontation and conflict and go in the same direction, we laugh with confidence.
02What has been your main focus in designing this work? Especially what did you want to achieve?
I wanted to express my ideas in a creative way when I realized them in pictures. When expressed in a creative way, my message is delivered well, and it gives me satisfaction. So I did my best to make a creative design.
03What are your future plans for this award winning design?
For the time being, I intend to keep this original work. However, I will find a way to use the design image for the product.
04How long did it take you to design this particular concept?
It took me about two weeks to come up with the design.
05Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
The inspiration made this work. I prefer to be inspired, create a work, and then use it to apply it to a product.
06Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
This design is not yet being produced or used by another company. I hope my work will be used in a way that rents images.
07What made you design this particular type of work?
I wanted to express various emotions in confrontation and harmony.
08Where there any other designs and/or designers that helped the influence the design of your work?
There is no particularly affected design or architect.
09Who is the target customer for his design?
It is a collector who wants original painting, a company that uses pictorial images for goods, and the end consumer who buys the goods.
10What sets this design apart from other similar or resembling concepts?
This design is an intuitive inspiration. Therefore, it is not easy to understand the message after seeing the picture for the first time, and it can be seen from a different perspective. It rather attracts the viewer's attention.
11How did you come up with the name for this design? What does it mean?
When I tried to draw this picture, I made the name confrontation and harmony. But when the picture was finished, I wanted an easier and more intuitive name. That is the Go Together. God Together has a message that it is confrontational but needs to go together.
12Which design tools did you use when you were working on this project?
I expressed this picture with acrylic paint on the canvas.
13What is the most unique aspect of your design?
The creative representation of the composition and objects is unique.
14Who did you collaborate with for this design? Did you work with people with technical / specialized skills?
I did it alone from beginning to end.
15What is the role of technology in this particular design?
It was only done with acrylic painting.
16Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
I conceived this design solely by imagination and inspiration. There was no data or analysis study.
17What are some of the challenges you faced during the design/realization of your concept?
I thought a lot about expressing the two opposing groups in a new and unique way. And I also thought about which painting technique to apply.
18How did you decide to submit your design to an international design competition?
I submitted my proposal to the international design competition with the recommendation of design officials.
19What did you learn or how did you improve yourself during the designing of this work?
When imagining a new and unique design, it further developed a way of inducing immersion.
20Any other things you would like to cover that have not been covered in these questions?
Before this contest, I was just an artist who painted intuitively imagined things. However, by submitting to the contest this time, I learned the skills of analyzing and explaining my paintings. I appreciate to a’design award & competition about that.
បទសម្ភាសន៍ទេវតារចនា
50 សំណួរ
I am interested in humans and I like to imagine and express it in pictures. I just thought it was a favorite thing to do. I didn't think it would be a job, so I did a lot of other things.
01Could you please tell us a bit about your design background and education?
I had no professional training in design or art.
02What motivates you to design in general, why did you become a designer?
I am interested in humans and I like to imagine and express it in pictures.
I just thought it was a favorite thing to do. I didn't think it would be a job, so I did a lot of other things. But no job gave me satisfaction and happiness. So finally, I decided to become a painter. Now I've found my true self and I'm happy.
03Did you choose to become a designer, or you were forced to become one?
One day I decided to quit other things and become a painter. That is 100 percent my decision.
04What do you design, what type of designs do you wish to design more of?
I want to paint a picture that is instinctive, intuitive, unreasonable and multiple.
05What should young designers do to become a design legend like you?
I am not a legendary designer. I'm in a position to learn a lot.
06What distinguishes between a good designer and a great designer?
I think a good designer is a person who can design for practical purposes. I think a good designer is someone who can continue to design with originality, in addition to being able to do practical design.
07What makes a good design a really good design, how do you evaluate good design?
I think creativity is the factor that makes a good design a really good design.
08What is the value of good design? Why should everyone invest in good design?
It increases the quality of people's lives. It can also give fresh impetus to people's brains, and it makes them feel good.
09What would you design and who would you design for if you had the time?
I want to simultaneously express the meanings of different views and exist the relationship of various creatures that can be feel between instinct including reason, consciousness that have unconsciousness, ego and without ego
I want to draw for people who like creative paintings.
10What is the dream project you haven't yet had time to realize?
I want to paint everything in my imagination for the rest of my life. That is my dream project.
11What is your secret recipe of success in design, what is your secret ingredient?
It's imagination. When I think of the idea of painting, I concentrate strongly and try to eliminate all oppression. That makes the imagination richer.
12Who are some other design masters and legends you get inspired from?
I am impressed when I see a lot of great designs. But there is no designer who inspired me particularly.
13What are your favorite designs by other designers, why do you like them?
Whenever I see a design with original or practical elements, I love it and admire the designer.
14What is your greatest design, which aspects of that design makes you think it is great?
I think most of my paintings are great. Because I can find something creative and unique in my paintings.
15How could people improve themselves to be better designers, what did you do?
In my case, every day I try. I try to think and express ideas every day.
16If you hadn't become a designer, what would you have done?
I think I'll have another creative, solitary job.
17How do you define design, what is design for you?
I think a design is to make detailed drawings of something that has a practical purpose. But the design for me is a reflection of creative thinking.
18Who helped you to reach these heights, who was your biggest supporter?
It's my family who gave me the greatest support for being an artist.
19What helped you to become a great designer?
It's a belief in me.
20What were the obstacles you faced before becoming a design master?
That is the economic part.
21How do you think designers should present their work?
This is a difficult part for me, too. These days, I expose my work through SNS.
22What's your next design project, what should we expect from you in future?
I will make artwork with various topics.
23What's your ultimate goal as a designer?
I don't have a final goal. Just for the rest of the time, I'll repeat imagining, expressing. That's my instinct.
24What people expect from an esteemed designer such as yourself?
I'm a normal painter, but I think people would expect such an artist or designer to inspire the world.
25How does design help create a better society?
Good design makes the world more convenient and beautiful. It also inspires and changes people.
26What are you currently working on that you are especially excited about?
I'm working on a work about ideal and reality.
27Which design projects gave you the most satisfaction, why?
I can't choose just one. I like the majority of my work.
28What would you like to see changed in design industry in the coming years?
I hope there will be many areas where the design will be used.
29Where do you think the design field is headed next?
I predict that the design needed in the virtual world will increase.
30How long does it take you to finalize a design project?
It takes a month to a few months.
31When you have a new design project, where do you start?
The first step in a design project is to imagine and come up with ideas.
32What is your life motto as a designer?
Life is short, art is long.
33Do you think design sets the trends or trends set the designs?
I think design sets the trend.
34What is the role of technology when you design?
Technology makes the expression of design more precise.
35What kind of design software and equipment do you use in your work?
I'm more like an artist than a designer. So, I draw and take pictures with acrylic on canvas. That's how I apply my paintings to design products.
36What is the role of the color, materials and ambient in design?
It plays an important role in determining the atmosphere of design.
37What do you wish people to ask about your design?
No, I hope they understand in their own way.
38When you see a new great design or product what comes into your mind?
I admire the creativity and ability of the person who made the design.
39Who is your ideal design partner? Do you believe in co-design?
I think an open partner is ideal for each other's abilities to be exercised. But I prefer design alone to co-design.
40Which people you interacted had the most influence on your design?
I wasn't influenced by my art while interacting with someone.
41Which books you read had the most effect on your design?
I usually read a lot of reality books. It helps me imagine the design a lot.
42How did you develop your skills as a master designer?
I imagine and paint every day.
43Irrelative of time and space, who you would want to meet, talk and discuss with?
I want to meet artists and scientists with special creativity.
44How do you feel about all the awards and recognition you had, is it hard to be famous?
I think awards have a lot of influence on recognition. It's really important especially to me.
45What is your favorite color, place, food, season, thing and brand?
My favorite color is blue green, my favorite place is my studio, my favorite season is spring, what I like is my painting, and there are so many brands I like.
46Please tell us a little memoir, a funny thing you had experienced as a designer?
I want to tell you about the tough experience of a’design award. I sign up for the contest, write down the items required by this award, and the verification system provided by award checked my submission. The verification system is really sharp and a warning sign came out if there is anything lacking. After many revisions, I was able to receive the result of 100% clearing from the verification system. The process was really hard for me who had only painted. Whenever I passed the submissions that were required by the Awards, I was truly pleased. The processes were difficult, but they were good memories and enjoyable experiences.
47What makes your day great as a designer, how do you motivate yourself?
I drink coffee every morning and paint all morning. Drawing is the most enjoyable thing for me. So there's no need to motivate me in particular. But I can't rest because I want to express everything I imagined.
48When you were a little child, was it obvious that you would become a great designer?
I never thought I'd be a painter when I was a kid.
49What do you think about future; what do you see will happen in thousand years from now?
I predict. Humans will live in a virtual world and more than that. It will be also possible to live on other planets in the universe. It will naturally coexist with clones and AI robots. It will be predicted that wars with robots will also occur frequently.
50Please tell us anything you wish your fans to know about you, your design and anything else?
I really hate exposing my face or personal information. I just want my drawing to be known. I want to be understood by fans.
បទសម្ភាសន៍អ្នករចនា
40 សំណួរ
As a child, I never imagined I would be an artist, but I liked to think creatively a lot and enjoyed drawing them. But I didn't show it to the people around me.
01Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
As a child, I never imagined I would be an artist, but I liked to think creatively a lot and enjoyed drawing them. But I didn't show it to the people around me. Before I decided to become an artist, I had so many mental wanderings. After many years, I began to know myself that I was really talented at making creative art. And I decided to paint until the end of my life and I had the courage to show others.
02Can you tell us more about your company / design studio?
My studio is in Korea. There is a space for displaying my paintings and a space for drawing. I work alone in my studio.
03What is "design" for you?
For me, design is a new connection. It inspires me and makes me alive.
04What kinds of works do you like designing most?
I like to express the emotions and thoughts felt by the dynamics and creative beings that occur in various situations and connections.
05What is your most favorite design, could you please tell more about it?
I like almost all designs. It's hard for me to choose.
06What was the first thing you designed for a company?
I haven't designed anything for the company yet. So far, I have created original works for sale.
07What is your favorite material / platform / technology?
I like to express in acrylic.
08When do you feel the most creative?
I explode with creative thoughts when I'm really having fun. At the maximum of the pleasure, I become deeply immersed and the things that wander in my head are clearly connected.
09Which aspects of a design do you focus more during designing?
I think it is important to connect and separate from various and new perspectives.
10What kind of emotions do you feel when you design?
I feel like I’m alive.
11What kind of emotions do you feel when your designs are realized?
When I pass the stage of thinking and express it with pictures, I feel that my mind is rather calm. It seems to be a sense of relief that I am drawing a picture. Of course, I worry a lot when expressing or changing detailed parts and sometimes I suffer if things don't go the way I thought.
12What makes a design successful?
My results were successful when the stage of imagining the design was the most important and the imagination was really good.
13When judging a design as good or bad, which aspects do you consider first?
I think it is important that creative ideas and perspectives.
14From your point of view, what are the responsibilities of a designer for society and environment?
It is a creative inspiration.
15How do you think the "design field" is evolving? What is the future of design?
It is expected that design will be applied to virtual worlds in the future.
16When was your last exhibition and where was it? And when do you want to hold your next exhibition?
The final exhibition was held in Incheon, South Korea from Jan 25 to Feb 7, 2021. My artworks will be exhibited at collabohaus dosan in Seoul in April 2022. and at the Louvre in Paris in September 2022.
17Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
I get the inspiration of design from everything but I'm particularly interested in people. So I look at things that show human nature or relationships and think about them a lot.
18How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
My painting is pure, unreasonable and expresses multiple meanings. The dynamic of a young feeling holds energy just before eruption. A black line means a frame and no frame, and both finite and infinite.
19Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
I am living in Korea. Although Korean culture influences my art world, it’s not a big impact to me. However, it is a great advantage that freedom of creation and presentation are guaranteed. There is no shortcomings.
20How do you work with companies?
I haven't worked with a company so far. I just worked on selling pictures. However, I look forward to working with the company in the future.
21What are your suggestions to companies for working with a designer? How can companies select a good designer?
I think trust between companies and designers is the most important.
22Can you talk a little about your design process?
There is a moment in which the things that wander in my head are connected creatively and meaningfully when I sit quietly in my space and enter the stage of immersion and joy before drawing the ideas of the painting.
23What are 5 of your favorite design items at home?
Table and chair, watch, sofa, TV, vacuum cleaner.
24Can you describe a day in your life?
I paint in the morning, take a walk in the afternoon, think about the idea of the painting, and do other tasks. In the evening, I paint again or do various activities.
25Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
I haven't been long since I published a painting to the world. So I have so much to learn as an artist.
26From your perspective, what would you say are some positives and negatives of being a designer?
I'm an artist who has a strong point in being creative. I look forward to my art being used in practical products. However, if I become a professional designer, I have to consider practical purposes. Disadvantages is that it can limit designers, but advantages can benefit many users with their design.
27What is your "golden rule" in design?
Creativity.
28What skills are most important for a designer?
Take a time to think of ideas every day, and realize them. That is the most important skill.
29Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
It has various tools for drawing acrylic paintings.
30Designing can sometimes be a really time consuming task, how do you manage your time?
Every morning at 7am I go to my studio, draw pictures, think of ideas and go home at 7pm. Stay isolated as much as possible so as not to interfere with mental activity.
31How long does it take to design an object from beginning to end?
Each art work has different time to finish. it takes two or three weeks for the short one and months for the long one.
32What is the most frequently asked question to you, as a designer?
I'm asked a lot about how to think of an idea.
33What was your most important job experience?
I had so many jobs. Everything I experienced is important because it's had a lot of influence on my painting now.
34Who are some of your clients?
They are art collectors.
35What type of design work do you enjoy the most and why?
I like to express my ideas with acrylic paint. It has the property of drying quickly, making it advantageous to add ideas that pop into my head.
36What are your future plans? What is next for you?
I have the most important plan to keep painting. The next plan is to have an exhibition at the gallery. And if I have a chance, I want to participate in various art fairs.
37Do you work as a team, or do you develop your designs yourself?
I'm not working as a team, I'm doing the whole process of drawing from the beginning.
38Do you have any works-in-progress being designed that you would like to talk about?
Now I'm painting a picture of the connection between past and present life and life after death.
39How can people contact you?
People usually contact me via e-mail.
40Any other things you would like to cover that have not been covered in these questions?
When I paint, I intuitively choose color, and I think that everything in the universe, and every color has its own unique energy.Black was used to show the deep unconscious inside by absorbing everything, the state of…
01Your innovative use of contrasting black and blue colors in Go Together Painting creates a powerful visual dialogue between fear and hope - could you elaborate on how this chromatic choice emerged from your creative process?
When I paint, I intuitively choose color, and I think that everything in the universe, and every color has its own unique energy.Black was used to show the deep unconscious inside by absorbing everything, the state of worry and fear felt in confrontation with the other person, and to represent a static and very strong force. Blue is the color chosen to represent hope and recovery, and free thinking and infinity.I would like to show a contrast between the two groups in Go Together, using black and blue on one side and various colors on the other.These are colors that I chose intuitively to show concisely and clearly the theme of the work that overcomes and moves on by connecting with each other, although it suffers confrontation and conflict.
02The multiple hands and feet attached to life objects in Go Together Painting suggest diverse paths and directions - what inspired you to use these specific anatomical elements to convey the message of unity?
My emphasis on the anatomical elements of hand and foot in this work is a symbol of different paths and directions.The hand symbolizes 'touch.' It contains contact with others, and a willingness to connect. This assignment of several hands and feet to the living things in the painting is the possibility that an individual can have multiple perspectives and directions.In particular, two opposing groups are pointing in different directions within the structures facing each other, but in the end, it means one essential relationship. This is also true in human society. We are oriented in different directions, but on a deep level, we are interconnected. This is the essential reason why I used these elements.
03Go Together Painting earned recognition with an Iron A' Design Award for its artistic innovation - how did you develop the unique three-dimensional bending technique that gives such distinctive character to the signs and parts?
My three-dimensional bending technique is the result of progressive development in the process of repeated experiments, observations, and failures. It started from simply wanting to break away from being two-dimensional. I explored new forms by handling paints and acrylic additives with my own hands. I focused on creating a three-dimensional shape by carefully observing and controlling the material itself. Building a frame and creating a certain shape were time-consuming and energy-consuming tasks.
04The composition of Go Together Painting places two groups in deliberate opposition while simultaneously connecting them - could you share the conceptual journey that led to this powerful spatial arrangement?
This work begins with a structure in which two groups face each other. From the beginning, this structure went beyond simple visual contrast and focused on deliberately designing opposing and connected states. Tension and harmony, conflict and healing, isolation and solidarity exist simultaneously in the arrangement.The two groups in the work visually embody this very ironic truth: a deliberately opposed, but inevitably a journey to one.This strong spatial arrangement stems from a deep reflection on human existence. Through this work, I wanted to convey the message that we must confront and collide, but overcome confrontation and conflict and move in the same direction.
05In creating Go Together Painting, you worked between consciousness and subconsciousness - how does this liminal creative space influence your artistic expression of human connection and conflict?
I created this by moving the boundaries between consciousness and unconsciousness through this work. Human connections and conflicts work deeply in the unconscious for the most part. On the surface, it is difficult to recognize, but in reality, things like fear, deficiency, memory, and hurt have an effect. I also have an unconscious desire to run away when it is difficult to endure confrontation, but I have faced many inevitable situations. And it may be due to the instinct that overcoming confrontation and conflict, existing in the same place, and working together can be more advantageous for survival because everything is connected in the Earth and the universe.
06The water symbolism at the bottom of Go Together Painting, rendered in sky blue, adds another layer of meaning - what role does this element play in your vision of collective forward movement?
Water, expressed in sky blue at the bottom of this painting is not just a background or decoration. It is a symbol of flow and change. In this way, water suggests the possibility that different beings can ultimately flow in one direction even in conflict. Through this image of water, I wanted to convey the message of 'moving forward together' in relationships between human relations and groups.Ultimately, this water is related to the title ‘Go Together’. It doesn't exist like an isolated island, but it contains a fateful community that all of us must influence each other in some way, move together, and eventually move toward the same future.
07Go Together Painting explores the tension between confrontation and unity - how do you hope this work influences viewers' perspectives on overcoming societal divisions?
What I hope to achieve through this work is for the audience, when viewing it, to recall their own experiences within the structure of conflict presented in the piece, and to reconsider the inevitable confrontations and the structure itself.Go Together painting is composed of structures that face each other without turning their backs on each other, and it is a fateful connection. This means that recognizing and accepting each other's existence, and trying and working together to solve and overcome problems, reduce the time for confrontation, and the two groups are better able to survive. This is because the two groups are connected, and they are a doomed community.The same goes for the social divisions we face. I want to show the importance of finding the possibility of coexistence, not the perfect agreement.
08The technical execution of Go Together Painting combines gesso, acrylic, and gloss varnish - could you walk us through your material choices and how they serve the work's message?
Technically, I used Gesso, acrylic paint, and glossy varnish at the end. These materials act as a means to reveal the message of the work more intensely.Acrylic paint dries quickly, and has the property of containing strong and vivid colors. Acrylic paint is suitable for showing the improvisation and intuition of emotions and things that can be converted in a moment. Finally, the glossy varnish protects the painting by covering the surface, but at the same time reflects and glitters light, it does not feel stationary but shows wave-like flexibility. This is because a flexible attitude is important when it comes to overcoming confrontations and moving forward together. I wanted to express it in the painting as well.
09Your artistic process for Go Together Painting involved sitting still to intuitively imagine dynamics - how does this meditative approach shape your ability to capture complex human relationships?
My work is done in a pleasant calmness within me, regardless of external circumstances. Imagining there is the starting point of my creation. It’s a way to sensuously experience the subtle dynamics of relationships.In modern society, human relationships are very complex and diverse. It is difficult to understand what lies behind the words or actions that appear on the surface. I want to feel that invisible structure intuitively.This approach allows me to get closer to the essence of human instinct and relationships. I find the essence of many things I have experienced, and I keep coming up with visual images of them.This work, ‘Go Together’, was also created through that process. I imagined two opposing groups facing each other and a unique and powerful flow of connection between them.
10Go Together Painting seems to challenge rational human existence while exploring instinctual responses - could you elaborate on how this philosophical perspective manifests in the visual elements of the work?
Go Together Painting is visually expressed instinct and reason, confrontation and harmony. 1. Two groups placed on either side: two groups placed on both ends of the screen face each other and visualize opposing energy. This configuration symbolizes conflict, but at the same time open the possibility of dialogue and connection. 2. Connection Element: The connection element that connects the two groups is a symbol for coexistence and overcoming conflict. It is not linear but organic, which represents the complexity of human relationships.3. Water image below: The sky blue water flowing at the bottom of the painting suggests the possibility that different beings can eventually flow in one direction even in conflict.
A' Design Award គឺជាពានរង្វាន់រចនាល្អអន្តរជាតិដែលវាយតម្លៃដោយគណៈកម្មការ។ ចូលរួមក្នុង A' Design Award ដើម្បីទទួលបានឱកាសក្នុងការទទួលស្គាល់ដោយគុណសម្បត្តិ ទទួលបានកិត្តិនាម កិត្តិយស និងការផ្សព្វផ្សាយសម្រាប់ការងាររបស់អ្នក។ ដាក់ស្នាដៃរបស់អ្នកសម្រាប់ A' Design Award ហើយប្រកួតប្រជែងដើម្បីឈ្នះ A' Design Prize ដ៏គោរពរាប់អាន។