디자이너 Unique Store Fixtures의 작품 Dreamland 전시 부스 디자인은(는) 매우 권위 있는 2021 A' Design Award 은상의 인테리어 공간 및 전시 디자인 부문에서 탁월한 수상작입니다.
은인테리어· 2021
Dreamland 전시 부스 디자인
디자이너: Unique Store Fixtures
클라이언트: Unique Store Fixtures
인테리어 부문 A' Design Award 은상 수상작
인증된 수상작
#108282 수상 상태 인증하기디자인
Dreamland 전시 부스 디자인 소개
드림랜드는 쿼츠 스톤 표면을 예상치 못한 방식으로 선보이기 위해 디자인된 전시 부스입니다. 이 설치물은 무거운 석재 슬래브를 구름, 무지개, 번개와 같은 부드러운 형태로 변화시킵니다. 워터젯으로 절단한 쿼츠를 컴퓨터 절단 합판 베이스 및 용접 강철 프레임과 결합하여 캔틸레버 구조와 매달린 요소들을 지지합니다. 각 석재 조각에는 LED 조명이 설치되었으며, 배선은 이중 바닥 아래에 감춰져 있습니다. 관람객은 공간을 거닐며 익숙한 소재를 경쾌하고 유쾌한 시선으로 마주하게 됩니다.
수상 인정
A' Design Award 은상 소개
Dreamland 전시 부스 디자인, 이 작품은 A' Design Award 은상 수상작으로, 최상급이며 아름답고 인상적인 디자인에 수여되는 비범하게 권위 있는 인정입니다. 은상 수상작은 대단히 뛰어나고 매우 창의적인 작품으로, 디자이너의 탁월한 전문 지식, 재능, 통찰력을 보여 줍니다. Dreamland 전시 부스 디자인, 이 작품은 훌륭한 대표작으로서 매우 전문적이고 깊이 있게 혁신적일 것으로 기대됩니다. 이 은상 수상 디자인은 예술, 과학, 디자인, 기술의 경계를 넓히는 데 이바지하는 주목할 만하고 찬사를 받는 발명품입니다. Dreamland 전시 부스 디자인, 이 작품은 모두가 부러워하는 창작물로서 욕망을 일깨우고 긍정적인 감정을 불러오며 경탄과 경이로움을 불러일으킵니다.
디자인 비하인드
프레스 킷
디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.
- 고유 특성
- The design transforms heavy, solid stone slabs (widely used in countertops, and some vertical applications for wall cladding) into light and soft clouds. Stone slabs are is often cut at right or sharp angles and are not associated with any kind of quote unquote softness. To turn this expectation on its head, the space was designed to communicate a dreamy-like atmosphere that would not normally be associated with the product.
- 치수 및 패키징
- Dimensions of the booth were 60 feet (18.28m) wide by 30 feet ( 9.14m) deep by 12 feet (3.66m) tall.
Backwall 153mm deep x 18,288mm wide x 3,658mm high – Clouds & Eyes on the wall varied from 1,422mm to 2,439mm wide
(2) Pearly Gates on either side of the exhibit 305mm deep x 3,048mm wide x 3,359mm high
(4) Cloud Wall Displays 3,962mm deep x 3,391mm to 6,096mm wide x 2,896mm high
(1) Rainbow 483mm deep x 4,287mm wide x 3,048mm high – Ottoman (on one end) 1,829mm dia. X 457mm high
(2) Rain Clouds 76mm deep x 3,048mm wide x 3,048mm high
(1) Lightning Bolt Display 76mm deep x 2,439mm wide x 2,743mm high
(3) Cloud Tables (various widths) 1,219mm, 1,524mm, 1,829mm wide x 508mm high
(1) Head shaped Table 1,194mm wide x 1,645mm long x 508mm high
(3) Pedestals (various heights) 356mm deep x 514mm wide x 813mm, 965mm, 1,118mm high
(1) Hand Pedestal 541mm deep x 386mm wide x 1,441mm high - 태그
- dreamland, interior installation, interior design show, IDS
- 생산 기술
- Making this design a reality was a combination of waterjet cutting Caesarstone quartz, CNC’d plywood and welded structural steel. Bases and subassemblies were created in plywood in order to make it light and durable. This base allowed heavier Stone product to be fastened while still keeping the shape. Many of these shapes also had a heavy structural steel base allowing things like the cantilevered stone clouds and floating rain clouds. The 4” base of the exhibit booth doubled as both a floor and a shroud to cover the steel sub-framing which was necessary to hold the sheer weight of the Caesarstone. The challenge of lighting every piece of stone with LED lighting was also made possible though the subfloor where low voltage wiring was placed and housed many of the UL approved drivers. Seamless access panels were created in the floor in order to make final connections and make it serviceable during the show if necessary. The back wall of the booth was made similarly top the floor and was all shop painted MDF with precisely CNCd hanging cleats into the MDF which allowed hanging the clouds securely. This allowed for seamless installation and rigidity.
- 디자인 과제
- Engineering and fabrication was the most challenging part of the installation. Manipulating our product into shapes and applications that we had never done before took some experimentation and redesign. We were not constrained in any way by any cultural, legal, or technological limitations.
- 연구
- Research began with international trend forecasting sources. The research tools used included social web sweeps, WGSN reports, Trend Union consultations, consultations with past Caesarstone collaborators, in-market visits to design fairs. Once narrowed down to Jonathon Adler, a design brief and criteria for what we wanted in the installation design was created. *Answer provided by Liz Margles of Caesarstone
- 영감
- To build something purely joyful, whimsical, positive, light-hearted yet definitely designed, and to emote a sense of wonder and ease through the space. The inspiration came from combatting negative world events and Jonathan Adler's design sensibility. The technical background was a challenge, as it is way more serious, technical, and measured than the whimsy of the result would imply.
- 프로젝트 기간
- Project brief started in August 2019 and the project was installed in January at the IDS 2020.
- 운영 흐름
- The installation was conceived as a space in which someone would walk through, and interact with different materials, from soft furnishings to solid quartz slabs, throughout. While the installation was static, it was the participants that transformed as they walked the space. They transformed from either hard-core design critics or afficianados to kids taking pictures and laughing in surprise at the various elements, thus opening their minds to new ways of seeing the product.
- 팀원
- Designer: Elizabeth Margles
Consultant: Jonathan Adler
Fabrication: Unique Store Fixtures - 이미지 출처
- Alex Lukey
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