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Muse 개념적 전시 by Michelle Poon
Muse 개념적 전시 by Michelle Poon
Muse 개념적 전시 by Michelle Poon
Muse 개념적 전시 by Michelle Poon
Muse 개념적 전시 by Michelle Poon

금 그래픽 · 2021

Muse 개념적 전시

by Michelle Poon

  • A' Design Award 금상 2021 in 그래픽
  • CLIENT: Michelle Kason
  • Estimated Number of Design Views: 61,168
  • Verification code 9AF1A31CF8 · Verify this award
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About Muse 개념적 전시

Muse는 다양한 방식으로 음악을 경험할 수 있는 세 가지 설치 경험을 통해 인간의 음악적 지각을 연구하는 실험적인 디자인 프로젝트입니다. 첫 번째는 열 활성 물질을 사용하여 순전히 감각적이며 두 번째는 음악적 공간성에 대한 디코딩된 인식을 표시합니다. 마지막은 음악 표기법과 시각적 형식 간의 번역입니다. 사람들은 설치물과 상호 작용하고 자신의 인식으로 음악을 시각적으로 탐색하도록 권장됩니다. 주요 메시지는 디자이너가 실제로 어떻게 지각에 영향을 미치는지 알고 있어야 한다는 것입니다.

About the A' Design Award 금상

Muse 개념적 전시, 이 작품은 A' Design Award 금상 수상작으로, 일류의 경이롭고 뛰어난 디자인에 수여되는 극히 권위 있는 인정입니다. 금상 수상작은 대단히 혁신적이고 선견지명이 있으며 눈부시게 빛나는 작품으로, 디자이너의 천재성, 지혜, 기량을 반영합니다. Muse 개념적 전시, 이 작품은 가장 높이 평가받는 트렌드 선도적이고 기념비적인 발명품으로서 전례 없는 가치를 제공할 것으로 기대됩니다. 이 금상 수상 디자인은 예술, 과학, 디자인, 기술의 경계를 넓히는 장관을 이루는 존경받는 프로젝트입니다. Muse 개념적 전시, 이 작품은 강렬한 욕망을 불러일으키고 열정을 자아내며 창의성을 북돋우고 매료합니다.

Press Kit

Unique Properties
Muse is an experimental design project studying the musical perception of the human through three installation experiences, two sensational and one logical. People are encouraged to interact with the installations and explore the music visually with their own perception. We try to understand how people understand music here.
Dimensions & Packaging
The exhibition is proposed to be in Hong Kong Museum of Art Gallery 4. It includes three installations which is 2m x 2m x 3m each for two of the cylinder exhibits (the Senses and Shades) and three tables for the third interactive exhibit (the Table).

There are also a set of printed materials, such as poster, brochures, printed and digital tickets, which align back to the exhibition brand.
Tags
exhibition, music, perception, visual communication, graphic design, experiement, conceptual
Production Technology
Thermo-active fabric for the Senses.
Acrylic Tiles for the Table.
Antalis Skin Paper for printed matierals.
Design Challenge
Research part:

With the current situation of coronavirus, I could not provide an extensive performance that surrounds the participants. This makes sensing spatiality less specific than in under a real performance as participants could only rely on their imaginations while listening to their headphones.

Creative part:

I stuggled to code or turn raw data into infographics or coded graphics. The topic of 'musical Perception' digs very deep into human psychology and it is somehow hard for anybody to understand the final deliverables. I developed a many possibilities before coming up wth using simple and minimalistic approach to code the raw dats collected.
Research
Readings:

Perception is ineffable. Any written language on the earth failed us in fully communicating perceptions. Perception could be sensed and understood, but not necessarily be spoken. This situation is even more significant when it comes to music as music is often known to be ‘expressive’, ‘intangible’ and ‘free flow’. Music is something that could not be 100% translated to verbal communication. Music is so vague that perception plays a really big role on how we feel and are moved about it.

Musical Experiment:

A group of audience were asked to finish a set of doodles while surrounded by a group of choral performers. From the results, it is understood that human focus on differences and similarities, ups and downs, stable sounds and changes, as well as flat tones and big contrasts. Human always try to find repetitive patterns in a song, which is a reference of what we have always been exposed to.
Inspiration
The name ‘Muse’ is taken from the inspiration of Greek mythology. The Greek goddesses of art & music are the Muses. They are known as one entity, though there are actually 9 of them and each is unique in their own way. Its resonances with the concept of perception as perception could be understood universally to some extent, though still unique among each of us.
Project Duration
The project started dwith the research stage from September 2019 to January 2020, and the execution stage from January 2020 to June 2020.
Operation Flow
We perceive an object through sensations from our body and also our logical mindset which make sense of the sensations. Yet the channels for perceiving music is not limited to our ears only, but our eyes which see the performance, our hands and our bodies which feel the bass beat and frequencies. These information collected from the senses are sent to our brain to construct meaning and perception paved in to help making sense of the information collected.
Patents
Copyrights belong to Michelle Kasom, 2020
Image Credits
Michelle Kason

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