Light Up 13 Layer Remains 건축 조명 디자인 by Chou Lien - YI.ng Lighting Design is a highly esteemed winner of the very prestigious 2021 A' Design Award 철상 in 문화유산 및 문화 산업 디자인 Competition Category.
철문화유산· 2021
Light Up 13 Layer Remains 건축 조명 디자인
by Chou Lien - YI.ng Lighting Design
Client: Taiwan Power Company
A' Design Award 철상 Winner in 문화유산 Category
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The Design
About Light Up 13 Layer Remains 건축 조명 디자인
'십삼층 유적 라이트업(Light Up 13 Layer Remains)'은 대만 북부의 옛 구리 제련소를 대상으로 한 공공예술 조명 프로젝트이다. 1973년 폐쇄된 이 광산 유적은 기본 구조가 그대로 보존되어 있다. 구조물 외피의 질감에 어울리도록 2100K의 색온도를 선택했으며, 내부의 앰버빛 조명은 제련 당시 타오르던 불꽃을 떠올리게 한다. 휘도는 층마다 높아져 하부는 1니트, 상부는 6니트에 이르러 층층이 쌓인 구조가 뚜렷하게 읽힌다. 주변 식생은 3000K로 조명했다. 총 15가지 배광 각도와 소비전력의 조명기구 365대가 설치되었다.
The Recognition
About the A' Design Award 철상
Light Up 13 Layer Remains 건축 조명 디자인, 이 작품은 A' Design Award 철상 수상작으로, 잘 디자인된 창작물에 기대되는 전문적·산업적 요건을 충족하는 좋은 디자인에 수여되는 권위 있는 인정입니다. 철상 수상작은 창작자의 뛰어난 기술, 높은 전문성, 전문가다운 이해, 창의적 역량을 보여 줍니다. Light Up 13 Layer Remains 건축 조명 디자인, 이 작품은 높이 평가받고 감탄과 사랑을 받는 창작물로서 실용적이고 혁신적일 것으로 기대됩니다. 이 철상 수상 디자인은 업계 모범 사례를 통합하며 노하우와 재능으로 연결된 유능한 기술적 특성을 갖추고 있습니다. Light Up 13 Layer Remains 건축 조명 디자인, 이 작품은 철저함으로 존중받으며 삶의 질을 개선하여 세상을 더 나은 곳으로 만들도록 디자인되었습니다.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Taiwan Power Company integrated its arts and cultural assets in the "Shua Jin Jiu" area. Through art, they tried to subvert the "Shau Nan Dong Refinery" , which is classified as a pollution control site. At the same time, combining many good causes with people who care about this land and have aspirations. Also, the company has appointed international lighting masters Lien Chou along with YI.ng Lighting Design Consultants working together to launch the "13 Layer Remains" lighting project.
- Dimensions & Packaging
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits, presenting and highlighting the quality of "layer" . Low color temperature was employed to highlight the architectural landscape while outlining the silhouette of the refinery. We used 3000K burnishing to bring out the strength of the vegetation there. The entire project use of 15 different angles and wattage, with 365 sets of luminaire in total, in accordance with the topological features.
- Tags
- Refinery, Lighting Design, Shau Nan Dong, 13-Layer Remains, Taiwan, Taipei, Chou Lien
- Production Technology
- From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure. Amber light was also adopted as internal lighting for the structure to represent a setting of using fire during the refining process.
- Design Challenge
- At night, the light not only perpetuates the human spirit of the site but also awakens people's understanding of the golden age of Shau Nan Dong area; the light revitalizes the cultural artistry of the area, such as the combination of performing arts and cultural landscapes, the prototype of the 2020 Bright Sea Island Festival...etc.
- Research
- The reuse of historical architectural space is not only a direct way to involve commercial activities, but also a large-scale public art project to revitalize cultural assets and polluted land, which not only attracts people to see the magnificent nighttime beauty of the "13 Layer Remains", but also becomes a venue to nurture arts and cultural activities.
- Inspiration
- The mining site is no longer in use since 1973 due to the exhaustion of copper and gold. The basic structure is retained and it preserves the traces of mining for a hundred years. It had been sealed for over 30 years before the rejuvenation. From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all-encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure.
- Project Duration
- "Light up 13 Layer Remains" Public Art Lighting Project was officially lit on the night of the Moon Festival on September 13, 2019, and 90 seconds of dynamic lighting was planned in response to the lighting ceremony. However, the lighting design team does not want the light movement changes to be meaningless. Even with dynamic lighting, they still want it to be in line with the original design concept, expressing the inclusive power of nature.
- Operation Flow
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits , presenting and highlighting the quality of "layer".
- Patents
- Taiwan Power Company Public Art
- Team Members
- Client: Taiwan Power Company
Lighting Design: Chou Lien, Wen Ying Chu, Ping Yi Liu, Joyce Ho
Manufacturers: Luxmen Technical Lighting
Products: Grand Canyon LED Lighting Systems
Photographer: Yu Chen Cha - Image Credits
- Photographer: Yu Chen Cha
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