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Experience Design of Chime 인터랙티브 프로젝션 설치물 by Linfeng Zhang

Experience Design of Chime 인터랙티브 프로젝션 설치물 by Linfeng Zhang is a highly esteemed winner of the very prestigious 2022 A' Design Award 철상 in 문화유산 및 문화 산업 디자인 Competition Category.


철문화유산· 2022

Experience Design of Chime 인터랙티브 프로젝션 설치물

by Linfeng Zhang

Client: Linfeng Zhang

A' Design Award 철상 Winner in 문화유산 Category

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The Design

About Experience Design of Chime 인터랙티브 프로젝션 설치물

편종(Chime) 경험 디자인은 박물관 전시를 위한 인터랙티브 프로젝션 설치물이다. 이 설치물은 프로젝션 기술과 중국 전통 악기인 편종을 결합하여, 관람객이 편종을 연주하는 동시에 문화적 지식을 탐색할 수 있도록 한다. 깜빡이는 이미지를 선택할 수 있으며, 편종 위에 나타나는 후광이 관람객을 하나의 선율로 안내한다. 메뉴 아이콘은 깃발과 문자가 텍스트를 드러내는 역사 섹션 등 다른 인터페이스로 연결된다. 하드웨어는 프로젝터, 레이더, 컴퓨터, 스피커로 구성되며, 프로젝션 크기는 90 x 258센티미터이다.

The Recognition

About the A' Design Award 철상

Experience Design of Chime 인터랙티브 프로젝션 설치물, 이 작품은 A' Design Award 철상 수상작으로, 잘 디자인된 창작물에 기대되는 전문적·산업적 요건을 충족하는 좋은 디자인에 수여되는 권위 있는 인정입니다. 철상 수상작은 창작자의 뛰어난 기술, 높은 전문성, 전문가다운 이해, 창의적 역량을 보여 줍니다. Experience Design of Chime 인터랙티브 프로젝션 설치물, 이 작품은 높이 평가받고 감탄과 사랑을 받는 창작물로서 실용적이고 혁신적일 것으로 기대됩니다. 이 철상 수상 디자인은 업계 모범 사례를 통합하며 노하우와 재능으로 연결된 유능한 기술적 특성을 갖추고 있습니다. Experience Design of Chime 인터랙티브 프로젝션 설치물, 이 작품은 철저함으로 존중받으며 삶의 질을 개선하여 세상을 더 나은 곳으로 만들도록 디자인되었습니다.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
This design is called the intelligent interactive experience design of Chime. The designer combines interactive projection technology with traditional Chinese musical instruments, chimes, so that the audience can strike the chimes and at the same time explore some cultural knowledge independently. Different from the conventional exhibition of cultural relics, this non-mandatory and entertaining way of exhibition can renew the vitality of classical culture.
Dimensions & Packaging
There is no concrete product in this design, and its projection size is 90cm×258cm.
Tags
Experience design, Interactive projection, Museum, Cultural relics exhibition, Chime bells
Production Technology
The hardware of the design includes projectors, radars, computers, and speakers.
Design Challenge
Designers encountered two main difficulties. One is the design of the graphic content and how to make it acceptable to the public; the other is the realization of technology and hardware, and how to build the entire interactive system.
Research
The crowds in the museum are diverse, and it is very difficult to meet everyone's viewing needs at the same time, which requires the introduction of interactive design. Set up information levels for the exhibition and classify the interface to meet the general needs of different groups of people. Each level has more information and audiences can explore independently. This method of interweaving the old and the new can not only protect the cultural relics, but also bring people closer to the cultural relics and renew the vitality of classical culture.
Inspiration
First of all, I have been paying attention to interactive projection and music interactive wall for a long time.When I visit museums, as we all know, a lot of objects are placed in glass cases, and there is a lack of interaction between them and the audience. When I saw the chimes, I wanted to hit them and listen to their sound, but the situation was absolutely not allowed, which gave me an opportunity to ask myself, why not combine the interactive projection with that?
Project Duration
The project was launched at Hefei University of Technology in Anhui, China in February 2021, completed in June of the same year, and exhibited in mid-June.
Operation Flow
In the entire system, all flashing images can be clicked, including the aperture on the chime, the menu bar, various small images of each interface, and so on. The aperture on the chime guides the audience to play a melody. After clicking the icon in the menu bar, the icon will light up briefly, and then it will transition to the next interface. For example, in the history interface, flashing flags and characters can be clicked. After clicking, they will glow, and then text will appear.

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