디자이너 Tobias Kappeler의 작품 Haragana 라운지 체어은(는) 매우 권위 있는 2022 A' Design Award 동상의 가구 디자인 부문에서 탁월한 수상작입니다.

동가구· 2022

Haragana 라운지 체어

디자이너: Tobias Kappeler

클라이언트: Tobias Kappeler Design

가구 부문 A' Design Award 동상 수상작

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Haragana 라운지 체어 소개

하라가나(Haragana)는 구부린 스틸 파이프와 코르크 디스크로 제작된 라운지 체어입니다. 의자는 본질적인 구조만 남도록 절제되어 쿠션이나 패브릭 마감을 전혀 사용하지 않았습니다. 팔걸이는 없지만 외형은 안락의자를 연상시킵니다. 28센티미터의 낮은 좌석 높이는 사람들이 등을 기대고 오랜 시간 주변을 바라보도록 이끕니다. 개방된 프레임은 의자를 시각적으로 가볍게 유지하여, 과도한 시선을 끌지 않으면서 실내 공간에 자연스럽게 어우러지도록 합니다. 단순한 코르크 디스크는 곡선을 이루는 관형 구조와 대비를 이룹니다. 각 의자는 수작업으로 벤딩, 용접, 샌딩 과정을 거쳐 완성됩니다.

수상 인정

A' Design Award 동상 소개

Haragana 라운지 체어, 이 작품은 A' Design Award 동상 수상작으로, 창의성, 독창성, 영민함으로 돋보이는 뛰어난 디자인에 수여되는 높은 권위의 인정입니다. 동상 수상작은 충분히 숙련되고 인상적으로 창의적인 작품으로, 디자이너의 폭넓은 경험, 상상력, 기지를 입증합니다. Haragana 라운지 체어, 이 작품은 높이 평가받고 감탄과 사랑을 받는 사물로서 두드러지게 전문적이고 혁신적일 것으로 기대됩니다. 이 동상 수상 디자인은 예술, 과학, 디자인, 기술의 모범 사례를 담고 있으며 세부에 대한 주의로 훌륭합니다. Haragana 라운지 체어, 이 작품은 필요를 훌륭하게 충족하고 욕망에 닿으며 감정을 매료하고 호기심을 불러일으킵니다.

디자인 비하인드

프레스 킷

디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: The Haragana is a lounge chair made from bent steel tubes and cork disks for seating. The outline of the chair resembles and reminds of an armchair however there are no cushions or upholstery. The chair is reduced to the essential structure, giving it a light and airy design, which fits perfectly in interior spaces without taking up too much space visually. The simple graphical cork seating disks provide contrast to the more complex underlying tubular structures.
치수 및 패키징: The chair has a width of 75cm, a length of 65cm and a height of 65cm. To add additional support to the legs, a thin stainless steel rod was welded in between the legs. The seating position is purposely low 28cm to ensure people stay seated for longer and enjoy the experience, their surroundings and thoughts that come when taking a break.
태그: Furniture Design, Chair Design, Lounge Chair, Tubular Design, Observation.
생산 기술: The chair was made from 19 and 16mm steel tubes and cork. After an extensive study on the design territory “observation” small scale prototyping and sketching the chair was produced fully by hand without any automated machines. Steel tubes were bent by hand and welded together, piece by piece. First the outline, then the inside structure, then the legs and lastly the seating of the chair. After welding it together, the chair was sanded down and spray painted. The cork was sanded and then added.
디자인 과제: The challenge was to produce a chair with a complex curved shape that was still symmetrical. This required several attempts and an in-depth observation from several angles. As tubular systems for furniture design have been explored before, the challenge was to come up with a design that is new and still interesting. To keep the light feel of the chair, the structure needed to be strong and stable.
연구: The project started with an exploration into the theme of observation and how to create a seating experience that could last for a longer period. A strong driver of the project was prototyping on a scale of 1:10 with steel rods that were spot-welded together. This allowed for quick iterations on different shapes and to explore different curves and their relation with each other. The tools used to produce the chair were very simple, a tube bending machine, a welding machine and a sanding machine.
영감: We live in a fast-paced world where everything must happen instantly and thus, we often forget to take a break, lean back and just observe our surroundings. The aim was to create a chair in which you stay and remain seated for a while.
Studying the territory of observation the design invites and resembles this as well. What you see, is actually not what you see. Perceived is an armchair due to the emphasized outline which resembles an armchair, however, there are no armrests.
프로젝트 기간: The project started in January 2020 and was developed by myself as part of my MA/MSc Innovation Design Engineering degree. The project duration was 4 weeks and was exhibited at the Royal College of Art in February 2020.
운영 흐름: Due to its low and comfortable seating point, it invites people to stay seated for longer. In addition, having only the essential structures and the seating of the chair, its light and open design smoothly integrates into the interior without claiming too much attention but still allowing for a more complex shape to be present.
팀원: Tobias Kappeler