Thomas Abraham의 The Crystal Hall 주거 인테리어는

디자이너 Thomas Abraham의 작품 The Crystal Hall 주거 인테리어는은(는) 매우 권위 있는 2022 A' Design Award 동상의 인테리어 공간 및 전시 디자인 부문에서 탁월한 수상작입니다.

동인테리어· 2022

The Crystal Hall 주거 인테리어는

디자이너: Thomas Abraham

클라이언트: Thomas Abraham

인테리어 부문 A' Design Award 동상 수상작

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A' Design Award에서 보기 보도 자료 수상 배지

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The Crystal Hall 주거 인테리어는 소개

인도 방갈로르에 위치한 Crystal Hall은 토착 건축의 개념과 현대적인 재료 및 기술을 결합한 개인 주택으로 설계되었습니다. 과수원으로 둘러싸여 있으며 인간과 자연의 연결을 추구합니다. 화이트 벽과 유리 인테리어로 공간을 깔끔하고 미니멀하게 유지하는 데 중점을 두었습니다. 사용된 모든 재료는 건설 중 초과분에서 업사이클링되어 낭비가 거의 없습니다. 환경을 고려하여 설계되어 열적, 시각적, 청각적 단열을 제공하는 동시에 미적 철학에 충실합니다.

수상 인정

A' Design Award 동상 소개

The Crystal Hall 주거 인테리어는, 이 작품은 A' Design Award 동상 수상작으로, 창의성, 독창성, 영민함으로 돋보이는 뛰어난 디자인에 수여되는 높은 권위의 인정입니다. 동상 수상작은 충분히 숙련되고 인상적으로 창의적인 작품으로, 디자이너의 폭넓은 경험, 상상력, 기지를 입증합니다. The Crystal Hall 주거 인테리어는, 이 작품은 높이 평가받고 감탄과 사랑을 받는 사물로서 두드러지게 전문적이고 혁신적일 것으로 기대됩니다. 이 동상 수상 디자인은 예술, 과학, 디자인, 기술의 모범 사례를 담고 있으며 세부에 대한 주의로 훌륭합니다. The Crystal Hall 주거 인테리어는, 이 작품은 필요를 훌륭하게 충족하고 욕망에 닿으며 감정을 매료하고 호기심을 불러일으킵니다.

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디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: The Crystal Hall integrates sustainability, reuses material, and uses disadvantaged local talent. Glass is a modern material that can be recycled endlessly without loss of quality or clarity, recreating bioclimatic conditions that tackle climate change. It follows a minimalistic modern approach while taking inspiration from classicism and yet being culturally, emotionally and ecologically conscious. The building follows a zero-waste policy and is an example of socially responsible design
치수 및 패키징: Site area - 2322 meter square
Building area - 835 square meter
Gross - 418 sqm
태그: Sustainable design, Sustainable Interior, Residential Interior, Ecofriendly Design, Innovative Design, Green Design, Interior design, White Interior, Modern Interiors, Minimalistic Interiors
생산 기술: The structure consists an eclectic mix of glass, MS columns and cast in situ concrete. Contrary to general opinion, glass is among the most eco-friendly materials, more than compared to mud or stone, as it can be recycled endlessly without loss of quality or clarity and is made of sand, which is among the most plentiful resources available. Glass recreates bioclimatic conditions that tackle climate change while using modern materials that are culturally, emotionally, and ecologically conscious.
디자인 과제: Glass is often considered inappropriate for a tropical climate. But the architect used a double-layered glass - one layer reflecting the longwave radiation and the other reflecting the sun's shortwave radiation, providing thermal insulation to the building. As the project is in the outskirts where the power situation is erratic, the architect used wind power generating towers to provide backup power during windy days. The power is stored in batteries, and the excess is fed back to the city grid.
연구: The Crystal Hall a big but small home is an essay on light nature and history. Apart from integrating sustainability along reusing materials and using disadvantaged local talent the architect ensured every space of the project was curated to reflect what has been religiously culturally and geographically experienced by the client. It has the worlds first residential windmill towers proprietary use of two layers of high performance recycled glass with noninvasive vegetation species within thermal insulation technology and rainwater utilization thus creating a glocal (global and local) building.
영감: Inspired by the state of the Earths climate and the status of its poorest this is design as an instrument for social and environmental change. It is not just an aesthetic adventure but a tool to recycle and reuse modern materials in sustainable and affordable ways. He made it his mission to hire the so called unemployable from Indias oppressed people of color. This is a building of universal human values that is yet culturally specific being inspired by vernacular Indian design.
프로젝트 기간: Located in Bangalore, India, The Crystal Hall was constructed over a span of five years, from 2014 to 2019.
운영 흐름: The Crystal Hall is an example of paleomodern design, paleo meaning first. This is to take design beyond form follows function to form follows feeling, to reintroduce beauty and pleasure in art, things which were once universal but now is seen as sentimental and commercial. Things like Square proportions, Golden mean proportions, rhythm, scale, harmony and the accommodation of local and climatological aspects makes this a traditional design with a modern outlook using Avant Grande technology and materials.
특허: Thomas Abraham
팀원: Thomas Abraham
Diana Jacil Prakash
Saad Pasha
이미지 출처: Image #1: Sandeep
Image #2: Rashmi Srinivasan
Image #3: Dullu
Image #4: Rashmi Srinivasan
Image #5: Sandeep