Jin Ying Yei Tao Pottery Ltd의 Endless Succession 공공 예술 설치물

디자이너 Jin Ying Yei Tao Pottery Ltd의 작품 Endless Succession 공공 예술 설치물은(는) 매우 권위 있는 2024 A' Design Award 동상의 순수 예술 및 예술 설치 디자인 부문에서 탁월한 수상작입니다.

동순수 예술· 2024

Endless Succession 공공 예술 설치물

디자이너: Jin Ying Yei Tao Pottery Ltd

클라이언트: Jin Ying Yei Tao Pottery Ltd

순수 예술 부문 A' Design Award 동상 수상작

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Endless Succession 공공 예술 설치물 소개

《끝없는 이어짐(Endless Succession)》은 대만 내동국가삼림유락구 입구에 설치된 세라믹 랜드마크이다. 형태는 세워진 숫자 8을 닮아 무한 기호를 연상시키며, 신선폭포가 그리는 포물선을 떠올리게 한다. 투과성 구조는 방문객을 숲으로 이끄는 아치문 역할을 한다. 녹색 표면에는 붉은색과 검은색의 아타얄족 토템과 나비, 새, 청개구리 등 지역 고유종을 새긴 부조가 담겨 있다. 점토와 유약은 섭씨 1,200도 이상에서 소성되어, 이 수공예 작품은 내후성과 색상 안정성을 지니며 만져도 안전하다.

수상 인정

A' Design Award 동상 소개

Endless Succession 공공 예술 설치물, 이 작품은 A' Design Award 동상 수상작으로, 창의성, 독창성, 영민함으로 돋보이는 뛰어난 디자인에 수여되는 높은 권위의 인정입니다. 동상 수상작은 충분히 숙련되고 인상적으로 창의적인 작품으로, 디자이너의 폭넓은 경험, 상상력, 기지를 입증합니다. Endless Succession 공공 예술 설치물, 이 작품은 높이 평가받고 감탄과 사랑을 받는 사물로서 두드러지게 전문적이고 혁신적일 것으로 기대됩니다. 이 동상 수상 디자인은 예술, 과학, 디자인, 기술의 모범 사례를 담고 있으며 세부에 대한 주의로 훌륭합니다. Endless Succession 공공 예술 설치물, 이 작품은 필요를 훌륭하게 충족하고 욕망에 닿으며 감정을 매료하고 호기심을 불러일으킵니다.

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디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: The landmark epitomizes the diversity of local ecology. The permeable design is like an archway that leads visitors into the Forest Recreation Area surrounded by nature.
The shape of the work resembles an upright figure 8 of 'infinity'. Located on the wooden trestle at the entrance of the Neidong National Forest Recreation Area, it is green in color with red and black totems. When one gets closer, there are carves of common species in the area. The extremely realistic animal and plant totems on the column are not only photographed but also sculpted by experienced masters.
치수 및 패키징: The height of the work is about 450cm, and the width of the space occupied is about 250cm.
This is the first time for the team to create such a huge landmark. The clay was stacked up to a height of 450cm by climbing a ladder and then carved with realistic butterflies, birds, tree frogs, and other patterns from top to bottom. Then, the clay is cut into sections and kiln-dried, and finally assembled. The entire landmark is handmade.
Mixing the glazes is also an important part of the work, as uneven proportions will affect the color rendering.
태그: Wulai, Neidong Waterfall, Neidong, Atayal, ceramics, Installation Art, Sightseeing Landmark.
생산 기술: Both the clay and the glaze of this work have been hardened at a high temperature of more than 1,200 degrees Celsius. The minerals and metals contained in the clay have been melted and transformed into stable substances. Its high hardness makes it safe and colorfast when exposed to the sun and wind or in contact with human skin. Unlike ordinary ceramics with a melting point of less than 1,000 degrees, which are susceptible to heavy metals, 'Endless Succession' allows the public to appreciate and touch the relief sculptures from a close distance.
디자인 과제: Pottery requires long hours of handmade work, and humidity control was the first and foremost challenge. To maintain the humidity of the large clay, it must be constantly watered or wrapped in canvas.
Furthermore, to present the curves smoothly, it was necessary for the person leading the work to watch from the bottom and direct the masters executing the work from the top. Therefore, the masters who lead and execute the work need to have a certain tacit understanding and great patience. Each person's interpretation of the aesthetic presentation often required communication and discussion.
연구: Typhoon Soudelor in 2015 damaged many facilities in the Forest Recreation Area. The Forest Recreation Area then replacement of old equipment, and improvement of the landscape. At that time, there was no distinctive entrance to the park. To create and emphasize the distinctive landscape of the Forest Recreation Area, the team integrated the local environment and created a landmark with aesthetics and consistency at its core. The artwork presents imagery of the Xinxian Waterfall and the diversity of the park's species, as well as showcasing the local Atayal culture.
영감: The authorities wanted to create an entrance landmark with natural ecological imagery. Planned to visualize the beauty of the Xinxian Waterfall, presenting the special features of the landscape with the graceful parabola of the waterfall as it cascades down from the top of the mountain. The static and dynamic nature of the waterfall incorporates the common species found in Neidong and is intertwined with Atayal totems, symbolizing the inseparable integration with the environment. The overall shape also implies the meaning of the 'infinity' symbol, which symbolizes the everlasting ecology and richness of culture.
프로젝트 기간: The project finished in August 2018 in Taiwan.
운영 흐름: As the old saying goes, 'It could be admired from a distance but not be tampered with up close and personal.', this is the public's established impression of ceramic art. The work is scratch-resistant, non-toxic, weather-resistant, and colorfast, encouraging the public to interact with it and take photos to experience a different way of presenting 'pottery'. The design team has shown the intimate side of clay to a wider audience. The artwork combines the humanity and ecological elements of Neidong, realizing the depth and beauty of the place and localizing the artwork.
팀원: Jin Ying Yei Tao Pottery Ltd
이미지 출처: Jin Ying Yei Tao Pottery Ltd