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Clay Moulded 극장 인테리어 디자인 by Marius Mateika
Clay Moulded 극장 인테리어 디자인 by Marius Mateika
Clay Moulded 극장 인테리어 디자인 by Marius Mateika
Clay Moulded 극장 인테리어 디자인 by Marius Mateika
Clay Moulded 극장 인테리어 디자인 by Marius Mateika

금 인테리어 · 2025

Clay Moulded 극장 인테리어 디자인

by Marius Mateika

  • A' Design Award 금상 2025 in 인테리어
  • CLIENT: Mama architects
  • Estimated Number of Design Views: 67,444
  • Verification code C7940C700E · Verify this award
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About Clay Moulded 극장 인테리어 디자인

클레이 몰디드(Clay Moulded)는 리투아니아 클라이페다에 위치한 뮤지컬 극장의 인테리어 디자인이다. 점토가 벽과 천장을 뒤덮고 있으며, 30톤이 넘는 자재가 모두 수작업으로 시공되었다. 메인 홀의 패턴은 공간의 한쪽 끝에서 반대쪽 끝까지 끊김 없이 이어진다. 이 프로젝트를 위해 분사, 패턴 형성, 건조, 연마, 유약 처리, 보존 처리를 포함한 7단계 코팅 공정이 개발되었다. 벽과 천장은 음향 반사를 조절할 수 있도록 열고 닫을 수 있어, 공간이 콘서트, 연극, 회의에 맞추어 유연하게 대응한다. 객석은 700석 규모이다.

About the A' Design Award 금상

Clay Moulded 극장 인테리어 디자인, 이 작품은 A' Design Award 금상 수상작으로, 일류의 경이롭고 뛰어난 디자인에 수여되는 극히 권위 있는 인정입니다. 금상 수상작은 대단히 혁신적이고 선견지명이 있으며 눈부시게 빛나는 작품으로, 디자이너의 천재성, 지혜, 기량을 반영합니다. Clay Moulded 극장 인테리어 디자인, 이 작품은 가장 높이 평가받는 트렌드 선도적이고 기념비적인 발명품으로서 전례 없는 가치를 제공할 것으로 기대됩니다. 이 금상 수상 디자인은 예술, 과학, 디자인, 기술의 경계를 넓히는 장관을 이루는 존경받는 프로젝트입니다. Clay Moulded 극장 인테리어 디자인, 이 작품은 강렬한 욕망을 불러일으키고 열정을 자아내며 창의성을 북돋우고 매료합니다.

Press Kit

Unique Properties
For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Dimensions & Packaging
The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Tags
Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Production Technology
We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Design Challenge
The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Research
Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Inspiration
The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Project Duration
The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Operation Flow
This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Image Credits
Photographer: Leonas Garbačauskas

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