은 가구 · 2026
Soo No. 2 의자
by Sangin Park
- A' Design Award 은상 2026 in 가구
- Estimated Number of Design Views: 24,498
- Verification code 0248B99F2C · Verify this award
Colors
About Soo No. 2 의자
Soo No. 2는 일상적인 사용을 위해 디자인된 목재 의자이다. 대부분의 의자에서는 뒷다리가 위로 이어져 등받이를 지지하지만, Soo No. 2에서는 뒷다리와 등받이 지지대가 독립된 요소로 분리되어 있다. 이러한 분리는 구조적 안정성을 높이고 명확한 시각적 균형을 만들어낸다. 다리는 원통형이며 좌판은 데니시 코드로 엮어 제작되었다. 모든 구조적 접합부에는 장부맞춤(mortise and tenon) 기법이 사용되었으며, 관통 접합부가 프레임 측면을 따라 작은 다이아몬드 형태의 디테일을 이룬다. 팔걸이와 등받이 지지대는 눈에 띄지 않는 황동 핀으로 고정되어 있다.
About the A' Design Award 은상
Soo No. 2 의자, 이 작품은 A' Design Award 은상 수상작으로, 최상급이며 아름답고 인상적인 디자인에 수여되는 비범하게 권위 있는 인정입니다. 은상 수상작은 대단히 뛰어나고 매우 창의적인 작품으로, 디자이너의 탁월한 전문 지식, 재능, 통찰력을 보여 줍니다. Soo No. 2 의자, 이 작품은 훌륭한 대표작으로서 매우 전문적이고 깊이 있게 혁신적일 것으로 기대됩니다. 이 은상 수상 디자인은 예술, 과학, 디자인, 기술의 경계를 넓히는 데 이바지하는 주목할 만하고 찬사를 받는 발명품입니다. Soo No. 2 의자, 이 작품은 모두가 부러워하는 창작물로서 욕망을 일깨우고 긍정적인 감정을 불러오며 경탄과 경이로움을 불러일으킵니다.
Press Kit
- Unique Properties
- The most distinctive feature of this chair is the design of its rear legs. While conventional chairs extend the rear legs upward to support the backrest as two vertical columns, this approach was reconsidered in terms of structural stability. By separating the rear legs from the backrest support as independent elements, the design achieves both enhanced structural integrity and a clear sense of visual balance.
- Dimensions & Packaging
- Width 580mm x Depth 640mm x Height 770mm
- Tags
- chair, chair design, woodworking
- Production Technology
- In realizing this chair, certain elements were intentionally kept traditional, including the cylindrical legs and a seat woven with Danish cord. Special attention was required where the squared frame members meet the round legs. All Structural joints are crafted using mortise and tenon joinery, with through mortise and tenon joints forming subtle diamond-shaped details along the frame sides. The armrests and back rest supports are fixed with discreet brass pins, preserving the clarity and simplicity of the overall shape.
- Design Challenge
- Design is shaped by the social and cultural context in which it is produced. Working within the Korean cultural context, where floor-based living has historically shaped furniture traditions, forms such as chests and low tables developed more clearly than chairs. This absence can create uncertainty for contemporary woodworkers, who often reference traditional architecture when designing chairs. This project began by questioning whether traditional forms were created primarily for aesthetic expression or as practical responses to life and the human body. Rather than replicating inherited forms, the focus shifted toward designing a chair that responds to bodily experience and everyday use.
- Research
- Type of Research :
Practice-based design research.
Research Objective :
To explore how visual stability and comfort interact in chair design.
Methodology :
Full-scale making and iterative adjustment of structure and angles.
Data Collection and Research Tools Used :
Physical prototypes, sitting tests, and dimensional comparison.
Participants or Experiments :
Separating rear legs from backrest support to resolve structural conflict.
Results :
Greater formal freedom and improved balance.
Insights :
Because rear legs and backrest supports perform different roles and absorb forces differently when seated, separating them—beyond concerns of material efficiency—allows chair design to become more flexible and expressive.
Impacts :
The study contributes to furniture design by demonstrating how structural separation can expand formal possibilities while improving everyday seating comfort. - Inspiration
- The chair was inspired by 12 months of building 12 different chairs, during which the relationship between the rear legs and the backrest support became a recurring concern. In conventional designs, rear leg placement that improves stability often compromises posture, while configurations that support proper seating increase the risk of tipping, with angled legs further distorting the overall form. These tensions led to the decision to separate the two functions into distinct structural elements
- Project Duration
- This chair is the final outcome of a personal project involving the creation of 12 different chairs over a 12 month period. The making of this chair itself, including the final wax finish, took approximately twenty days. However, the process of determining the appropriate shapes and compositions for each part took place almost a year. The chair was crafted in December 2025 in Go-yang City, on the outskirts of Seoul, South Korea.
- Operation Flow
- A chair is the piece of furniture that comes into closest contact with the human body. Beyond visual appeal, it must satisfy the highly subjective requirement of comfort. As the position and proportion of each element strongly shape the user’s experience, several dimensions were referenced from a classic chair by Hans J. Wegner, known for its balanced and familiar comfort. Interestingly, adopting only selected measurements leads to a distinctly new experience, revealing the unique and subtle nature of how a chair interacts with the human body.