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Peregrina 역사적 무대 의상 by Kimberly Phipps-Nichol
Peregrina 역사적 무대 의상 by Kimberly Phipps-Nichol
Peregrina 역사적 무대 의상 by Kimberly Phipps-Nichol
Peregrina 역사적 무대 의상 by Kimberly Phipps-Nichol
Peregrina 역사적 무대 의상 by Kimberly Phipps-Nichol

철 코스튬 디자인 · 2026

Peregrina 역사적 무대 의상

by Kimberly Phipps-Nichol

  • A' Design Award 철상 2026 in 코스튬 디자인
  • CLIENT: Kimberly Phipps-Nichol, RoKi Design
  • Estimated Number of Design Views: 7,023
  • Verification code 7C5FCB0A5A · Verify this award
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About Peregrina 역사적 무대 의상

페레그리나(Peregrina)는 1900년대 여성용 무대 의상으로, 액세서리와 에드워드 시대의 슬립과 함께 구성되었습니다. 의상은 재활용 및 업사이클링된 소재, 앤티크 및 시대에 부합하는 소재로 제작되었으며, 면, 헴프, 실크, 리넨, 울, 스트로(밀짚), 깃털, 금속 부속 등이 사용되었습니다. 패턴은 단순하여 1900년경 가정에서 재봉하던 이들에게 요구되던 기술 수준을 반영합니다. 수트의 주요 구성 요소는 양면으로 착용할 수 있어, 한 세트의 조각들로 여러 가지 착장을 연출할 수 있습니다. 버튼과 훅앤아이를 포함한 숨겨진 부속 또는 이중 기능의 부속들은 각 조각의 정렬을 유지하고 무거운 원단의 무게를 지탱해 줍니다.

About the A' Design Award 철상

Peregrina 역사적 무대 의상, 이 작품은 A' Design Award 철상 수상작으로, 잘 디자인된 창작물에 기대되는 전문적·산업적 요건을 충족하는 좋은 디자인에 수여되는 권위 있는 인정입니다. 철상 수상작은 창작자의 뛰어난 기술, 높은 전문성, 전문가다운 이해, 창의적 역량을 보여 줍니다. Peregrina 역사적 무대 의상, 이 작품은 높이 평가받고 감탄과 사랑을 받는 창작물로서 실용적이고 혁신적일 것으로 기대됩니다. 이 철상 수상 디자인은 업계 모범 사례를 통합하며 노하우와 재능으로 연결된 유능한 기술적 특성을 갖추고 있습니다. Peregrina 역사적 무대 의상, 이 작품은 철저함으로 존중받으며 삶의 질을 개선하여 세상을 더 나은 곳으로 만들도록 디자인되었습니다.

Press Kit

Unique Properties
Peregrina is a 1900 era ladies stage costume with accessories and an Edwardian slip made from repurposed, upcycled, antique and era appropriate materials. The pattern for the suit is simple to reflect the level of design and construction capability that would have been expected of a home sewist circa 1900. What is truly innovative about this suit is that it is reversible. This flexibility provides a series of outfits from just one setup, in a nod to the tailor mades of the time.
Dimensions & Packaging
Suit fits a US women size 4, and dimensions vary due to wrap style.
Bust up to 105 cm
Waist up to 76 cm
Hips up to 115 cm
Submission Materials Contents include Cotton, Hemp, Silk, Linen, Wool, Straw, Feather, and Metal Hardware.
Tags
Costume, Stage wear, Theater wear, Historic costume, Suffragette, Travel, Wearable art, Traditional craft culture, Creative design, Historic reenactment
Production Technology
Research, pattern drafting, mockups and production took over 500 hours. Only era available contemporary fabrics were used where antique materials could not be sourced. Antique hardware and silk were used where feasible. While a basic sewing machine was used for main construction, only straight and zig zag stitches were employed to maintain era consistency. Most of the suit and all mockups were made from repurposed drapes saved from a now closed natural fibers boutique.
Design Challenge
There were two main challenges for this costume. First was sourcing antique and era-appropriate materials on a very small budget. Second was making the main costume components completely reversible while still preserving modesty and a correct silhouette. The reversibility required mockups with significant trial and error to ensure true era appropriate design and construction.
Research
Historical references for design, construction, fabric patterns, colors and fibers include photos of 1900 era ancestors, plus online and print resources. Online resources included US Census Bulletin of era available fibers, as well as database searches of museums with era relevant clothing archives. Print Resources included reference books published by museums with era relevant clothing archives, along with numerous fashion and dressmaker magazines from the years 1900 through 1910.
Inspiration
Created in response to a call for a 1900 era historic costume for actors portraying suffragettes and women traveling across North America. The suit was inspired by inherited heirlooms and documents of a true free spirited Muse who embodied the independent characters to be depicted. The Muse had traveled extensively in this time and is a distant relative of the designer. The name is a nod to the family maritime roots and boat name at that time, Peregrinator, hence the nautical details.
Project Duration
The project started in June 2024 in Houston, Texas and finished in January 2025 in Houston, Texas.
Operation Flow
The reversible components use hardware that is either dual purpose or hidden to ensure a sleek form. Buttons at inner and outer skirt waist sides are both used as closures and shirtwaist connection to support the skirt. This keeps individual pieces from shifting out of alignment while elegantly transferring and distributing the weight of heavy materials. Hooks and eyes ensure critical components retain points of contact important for appearance and flow while moving on stage.
Image Credits
Image #1: Photographer Andy Phan, Main, 2026
Image #2: Photographer Andy Phan, Optional 1, 2026
Image #3: Photographer Andy Phan, Optional 2, 2026
Image #4: Photographer Andy Phan, Optional 3, 2026
Image #5: Photographer Andy Phan, Optional 4, 2026

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