디자이너 Hiroyuki Shinohara의 작품 Suzumushi Tea House은(는) 매우 권위 있는 2026 A' Design Award 은상의 문화유산 및 문화 산업 디자인 부문에서 탁월한 수상작입니다.

은문화유산· 2026

Suzumushi Tea House

디자이너: Hiroyuki Shinohara

클라이언트: Craft Desgin Research Lab

문화유산 부문 A' Design Award 은상 수상작

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사이트 방문 A' Design Award에서 보기 보도 자료 수상 배지

디자인

Suzumushi Tea House 소개

Sounds of Suzumushi is a series of woven bamboo pavilions that reinterpret traditional basketry as inhabitable architecture. Using the Kagome weaving technique, long bamboo strips are interlaced to form lightweight, self supporting enclosures without mechanical fasteners. Digital modeling and structural simulation translate tacit craft knowledge into scalable construction, enabling forms from intimate seating to a pavilion for small gatherings. Filtered light, tactile surfaces and integrated sound create a calm sensory environment, renewing bamboo weaving as a contemporary social space.

수상 인정

A' Design Award 은상 소개

Suzumushi Tea House, 이 작품은 A' Design Award 은상 수상작으로, 최상급이며 아름답고 인상적인 디자인에 수여되는 비범하게 권위 있는 인정입니다. 은상 수상작은 대단히 뛰어나고 매우 창의적인 작품으로, 디자이너의 탁월한 전문 지식, 재능, 통찰력을 보여 줍니다. Suzumushi Tea House, 이 작품은 훌륭한 대표작으로서 매우 전문적이고 깊이 있게 혁신적일 것으로 기대됩니다. 이 은상 수상 디자인은 예술, 과학, 디자인, 기술의 경계를 넓히는 데 이바지하는 주목할 만하고 찬사를 받는 발명품입니다. Suzumushi Tea House, 이 작품은 모두가 부러워하는 창작물로서 욕망을 일깨우고 긍정적인 감정을 불러오며 경탄과 경이로움을 불러일으킵니다.

디자인 비하인드

프레스 킷

디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: Sound of Suzumushi is a 20 sq.m woven bamboo pavilion for deTour 2023 at PMQ, Hong Kong, featuring torus-shaped seating baskets (2.5m & 1.5m diameters) via Kagome triaxial weaving. Unique for scaling handicraft to architecture with embedded video of craft processes, it offers tactile rest spaces, raises heritage awareness, and integrates computational form-finding with manual execution for superior structural lightness and sustainability.
치수 및 패키징: Site Area: 20 sq.m
Diameter: 2500mm (large), 1500mm (small)
Height: 2500mm
Moso Bamboo strips: 5-8mm thick x 10-15mm wide.
태그: bamboo weaving, Kagome structure, computational design, craft preservation, Hong Kong heritage, architectural prototype, tactile installation, cultural propagation
생산 기술: Kagome triaxial weaving analyzed via Grasshopper algorithms modeling bamboo strip topology (10cm grid), materiality, and physics simulation (Oasys gsa fea for deflection/bending under gravity/lateral loads). Validated by 3-point bending/strain gauge tests on mock-ups. Pre-woven components assembled on-site with scaffolding/forklifts; Moso bamboo strips split to 5-8mm thickness, interlocked sans fasteners for self-bracing reciprocal structure.
디자인 과제: The toughest challenge was scaling delicate Kagome weaving from small baskets to 2.5m architectural forms, where manual techniques faltered on strip handling and wind resistance. Internally, capturing tacit knowledge from scarce experts proved elusive amid the historical decline of craft. Externally, sparse local bamboo sources, PMQ site weather disruptions, and coordinating volunteers posed hurdles. We overcame these through iterative finite element analysis and mock-ups, introducing forklifts and scaffolding for assembly, ultimately delivering a lightweight, reusable structure that advances craft viability.
연구: This design research explores scaling Hong Kong’s traditional bamboo weaving into architecture. Objectives focus on digitizing implicit craft skills for broader use and creating inhabitable structures. The methodology involves analyzing Kagome techniques, building Grasshopper models with material simulations, and testing mock-ups using Rhino/Grasshopper, Oasys GSA for finite element analysis, and strain gauges.
Results yielded stable torus pavilions; insights reveal craft-digital tools propagate heritage. Impacts enhance sustainable design, societal craft awareness, and business in renewables.
영감: The inspiration stems from the endangered bamboo weaving craft in Hong Kong, exemplified by master Lui Ming (age 79). Motivated by the decline of implicit craft knowledge due to industrialization, this project seeks to preserve and propagate it through architectural applications, transforming traditional Kagome techniques into scalable, inhabitable structures that promote cultural heritage and the use of renewable materials.
프로젝트 기간: The project was designed and constructed from August 2023 to December 2023 in Hong Kong, with primary installation at pmq cultural complex terrace, Central, Hong Kong, for deTour Design Festival 2023. Pre-weaving occurred at cuhk School of Architecture workshops; on-site assembly involved volunteers.
운영 흐름: Visitors approach the pavilion on pmq terrace, enter the larger woven basket to sit or recline on curved bamboo seats, feeling the smooth, flexible weave. Touch reveals craft texture; inside, a video plays craft stories, evoking bell-cricket “suzumushi” sounds metaphorically. Interaction flows from rest to reflection, outperforming rigid benches by inviting sensory immersion and heritage connection in urban bustle.
이미지 출처: Image Credit: Craft Design Research Lab