I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung의 Ceramic Forest 사무실

디자이너 I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung의 작품 Ceramic Forest 사무실은(는) 매우 권위 있는 2020 A' Design Award 동상의 인테리어 공간 및 전시 디자인 부문에서 탁월한 수상작입니다.

동인테리어· 2020

Ceramic Forest 사무실

디자이너: I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

클라이언트: Merge Interiors

인테리어 부문 A' Design Award 동상 수상작

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인증된 수상작

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A' Design Award에서 보기 보도 자료 수상 배지

색상

디자인

Ceramic Forest 사무실 소개

디자인 된 공간성을 갖춘 시각적으로 편안한 환경에서 작업 할 때 작업 생산성이 향상되고 디스플레이와 작업 영역도 예술적 공간으로 전환됩니다. 반 개방 영역에서는 독립적 인 작업 영역이 구분되었으며 커튼 월 유리는 자연광이 투과하여 흰색의 활력을 포착하여 전체의 공간을 최적화하여 밝고 밝은 작업 공간을 만듭니다. 내부.

수상 인정

A' Design Award 동상 소개

Ceramic Forest 사무실, 이 작품은 A' Design Award 동상 수상작으로, 창의성, 독창성, 영민함으로 돋보이는 뛰어난 디자인에 수여되는 높은 권위의 인정입니다. 동상 수상작은 충분히 숙련되고 인상적으로 창의적인 작품으로, 디자이너의 폭넓은 경험, 상상력, 기지를 입증합니다. Ceramic Forest 사무실, 이 작품은 높이 평가받고 감탄과 사랑을 받는 사물로서 두드러지게 전문적이고 혁신적일 것으로 기대됩니다. 이 동상 수상 디자인은 예술, 과학, 디자인, 기술의 모범 사례를 담고 있으며 세부에 대한 주의로 훌륭합니다. Ceramic Forest 사무실, 이 작품은 필요를 훌륭하게 충족하고 욕망에 닿으며 감정을 매료하고 호기심을 불러일으킵니다.

디자인 비하인드

프레스 킷

디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: The client of this project is Nobel Ceramic and Tiles, the supplier of most ceramic products for Starbucks, who founded its own brand, Cilin, and established its office in Neihu, Taipei. The design of the overall office space was inspired by ceramic from which design elements and vocabulary was generated. The office with showroom adopted white wall cabinet and grey Bolon carpet and black metalwork as its main elements.
치수 및 패키징: With an interior area of 514 square meters, the supervisor offices are allocated near the perimeter of the site near the window for ample natural lighting and window views, while allowing natural lighting to flood into the interior of spacious layered space, and for spaces such as server room, dark room, accounting office, etc., area allocated at the side area, and VP office, legal office, and staff working area are located at the inner area.
태그: Display Cabinet, Mug, Special Paint, Curtain Wall Glass, Open Office
생산 기술: For creating the stern and grand spatial qualities of the commercial space and the office that is befitting to the corporate core values, the reception lobby was treated with elegant grey plaster primer paint accentuating the humble beauty of ceramic. The interior of the office space adopted Mexin ceiling and Bolon carpet for acoustic consideration in creating a quiet working environment.
디자인 과제: As the spatial expression is derived from the consideration of color and size of products on display in a boundless fashion, the design department has also requirements for sample storage, therefore, apart from the white minimalist design, the geometric linework has also helped to maintain the sense of order for the working area, complemented with recessed opening for product display which has further embellished this transitional space.
연구: The ceiling of the showroom features a circular arc design symbolizing the round opening of a ceramic mug, as the showroom cabinet and white color wall softens the serious working ambiance but still maintain a sense of order and layers strung together within a spatial consistency.
영감: The elevator lobby is imbued with the symbolism of Kiln, and as it is surrounded by timberwork, the warm and stern beauty of kilns was articulated grey-scale color relating to the personable texture. With LED lighting giving a layering effect to the interior, special door panels and installation artwork forming motifs of Taiwanese Folk Art has brought strong contrast in this visual focus of this area.
프로젝트 기간: The project was completed in October 2013 in Taipei, Taiwan.
운영 흐름: As the program purpose of merchandise showroom is to express the core imagery of products; therefore, the design has gone beyond the conventional rhythmic nature of normal space by injecting an enriched stream of brand characteristics in every segment of the showroom so that this space becomes a museum of exquisitely made objects which also makes it an ideal location for product introduction and sales discussion.
팀원: I Ju Chan
Hsuan Yi Chen
Su Huang Hung
이미지 출처: Kyle Yu Photo, 2013