Fine Art Landscape Photography 순수 예술 풍경 사진 by David Osborn

Fine Art Landscape Photography 순수 예술 풍경 사진 by David Osborn is a highly esteemed winner of the very prestigious 2020 A' Design Award 동상 in 사진 및 사진 편집 디자인 Competition Category.

동사진· 2020

Fine Art Landscape Photography 순수 예술 풍경 사진

by David Osborn

Client: David Osborn Photography

A' Design Award 동상 Winner in 사진 Category

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Colors

The Design

About Fine Art Landscape Photography 순수 예술 풍경 사진

순수 예술 풍경 사진은 유럽의 풍경과 역사적 건축물을 담은 대형 파노라마 이미지 시리즈입니다. 각 이미지는 파노라마 헤드를 사용해 촬영한 최대 120장의 디지털 사진을 스티칭 소프트웨어로 이어 붙여 완성됩니다. Adobe Photoshop에서의 리터칭 작업은 최종 장면에 회화적인 질감을 더해 줍니다. 스티칭 방식은 인간의 시야와 유사한 넓고 자연스러운 화각을 구현하며 수직선을 곧게 유지합니다. 파일은 60×90인치 또는 그 이상의 크기로 인쇄할 수 있을 만큼 충분히 커서 주거 공간, 호텔, 기업 공간에 적합합니다.

The Recognition

About the A' Design Award 동상

Fine Art Landscape Photography 순수 예술 풍경 사진, 이 작품은 A' Design Award 동상 수상작으로, 창의성, 독창성, 영민함으로 돋보이는 뛰어난 디자인에 수여되는 높은 권위의 인정입니다. 동상 수상작은 충분히 숙련되고 인상적으로 창의적인 작품으로, 디자이너의 폭넓은 경험, 상상력, 기지를 입증합니다. Fine Art Landscape Photography 순수 예술 풍경 사진, 이 작품은 높이 평가받고 감탄과 사랑을 받는 사물로서 두드러지게 전문적이고 혁신적일 것으로 기대됩니다. 이 동상 수상 디자인은 예술, 과학, 디자인, 기술의 모범 사례를 담고 있으며 세부에 대한 주의로 훌륭합니다. Fine Art Landscape Photography 순수 예술 풍경 사진, 이 작품은 필요를 훌륭하게 충족하고 욕망에 닿으며 감정을 매료하고 호기심을 불러일으킵니다.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Digital photography and Adobe Photoshop retouching. Using a panoramic head, up to 120 multiple photographs are taken then stitched together using PTGui software followed by artistic Adobe Photoshop retouching. The use of a panoramic head and stitching images together allows a wide but very natural looking field of view, similar to the human eye, and corrected perspective of buildings (verticals are vertical lines, not falling over); all impossible if shooting with wide angle lenses because of lens distortions.
Dimensions & Packaging: Digital photography images with files large enough to print 60 inch x 90 inch prints or larger for home, hotel or corporate art exhibition.
Tags: fine art, landscape photography, print sales, photography workshops, tuition, photoshop retouching, photography for sale, corporate art
Production Technology: Nikon D800E camera, panorama head then PTGui and Adobe Photoshop software.
Design Challenge: The main challenge is set by myself. Ideally I would like photographs without much modern technology that would date the photograph to a time frame. Ideally, I would love images that look like they could have been taken this year - or 200 hundred years ago. Ideally, peaceful timeless images that "look real but don't look real"at the same time.
Research: Each image is not so much a photograph but a project. First all the images are captured with a digital camera which takes up to 8 hours. Shooting all the variations of light and subject. Back home, all the images are then stitched to make the individual panoramic images that all align with each other. Creating the final image first involves compositing the content together into a single image, then creating the three-dimensional illusion or quality in the image, then lastly, the final creative, artistic overlay that give the photograph its finished painterly look and mood.
Inspiration: My passion for photography combined with a passion for old master painters. The technology of digital photography and post-production now allow me the means to combine both passions into one, creating large, aesthetically beautiful images. Creating fine art photography with the clarity and detail of a photograph, yet retain an artistic, painterly quality. A personal project for creating photographs that are intended to be no more than beautiful artistic images for display from some of the most beautiful locations and subjects found in Europe. Art for art's sake.
Project Duration: This is an on-going project. The project began in 2018 and still currently running, there are so many beautiful locations I have yet to get to and apply my artistic process on.
Operation Flow: First I research the locations in Europe to find a strong location with old building with a traditional character. Once decided, the main job is capture, going to the location and waiting up to 8 hours or more for the right light and weather conditions. Having captured all the assets required, the post-production is carried out on my return home. One image takes about 4 to 5 days to complete.
Patents: Copyright belongs to David Osborn Photography, London, UK.
Team Members: David Osborn Photographer and Photoshop retouching
Image Credits: Ghent, Belgium: Photography & Retouching David Osborn, 2019
Dresden, Germany: Photography & Retouching David Osborn, 2019
Venice, Italy: Photography & Retouching David Osborn, 2019
Prague, Czechia: Photography & Retouching David Osborn, 2019
Pisa, Italy: Photography & Retouching David Osborn, 2019