디자이너 Vivian Lu의 작품 Absinthe 무대 디자인은(는) 매우 권위 있는 2020 A' Design Award 은상의 공연 예술, 무대, 스타일 및 무대미술 디자인 부문에서 탁월한 수상작입니다.

은공연 예술· 2020

Absinthe 무대 디자인

디자이너: Vivian Lu

클라이언트: Vivian Lu Design Studio Limited

공연 예술 부문 A' Design Award 은상 수상작

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Absinthe 무대 디자인 소개

압생트(Absinthe)는 물리학, 물질, 심리를 주제로 한 연극을 위해 제작된 무대 디자인이다. 무대는 시간을 상징하는 타원형 스테이지를 중심으로 구성되며, 이는 은하 혹은 끊임없이 이어지는 순환 고리로도 읽힐 수 있다. 흩뿌려진 물감으로 뒤덮인 어두운 반사 패널은 광활하고 신비로운 우주를 연상시킨다. 맞춤 제작된 레이저 조명 사운드 비주얼라이저는 소리를 눈으로 볼 수 있게 하는데, 배우들의 목소리 주파수에 따라 레이저 빔이 왜곡되기 때문이다. 무대의 모든 각도는 공연자들이 안전하게 걷고, 뛰고, 점프할 수 있도록 세심하게 검증되었다.

수상 인정

A' Design Award 은상 소개

Absinthe 무대 디자인, 이 작품은 A' Design Award 은상 수상작으로, 최상급이며 아름답고 인상적인 디자인에 수여되는 비범하게 권위 있는 인정입니다. 은상 수상작은 대단히 뛰어나고 매우 창의적인 작품으로, 디자이너의 탁월한 전문 지식, 재능, 통찰력을 보여 줍니다. Absinthe 무대 디자인, 이 작품은 훌륭한 대표작으로서 매우 전문적이고 깊이 있게 혁신적일 것으로 기대됩니다. 이 은상 수상 디자인은 예술, 과학, 디자인, 기술의 경계를 넓히는 데 이바지하는 주목할 만하고 찬사를 받는 발명품입니다. Absinthe 무대 디자인, 이 작품은 모두가 부러워하는 창작물로서 욕망을 일깨우고 긍정적인 감정을 불러오며 경탄과 경이로움을 불러일으킵니다.

디자인 비하인드

프레스 킷

디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: Vivian introduced the technology of laser light sound visualiser to magnify senses in the whole theatrical experiences, and allowed sound to be seen. She custom-made different laser light gadgets and experiments with different materials to find the best one to be used on stage. Every angle of the middle circular stage was carefully designed and the inclusion of technology brought a whole new blend of artistic richness in theatre. The beauty of the design is the limitless interpretation of the set according to their understanding of the play. The oval stage represents time, but can be seen as the milky way, Möbius band etc.
치수 및 패키징: Vivian experimented with different forms of custom-made sound laser visualiser to best utilise actors on stage
태그: Scenography, Stage Design, merging physics and set design
생산 기술: The project required a lot of research and experimentation, especially experimenting with the laser light sound visualizer, making sure the visuals created from different sound frequencies went hand in hand with the general set design. A lot of prior research also had to be done on the subject matter or physics, black holes and relativity, to create a stage that portrayed elements of these subjects, to allow audiences to quickly connect and be immersed into the show as it was a play that discussed quite complex subjects. For the staging and material we chose dark reflective panels to create the effect of this vast yet mysterious universe, also covering it with splattered paint to symbolise the milky galaxy. This and stage received great feedback, and special mentions on review platforms highlighted and praised the stage design and effects, and how it truly immersed people into the story.
디자인 과제: On the initial design part, there are a lot of discussions on how to tactic a complex play, where many deep subjects were discussed and visually portray it all in a manner that guided the audience into the topics and be immersed into the world. Technically during production the curvature of the oval shape had to be very exact, as we wanted to visually make it look really smooth when we detach it to different shapes. The kinds of wheels were also a very big technical challenge as the different points of attaching the wheels made a huge difference on the stage's mobility.
연구: Every angle of the main stage was experimented with consideration of the feasibility on how actor’s move on set. We experimented with different inclination of the set and prior to the performance, we trained actors to walk, run and jump at different angles we have on the circular stage to avoid stage accidents. The whole stage was built with extensive technological difficulties and precision because we had to find the balance of designing it to achieve desired artistic visual but also take intensive examination that structurally it is strong enough withstand immense weight.
영감: Absinthe was a project that has given Vivian a chance to explore potential visuals merging physics and scenography. It was a play that explored topics on physics, matter and psychology. She wanted to experiment with different ways to unearth a new power to enhance audiences sense in the whole theatrical experiences. Vivian wanted to find new ways to capture audience’s imagination and to see how to create different relationship with time.
프로젝트 기간: The show was first showcased in Beijing in 2019 then toured around in Shenzhen and Shanghai in 2020.
운영 흐름: Through the sound vibrations spoken from the actors, laser lights were distorted based on the frequency of spoken sound. The visuals that came out from the actors and actress voice varies drastically due to the pitch of their specific voice.. The actors rehearsed for months with the devices to create a specific imagery to go with the set design.
팀원: Stage Designer : Vivian Lu
Director : Johnny Tam