Koji Aoki, Lin Su and Atsushi Fujita हांचें Fujifilm Clay Studio2 ऑफिस इंटीरियर डिझायन हें अत्यंत प्रतिष्ठेच्या 2022 A' Design Award कांस्य पुरस्कार चें आंतरीक जागो आनी प्रदर्शन डिझायन स्पर्धा वर्गांतलें एक मानाचें जिकपी आसा.
कांस्यआंतरीक· 2022
Fujifilm Clay Studio2 ऑफिस इंटीरियर डिझायन
डिझायनर Koji Aoki, Lin Su and Atsushi Fujita
ग्राहक: Fujifilm Corporation
आंतरीक वर्गांत A' Design Award कांस्य पुरस्कार जिकपी
प्रमाणीत पुरस्कार जिकपी
#131321 खातीर पुरस्कार स्थिती पडताळातडिझायन
Fujifilm Clay Studio2 ऑफिस इंटीरियर डिझायन विशीं
क्ले स्टुडियो 2 हो टोक्यो हांगासरचो एक ऑफिस इंटीरियर आसा, जो प्रॉडक्ट आनी व्हिज्युअल डिझायन कामाखातीर तयार केला. 300 चौरस मीटरांचो हो जागो एकाग्रताखातीर शांत वातावरण म्हूण येवजिल्लो आसा, हाचो उलटो जायते ऑफिस मुखेलपणान संवादाचेर लक्ष केंद्रीत करतात. काँक्रीट, रंग आनी लाकडी सिमेंट बोर्ड अप्रक्रियित सोडल्यात, देखून खोली फकत तुळयो आनी खांबे हांच्यानूच बनल्ली दिसता. बागायती भूदृश्य आनी नैसर्गीक देखावो हो पाठभूंय तयार करता आनी हंगामी बदल जाग्यांत हाडटा. मेज बाहेर तोंड करून दवरल्यात, आनी सात मीटरांची एक लांब मेज लोकां मदीं अंतर दवरून थोडक्या वेळाच्यो बसका घेवपाक शक्य करता.
मान्यताय
A' Design Award कांस्य पुरस्कार विशीं
Fujifilm Clay Studio2 ऑफिस इंटीरियर डिझायन ही A' Design Award कांस्य पुरस्काराची विजेती आसा, सर्जनशीलताय, कल्पकताय आनी चतुराय हांकां लागून उठून दिसपी उत्कृष्ट रचनांक दिवपी उच्च प्रतिष्ठेची मान्यताय. कांस्य विजेत्यो रचना कौशल्यपूर्ण आनी लक्षवेधी सर्जनशील कृती आसून रचनाकारांचो अनुभव, कल्पनाशक्ती आनी साधनसंपन्नताय सिद्ध करतात. Fujifilm Clay Studio2 ऑफिस इंटीरियर डिझायन ही खूब मान मेळपी, कौतुक जावपी आनी जिव्हाळ्याची, उल्लेखनीयरित्या व्यावसायिक आनी नाविन्यपूर्ण वस्तू जावंक जाय अशी अपेक्षा आसा. हे कांस्य पुरस्कार जिखिल्ले रचन कला, विज्ञान, रचना आनी तंत्रज्ञानांतले उत्कृष्ट सराव आपणायता आनी तपशीलाचेर दिल्ल्या लक्षाक लागून उत्कृष्ट आसा. Fujifilm Clay Studio2 ऑफिस इंटीरियर डिझायन गरजो सुरेख पुराय करता, इत्सांक स्पर्श करता, भावनांक मोहीत करता आनी कुतूहलाक आकर्षीत करता.
डिझायना फाटल्यान
प्रेस किट
डिझायनरान दिल्ले श्रेय, वांगडी आनी तांत्रिक तपशील.
- विशिश्ट वैशिष्ट्यां
- It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
- माप आनी पॅकेजिंग
- The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
- ट्यॅग्स
- a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
- उत्पादन तंत्रज्ञान
- concrete, painting, wood cement board
- डिझायन आव्हान
- It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition. - संशोधन
- This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26 - प्रेरणा
- The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine. - प्रकल्पाचो काळ
- Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo - कार्यप्रवाह
- While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
- टीम वांगडी
- Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita
प्रायोजीत
Designers.org परस फुडें सोदात
आमच्या जाहिरात भागीदारांकडल्यान उत्पादनां, सेवा आनी संदी सोदून काडात.
आनीक सोदात
संबंदीत डिझायनां
त्याच वर्गांतल्या गुणवत्तेन वेंचिल्ल्या आनीक पुरस्कार जिकिल्ल्या डिझायनांचो सोद घेयात.
