Chiaroscuro Kolîna Zêrnigariyê لەلایەن Maya McCormack

دیزاینی Chiaroscuro Kolîna Zêrnigariyê لەلایەن Maya McCormack خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2021 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Zêrînatiyan.

TuncZêrînatî· 2021

Chiaroscuro Kolîna Zêrnigariyê

لەلایەن Maya McCormack

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Zêrînatî

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خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #109666

بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Chiaroscuro Kolîna Zêrnigariyê

Chiaroscuro kolîneke zêrnigariyê ye ku ji forma girêkeke yekjimar pêk hatiye, ku bi gelek guhertoyan dubare bûye. Girêk bi teknîkeya çapkirina 3D ji polîmerê termoplastîk ABS têne çêkirin, jixwe bi hev ve girêdayî, ku ev yek giranî sivik û tevgereke azad dide perçeyan. Girêkên hilbijartî bi karanîna qalibên lastîk û mûmên ku ji çapan hatine girtin, di zîvê sterlîng de têne dagirtin (dökme). Rengê xwezayî û krîstalên lêzêdekirî reng û tekstûrê li ber û paş zêde dikin, ji ber vê yekê guhguharok dikarin ji her aliyî ve werin dîtin. Sêwirana bi alîkariya kompîturê (CAD) bi teknîkên kevneşopî yên zîvkariyê ve tê girêdan, ji ber vê yekê her perçe ji heman formê dest pê dike lê wek yekta bi dawî dibe.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Chiaroscuro Kolîna Zêrnigariyê xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Chiaroscuro Kolîna Zêrnigariyê tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Chiaroscuro Kolîna Zêrnigariyê pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: A Jewelry collection exploring different iterations of a singular element in repetition to create a whole. Designing an individual link and pushing the boundaries to how it can be transformed with the use of material and technique combinations. Mirroring the uniqueness of the individual, a repetition of the same form in constant evolution, adding and subtracting but always growing. An exploration that has evolved with me and will continue to develop and change. This design is not only unique in its form but also in its process and materials. An intersection between traditional silversmith techniques and technological advances. A back and forth between Computer-Aided Design and organic exploration through the use of 3D printed ABS, natural dye, cast sterling silver and Swarovski sponsored crystals. Reflecting the concept itself. A combination of elements that change over time being held together by history and contemporaneity.
قەبارە و پاکێج: w 37mm x d 12 x h 133.5
تەکنەلۆژیای بەرهەمهێنان: This design was made through a combination of traditional silversmith techniques and materials hand in hand with contemporary processes. A combination of the organic and the predetermined results of computer-aided design.
Starting with introspection and taking that to pen and paper through sketching and moving that into 3D modelling programmes. Letting go of my control through the process by 3D printing already connected links in an industry-standard prototyping material (ABS - thermoplastic polymer) with countless failures until achieving a fully printed linked piece. Manipulating the results with organic processes such as dyeing and beading, letting the materials speak to me and following along the curves and ridges. Enhancing the texture normally seen as low quality. It was a constant exploration of the form and the boundaries of linkage. Making rubber moulds in order to make waxes of the 3D prints that could be transformed further with additive/subtractive methods. Casting those results in sterling silver through traditional casting techniques and unifying them with the 3D printed/dyed thermoplastic polymer to create a cohesive connection. Even though each piece starts with the same form, they all end up as completely unique and impossible to re-create exactly.
ئیلهام: This body of work examines how one can be simultaneously drawn to places and feelings that are not always equally perceived yet naturally balanced.
They are a chiaroscuro of depth and interpretation creating a marble effect, elements combining over time, through pressure and heat, coming in and out of sight at different moments. When held together, each uniquely designed link portrays how one’s own perspective evolves and grows to exist as a whole.
THINGS ARE NOT BINARY.
They are a chiaroscuro of depth and interpretation creating a marble effect, elements combining over time, through pressure and heat, coming in and out of sight at different moments. When held together, each uniquely designed link portrays how one’s own perspective evolves and grows to exist as a whole.
ماوەی پڕۆژە: The project started in Sept 2019 and ended in March 2020. Exhibition at the Savannah College of Art and Design cancelled due to COVID-19. Exhibited virtually.
ڕێڕەوی کارکردن: These links are 3d printed already connected so there is beautiful movement while wearing and the material makes them extremely weightless. The sterling silver adds the little bit of weight needed to remind yourself you are wearing earrings and the dye/beading is beautiful on the back so the earrings look great from all angles. It performs better because sterling silver can be easily polished and the 3D prints are easy to wipe clean if necessary.