Geometry of Fiction Kokirî لەلایەن Nazanin Saranjampour and Mahdi SheykhRezaee

دیزاینی Geometry of Fiction Kokirî لەلایەن Nazanin Saranjampour and Mahdi SheykhRezaee خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2022 Xelata A' Design Award a Hesinîn لە پۆلی پێشبڕکێی Dîzayna Zêrînatiyan.

HesinZêrînatî· 2022

Geometry of Fiction Kokirî

لەلایەن Nazanin Saranjampour and Mahdi SheykhRezaee

کڕیار: Nazanin Saranjampour

خەڵاتگری Xelata A' Design Award a Hesinîn لە پۆلی Zêrînatî

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خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #139979

بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Geometry of Fiction Kokirî

Geometry of Fiction komeleyek zêrî ye ji zîv پێکهاتوو له سێ ئه‌نگوستیله‌. شێوه‌كان ئیلهام وه‌رگیراوه‌ له ئاڕاسته‌ی تاریخی حه‌مامی گولشه‌ن له یه‌زدی ئێران. ڕێبازێکی تاقیکارییانه به‌کارهاتووه‌: شێوه بنه‌ڕه‌تییه‌کان وه‌ك که‌ژنه‌ ("cube") و سیلندر له نه‌رمه‌واڵه‌ی سێ‌ره‌هه‌ندی تێکه‌ڵ کراون له‌گه‌ڵ ئاڕاسته‌ی گه‌ڕاوه‌ی حه‌مامه‌که‌، که‌ زیاتر له ٢٥٠ شێوه‌ی نوێی بەرهەم هێنا. دواتر چه‌ند شێوه‌یه‌ك هه‌ڵبژێردرا بۆ ئه‌نگوستیله‌کان. پارچه‌کان به شێوه‌ی دیجیتاڵ مۆدێل کران، به ڕێزین چاپ کران و به زیو دانران. سێ ئه‌نگوستیله‌که‌ده‌توانرێت وه‌ك سێت، جووت یان به‌ته‌نیا لەبەر بکرێن.

پێناسەکردن

دەربارەی Xelata A' Design Award a Hesinîn

Geometry of Fiction Kokirî xelatgirê Xelata A' Design Award a Hesinîn e, nasîneke bi prestîj ku ji sêwiranên baş re tê dayîn, yên ku pêdiviyên pîşeyî û pîşesaziyê yên ku ji afirandinên baş hatine sêwirandin têne hêvîkirin tînin cih. Xelatgirên Hesinînê jêhatîbûna mezin, pisporiya bilind, têgihiştina pisporî û kapasîteya afirîner a afirînerên xwe nîşan didin. Tê hêvîkirin ku Geometry of Fiction Kokirî afirandineke pir hatiye rêzgirtin, sitayişkirin û delal, pratîkî û nûjen be. Ev sêwirana bi Hesinînê serketî pratîkên çêtirîn ên pîşesaziyê yekgirtî dike û xwedî taybetmendiyên teknîkî yên jêhatî ye ku bi zanîn û jêhatîbûnê ve girêdayî ne. Geometry of Fiction Kokirî ji ber baldariya xwe tê rêzgirtin û hatiye sêwirandin da ku kalîteya jiyanê baştir bike û alîkariya çêtirkirina dinyayê bike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: There are three stages to this experimental design process. In the first phase of the method, some primary shapes such as cubes, cylinders, and other shapes were transformed in 3d software using Rhino. Second, the designer created the antithesis of the Golshan bathhouse's form; the mass space was reversed to empty using an experimental method.Finally, the three-dimensional collision of the primary forms with the reverse geometry of the Golshan bath resulted in the creation of more than 250 new shapes in the following stage. Finally, the designer chose a few of the best shapes to create rings by evaluating them. The use of 3D computer software has enabled the visualization of new forms that would not have been possible otherwise.
قەبارە و پاکێج: This silver jewelry set consists of three pieces of the ring. The pieces in this collection are 28, 20, and 2 grams in weight, respectively. These three rings can be worn as a set, in a double combination, or independently. These rings have been designed to be as ergonomic as possible, so there are no problems with the fingers when wearing them.
تاگەکان: Jewelry, Experimental Design, Speculative Design, Golshan Bathhouse, Ring
تەکنەلۆژیای بەرهەمهێنان: The shape of the rings is very complex due to their delicate and precise angles, and conventional manual jewelry production methods are not suitable for their production. Therefore, this jewelry collection was first modeled using 3D modeling software and then printed from resin material. And then, they were made of silver metal by the micro fusion casting method.
هەڵەنگاندنی دیزاین: The most critical design feature of this jewelrycollection is the aesthetic, which reflects the visual characteristics of the source of inspiration and has unpredictable forms due to its experimental design method. There are two significant obstacles to overcome when designing such a project: 1. Each piece's weight should be kept under control. 2. Take into account the ergonomics of the user's hands and fingers. Heavy forms were removed to optimize the result in design development and evaluation as forms inconsistent with hand anthropometry. Finally, the forms were lightened so that they could be easily worn.
توێژینەوە: Since old artifacts have always been a source of inspiration for designers, this jewelry collection was born out of research and study into the roots of Iraniandesign, which are found in Persian architecture, to create new Persian forms. Is it possible to be inspired by a monument without getting a repetitive and predictable result? That was the starting point for the design. This collection's design process is speculative and employs an experimental design method developed by the designer. Iranian design has essential characteristics such as balance, two-dimensional order, and many details; the researcher expected these characteristics to appear in a newer aesthetic and represent Persian thoughts, so ideationbegan, leading to the production of over 250 experimental forms of origin. They re-created the above-mentioned Iranian features in Persian design.
ئیلهام: The historic Golshan Bathhouse in Yazd served as the project's primary source of inspiration. The Iranian architecture of the Golshan Bathouse is typical of Qajar-period Iran, and the structure's geometry demonstrates many aspects of Iranian art. This collection has created new ring forms due to formal alternatives to Golshan bathhouse geometry. Roofs, corridors, and pools have visual elements that can be seen in the shapes of the rings indirectly in the details of this collection's pieces.
ماوەی پڕۆژە: April 2021-November 2021 Tehran, IRAN
ڕێڕەوی کارکردن: Persian architecture is rich in meaningful concepts that can inspire a great deal of creativity when translated into modern language. Jewelry is the meeting point of art and design, and it can be used to convey a message in the same way that a medium can. This jewelry collection has been able to demonstrate the complexity of Iranian art. One of the most appealing aspects of this collection is that it can be viewed from various perspectives and represent a new form; it can also be worn from any angle without looking the same. This feature delights the user every time she wears it.
ئەندامانی تیم: Mohammadmahdi Sheykh rezaee