دیزاینی Bio Kursî لەلایەن Vladimir Zagorac خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2022 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Mobîlyayê.

TuncMobîlya· 2022

Bio Kursî

لەلایەن Vladimir Zagorac

کڕیار: Vladimir Zagorac

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Mobîlya

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بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Bio Kursî

Bio komeleyeke kursiyên nizm e ku ji bo bikaranîna di hundirên nûjen de hatiye sêwirandin. Vebûna di pişta kursiyê de mirov tîne bîra pel an qalikekî, û şêwe li nêzî kêleka derve dizivire bo forma ku dişibihe kulîlka riwekê Calla aethiopica. Ev kêleka piçekî berbi paş dizivire û li aliyekî bilind dibe, ku bi vî awayî sîlûetek asîmetrîk çêdibe. Asîmetrî tenê li deverên derveyî forma kursiyê çêdibe, ji ber vê yekê rehetî û ergonomî tên parastin. Materyal li xwe digirin plastîkên termî yên qalibkirî, polayê, aluminyûma tûşkirî, daristana ereb û çerm.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Bio Kursî xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Bio Kursî tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Bio Kursî pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
قەبارە و پاکێج: Width / Depth: up to 680mm, Height: 849mm (medium)
تاگەکان: Asymmetry, Natural, Bio-form, Growth, Stylization
تەکنەلۆژیای بەرهەمهێنان: Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
هەڵەنگاندنی دیزاین: The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
توێژینەوە: The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
ئیلهام: Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
ماوەی پڕۆژە: The project lasted one semester at the Faculty of Applied Arts in Belgrade.
ڕێڕەوی کارکردن: Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
پەتێنتەکان: Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
ئەندامانی تیم: Designer: Vladimir Zagorac
Mentor: Marko Lukovic
کرێدیتی وێنەکان: Vladimir Zagorac, Faculty of Applied Arts in Belgrade