دیزاینی Spectrum Wêne لەلایەن Arata Yokoyama خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2023 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Grafîk, Wênesazî û Ragihandina Dîtbarî.

TuncGrafîk· 2023

Spectrum Wêne

لەلایەن Arata Yokoyama

کڕیار: Arata Yokoyama

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Grafîk

12,792

خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #144936

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Spectrum Wêne

Spektrum wêneyek dîjîtal e ku moda kolanî ya Japonî bi şêwaza anîmeya Japonî nîşan dide. Ev berhem dûr dikeve ji rastnûmayiya wêneyî (photorealism) û rengên zindî bi awayekî safî bikar tîne ku dîsa jî bi awayekî optîkî xwezayî xuya dike. Rewş (background) ronahiyên neonî yên Tokyoyê temsîl dike, bi forman bi cesaret hêsan kirine ji bo bandoreke tûj, safî û geş. Hêmanên sêwirana grafîkî ya Rojavayî bi wêneya karakterên Japonî re hatine berhev kirin. Spektrum bi Adobe Photoshop CC hatiye xêz kirin. Mebest ew e ku şêwaz ji bo temaşevanên hundir û derveyî Japonyayê zelal bibe.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Spectrum Wêne xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Spectrum Wêne tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Spectrum Wêne pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: This work depicts Japanese street fashion in the style of Japanese anime.

Such motifs are popular in Japanese illustration, but this work is unique in that it defies photorealism and uses vivid colors in a flat, yet optically natural-looking manner.

The background represents the neon lights of Tokyo, and here, too, the form is boldly deformed in pursuit of a sharp, flat, yet luminous expression.
قەبارە و پاکێج: 8000 x 5678 pixel, 400dpi, RGB
تاگەکان: street fashion, anime, character design, japanese illustration, vivid color
تەکنەلۆژیای بەرهەمهێنان: Drawing with Adobe Photoshop CC
هەڵەنگاندنی دیزاین: In order to convey the goodness of a particular thing, I must first like it myself.
In order to use street fashion as my subject matter, I focused on improving my sense of style by experiencing and wearing it myself.

I also devoted myself to researching painting styles that would convey the good looks equally to both Japanese and foreign audiences.
To compose the picture with flat surfaces, not lines. He used vivid colors, but kept the entire picture in harmony. And at the same time, to make the characters look cool and cute in a Japanese way.
توێژینەوە: A study of street fashion in Japan and abroad. Collect snapshots, purchase actual items, and wear them myrself to deepen understanding of function and design.

Research on drawing techniques. Challenged to fuse Western graphic design with Japanese character illustration. Strived to find a balance between deforming the form and color of objects while maintaining the cool, cute, and liveliness of the characters.
ئیلهام: Today, fashion based on techwear and designs using vivid colors are global trends.

Japanese street fashion and illustrations are also in that trend, but they also have their own unique characteristics.

I analyzed the coincidences and differences between them and aimed to visualize them.

Japanese people will find this illustration foreign. Foreigners may feel it is Japanese.

This in-between state is the expression I pursued.
ماوەی پڕۆژە: This work was created in 10 hours on September 20, 2020, and published on Twitter, pixiv, and other social networking sites that day.
ڕێڕەوی کارکردن: Suggestions about the affinity between street fashion and the neon streets of Tokyo and how cool it can be.

Especially in Japan, when proposing a fashion style to an audience, it is more effective to use characters, deformed and idealized visuals rather than photo-realistic ones.

And it is also effective when introducing Japanese culture to people outside of Japan. By incorporating elements of Western graphic design, we aimed to create visuals that would be easy for them to understand.
کرێدیتی وێنەکان: #1: Illustrator NaBaBa, Private Work, 2020.