Lap and Wrap Malbat لەلایەن Hatsuo Morimoto

دیزاینی Lap and Wrap Malbat لەلایەن Hatsuo Morimoto خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2024 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Mîmarî, Avahî û Strukturê.

TuncMîmarî· 2024

Lap and Wrap Malbat

لەلایەن Hatsuo Morimoto

کڕیار: moKA architectural design office

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Mîmarî

10,130

خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #153842

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Lap and Wrap Malbat

Lap and Wrap xaniyekî yek qatî ye ku li ser zeviyekî bajarî yê xwarûxêl hatiye avakirin. Dîwarê parastinê û bناغی avahiyê wekî yek pêkhate hatine berhevkirin, ji ber vê yekê parçeyekî mezintir ji zeviyê ji nû ve ji hewşê re hatiye vegerandin. Bناغی li şûna ku rast be, xwar e, ku vê yekê îfadeyekî zelal dide beton. Dîwarê derve mîna qatek li ser hev dikeve û bi bandeke berdewam li dora xaniyê dizivire. Li aliyê rê tu pace nînin. Li aliyê baxçe, gelek pace û sîwanên fireh herêmeke navîn pêk tînin ku hundir û derve bi hev ve girêdide.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Lap and Wrap Malbat xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Lap and Wrap Malbat tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Lap and Wrap Malbat pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: In this plan, the retaining wall and the building foundation are rationally combined, and the surplus part is returned to the courtyard as much as possible. The foundation is not vertical but slanted to give it a shape and give it an expression. The outer wall overlaps like a stack and continuously wraps around in a belt shape. There are no windows on the outside, but on the garden side, many windows and eaves create an intermediate area, creating a space that integrates the inside and outside.
قەبارە و پاکێج: Site area 401m2, floor area138m2, 1 stories, reinforced concrete and wood construction
تاگەکان: Architecture, House, Woodesn, Courtyard, Single story house, Japanese
تەکنەلۆژیای بەرهەمهێنان: The outer wall material, which overlaps and wraps like a stratum, is made from recycled paper pulp and coffee grounds generated by Starbucks. The space that opens inside is completed on one floor, and the floor and beams under the eaves are continuously applied to connect with the garden, and the glass sunroom can be fully opened. You can feel each other's presence wherever you are, inside or outside. A living space that is not visible from the road provides comfort and privacy to the family.
هەڵەنگاندنی دیزاین: Due to the undulating terrain of the project site, it belongs to a residential land development regulation area, and a cross-sectional earth retention plan was essential. The building was rationally designed by combining a retaining wall that holds back the soil cross-sectionally and also as a foundation.
Since the vertical retaining wall is civil engineering, I would like to claim that it was designed architecturally by taking a downward taper angle and giving expression to the concrete.
توێژینەوە: If the terrain is uneven, it can be built on a safe slope if there is enough space, but in urban areas, it is often built horizontally as wide as possible by installing a vertical retaining wall for civil engineering. In this project, the building was arranged rationally by using both the retaining wall and the foundation on the site with a difference in height. Then, the one-story space is reduced to a continuous courtyard, and is close to the client's life.
ئیلهام: With an emphasis on privacy, the building was arranged in a U-shape along the road so that it could not be seen from the road. In contrast to the gradual decline of the road, the specific gravity of the building is pushed up, and the outer wall unfolds in a belt-like shape, creating a horizontally elongated design. Contrary to the simple and powerful appearance, the living space that opens inside is completed on the first floor and integrated with the garden.
ماوەی پڕۆژە: This project started in Nagoya in October 2018, started construction in October 2021, and was completed in September 2022.
ڕێڕەوی کارکردن: The planned site is an irregular site with a building coverage ratio of 50percent or less, and by arranging the buildings along the road without waste, the excess of half or more is returned to the courtyard. At the same time, the intersecting road facing the building has a height difference, and the performance of this building was demonstrated by combining the structural consideration of arranging the building along the road and the aesthetic façade design because it is connected to the road.
کرێدیتی وێنەکان: [#1:photographer Nobuki Taoka,Facade,2022]
[#2:photographer Nobuki Taoka,Entrance,2022]
[#3:photographer Nobuki Taoka,Courtyard,2022]
[#4:photographer Nobuki Taoka,Dining kitchen,2022]
[#5:photographer Nobuki Taoka,Sanitary,2022]