The Opposite Koleksiyona Kincên Hûnandî لەلایەن Yishu Yan

دیزاینی The Opposite Koleksiyona Kincên Hûnandî لەلایەن Yishu Yan خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2024 Xelata A' Design Award a Zîvîn لە پۆلی پێشبڕکێی Dîzayna Moda, Cil û Bergê.

ZîvModa· 2024

The Opposite Koleksiyona Kincên Hûnandî

لەلایەن Yishu Yan

خەڵاتگری Xelata A' Design Award a Zîvîn لە پۆلی Moda

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خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #157237

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی The Opposite Koleksiyona Kincên Hûnandî

The Opposite koleksiyoneke kincên hûnandî ya unisex e ku hatiye sêwirandin da ku bi gelek awayên cuda bê lixwekirin. Koleksiyon bi rêbazên bê-birîn û bê-bermayî hatiye çêkirin, ji ber vê yekê tu qumaş nayê avêtin. Hûnandina dîjîtal ji bo avakirina strukturên sê-alî yên nerm û avahiyên kincan ên guherbar tê bikaranîn. Perçeyên her du setan dikarin bi hev bên guhertin û bi kombînasyonên cuda bên lihevanîn, ku ev yek rê dide her kesê ku wê li xwe dike şêwazeke kesane biafirîne. Sêwirana yek-mezinahî li piraniya mirovên bi bejna navîn tê. The Opposite ramanên gelemperî yên li ser kincên mêran û kincên jinan dixe ber pirsê.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zîvîn

The Opposite Koleksiyona Kincên Hûnandî xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku The Opposite Koleksiyona Kincên Hûnandî karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. The Opposite Koleksiyona Kincên Hûnandî afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
قەبارە و پاکێج: This garment is an all-size design and will fit most people of average build.
تاگەکان: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
تەکنەلۆژیای بەرهەمهێنان: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
هەڵەنگاندنی دیزاین: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
توێژینەوە: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
ئیلهام: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
ماوەی پڕۆژە: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
ڕێڕەوی کارکردن: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
ئەندامانی تیم: Academic adviser: Kinor Jiang & Jinyun Zhou
کرێدیتی وێنەکان: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova