Kouunji Kyakuden هۆڵی پێشوازی پەرستگا لەلایەن Hiroaki Iwasa

دیزاینی Kouunji Kyakuden هۆڵی پێشوازی پەرستگا لەلایەن Hiroaki Iwasa خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2025 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Mîmarî, Avahî û Strukturê.

TuncMîmarî· 2025

Kouunji Kyakuden هۆڵی پێشوازی پەرستگا

لەلایەن Hiroaki Iwasa

کڕیار: Hiroaki Iwasa Architects Workshop

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Mîmarî

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سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Kouunji Kyakuden هۆڵی پێشوازی پەرستگا

پرۆژەکە بنیاتنانەوەی هۆڵی پێشوازی ١٤٠ ساڵەیە بوو، کە یەکێک لە پێکهاتەکانی پەرستگەی بودایی کۆئونجی بوو. هۆڵی کۆنی پێشوازی بۆ ماوەیەکی درێژ لەلایەن کۆمەڵگای خۆجێییەوە خۆشدەویست بوو؛ بەڵام، بەهۆی زیانە توندەکانی لە درێژایی ساڵانەوە، پێویستی بە بنیاتنانەوە هەبوو. تەلارسازەکە ئەم کێشانەی چارەسەر کرد بە نوێکردنەوە و هاوئاهەنگکردن، هەروەها دانانی هەندێک سیستەم بۆ ڕادەستکردنی یادی کۆمەڵگای خۆجێیی بە نەوەی داهاتوو. لە ئەنجامدا، هۆڵی نوێی پێشوازی نەک تەنها هەستێکی دڵتەنگی بۆ ڕابردووی بەدەستهێنا، بەڵکو ئامادەبوونێکیشی لە دەقی مێژوویی پەیدا کرد.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Kouunji Kyakuden هۆڵی پێشوازی پەرستگا xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Kouunji Kyakuden هۆڵی پێشوازی پەرستگا tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Kouunji Kyakuden هۆڵی پێشوازی پەرستگا pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
قەبارە و پاکێج: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
تاگەکان: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
تەکنەلۆژیای بەرهەمهێنان: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
هەڵەنگاندنی دیزاین: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
توێژینەوە: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
ئیلهام: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
ماوەی پڕۆژە: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
ڕێڕەوی کارکردن: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
کرێدیتی وێنەکان: Photographer Kozo Takayama