دیزاینی Near Figure مۆزەخانە لەلایەن Meng Zhao خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2026 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Mîmarî, Avahî û Strukturê.

TuncMîmarî· 2026

Near Figure مۆزەخانە

لەلایەن Meng Zhao

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Mîmarî

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سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Near Figure مۆزەخانە

Near Figure مۆزەخانەیەکە کە بۆ هێلسنکی، فینلاند دیزاین کراوە. بیناکە لێکۆڵینەوە لە دۆخی نێوان شێوە ناسراوەکان و نەناسراوەکان دەکات. شێوەکان هەستێک لە مەبەست دەگەیەنن بەڵام چارەسەرنەکراو دەمێننەوە، بۆیە خوێندنەوەی فۆرمەکان بە شێوەیەکی تدریجی دەردەکەوێت کاتێک سەردانکەران بە ناو شوێنەکاندا دەڕۆن. دوو ڕێڕەوی جیاوازی هاتوچۆ لە ڕێگەی گۆڕانکارییەکان لە فۆرمی تەلارسازییەکەدا لەگەڵ یەکتر چنراون. مۆزەخانەکە گەلەری کراوەکان، هۆڵەکانی پێشانگا، کافێیەک، سەکۆی دەرەکی و ناوچەکانی چالاکی لەخۆدەگرێت. کۆنکرێتی سەوز و تەختەی دووبارە بەکارهێنراو دەمامکی گەرمی باشتر دەکەن و دەردانی کاربۆن کەم دەکەنەوە. کۆی ڕووبەری نهۆمەکان ٦٤٠٠ مەتر چوارگۆشەیە.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Near Figure مۆزەخانە xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Near Figure مۆزەخانە tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Near Figure مۆزەخانە pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: The Museum in Finland explores the concept of "Near Figure" in architecture, an idea that engages with the critical state between identifiable and unidentifiable forms. This project delves into the tension of architectural progression, capturing a transitional phase where space and form exist in a state of both static and dynamic potential. Through this exploration, the museum represents an evolving symbol of the future of architectural trends.
قەبارە و پاکێج: Gross floor area: 6400 square meters Project type: Museum, Exhibits, Pavilions
تاگەکان: Museum, Near Figure, Exhibition, Helsinki, Finland, monumental building, city landmark, public space
تەکنەلۆژیای بەرهەمهێنان: The material choice of concrete plays a central role. Its malleability offers the flexibility to express the tension between clarity and abstraction, making it an ideal medium to embody the critical state of architectural form. Concrete allows for the fluidity of shape transitions, highlighting the project's exploration of thresholds and the notion of purpose in design. The combination of recycled wood with green concrete improve the building's insulation and effectively reduces carbon emissions
هەڵەنگاندنی دیزاین: The biggest challenge is exploring the meaning in Architecture. The project invested the big shape/form/figure with an air of purposefulness and will. Since modernism as a global hegemonic attitude was shaken and then definitively overcome by the forces of pomo and decon and the digital revolution, there has been a crisis in the belief that questions such as: How does architecture communicate? What is legible? The notion that meaning is possible or desirable in architecture has been challenged.
توێژینەوە: The punchline to the project is something called a "near figure." Something with a shape, form or figure that conveys an uncanny sense of purpose, but is unable to be satisfactorily resolved into anything identifiable that could become singular and ultimately repressive. Trying to catch the sense of Progressiveness from mathematic geometry-cube. A series of transformation help to discover the threshold of Progressiveness of Legibility. Figure out the minimal and maximum transition of near figure
ئیلهام: The "Near Figure" concept, where shapes and forms convey a sense of purpose but are deliberately left in a state that resists complete resolution. This ambiguity allows for a new type of legibility-one that emerges gradually as the viewer engages with the structure. Through the concept, the museum pushes the boundaries of contemporary architecture. It symbolizes a shift in architectural thinking towards a more conceptual, evolving expressions of purpose and identity in architecture.
ماوەی پڕۆژە: The project located in Helsinki Finland
ڕێڕەوی کارکردن: Two independent and directionally distinct circulation paths are interwoven through the transformation of the architectural form. The building's primary functions include open galleries, exhibition halls, cafe, exterior platforms, and activity areas. Within the public spaces, formal variations and deformations create enclosed functional zones such as offices, kitchen, private dining rooms, lounges, and intimate exhibition rooms.
کرێدیتی وێنەکان: Designer: Meng Zhao Graphic: Meng Zhao