TMD Journal Fermana Sereke: Kovar لەلایەن Tomohiro Kaji

دیزاینی TMD Journal Fermana Sereke: Kovar لەلایەن Tomohiro Kaji خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2026 Xelata A' Design Award a Zîvîn لە پۆلی پێشبڕکێی Dîzayna Medyaya Çapkirî û Weşandî.

ZîvÇap· 2026

TMD Journal Fermana Sereke: Kovar

لەلایەن Tomohiro Kaji

کڕیار: Tomodachi Ltd.

خەڵاتگری Xelata A' Design Award a Zîvîn لە پۆلی Çap

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سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی TMD Journal Fermana Sereke: Kovar

Nivîsa Pirtûkê: Kovara TMD dîzayna cûrên nivîsê ne wek şêwazkirineke dîtbarî lê wek pergaleke birêkxistî ku maneyê organîze dike lêdikole. Di bersiva bikaranîna berfireh a fontên dîjîtal wek malikên astê rûyî de, ev weşan tîpografiyê ji nû ve wek navgîneke ji bo avakirina raman û ragihandinê bi cih dike. Her beş pergaleke cûrên nivîsê ya orîjînal bi rêya bingeha wê ya têgehî, mantiqa avaniyê û çarçoveya sepandî pêşkêş dike, û nîşan dide ka çawa biryarên tîpografîk vediguherin form û bikaranînê. Kovar çarçoveyekê peyda dike ji bo têgihîştina cûrên nivîsê wek hêmaneke çalak di brendkirin û ragihandinê de.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zîvîn

TMD Journal Fermana Sereke: Kovar xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku TMD Journal Fermana Sereke: Kovar karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. TMD Journal Fermana Sereke: Kovar afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: TMD Journal positions typefaces as systems that organise meaning rather than visual styles. Each typeface is examined through its conceptual premise, structural logic and applied context within a unified publication.

By combining original type development with editorial analysis, the journal establishes a framework where typography is not presented as form, but understood as a system that shapes communication, identity and interpretation.
قەبارە و پاکێج: 210 × 297 mm (A4)
52 pages
تاگەکان: Typography, Editorial Design, Type Design, Print Publication, Typographic Research, Visual Communication, Branding System, Independent Publishing, Communication Design, Design Systems
تەکنەلۆژیای بەرهەمهێنان: The publication is constructed as a sequence of chapters, each dedicated to a distinct type system. The editorial structure follows a consistent progression from concept to structure to application.

This method translates abstract typographic ideas into a readable system, allowing relationships between design decisions and communication outcomes to become visible through use rather than explanation.
هەڵەنگاندنی دیزاین: The primary challenge was translating conceptual typographic research into a coherent editorial system. Typefaces informed by historical structures needed to function within a contemporary format while maintaining clarity and usability.

Balancing conceptual depth with readability required continuous iteration. Maintaining consistency across multiple type systems while preserving their individual logic was critical to achieving both coherence and distinction.
توێژینەوە: Type of Research
Practice based research in typographic systems and communication design

Objective
To examine how typefaces construct meaning and function within branding and editorial contexts

Methodology
Comparative analysis of historical typography and experimental type development

Process and Tools
Archival references, typographic specimens and digital type design software

Outcome
A publication demonstrating how typographic structure influences communication

Impact
Provides a framework for integrating typography into branding systems
ئیلهام: In the digital era, typefaces are increasingly consumed as visual surfaces detached from the ideas they were originally designed to express. Historically, typography functioned as a medium for structuring thought and communication.

This project begins with a question: can type operate again as a system that carries meaning rather than appearance. Drawing from typographic history and calligraphic traditions, TMD Journal reconsiders the role of type as an active structure within communication.
ماوەی پڕۆژە: The typefaces were developed between March 2023 and September 2025. Editorial research and design were conducted in parallel.

The journal was completed and published in November 2025 in Kamakura, Japan.
ڕێڕەوی کارکردن: The journal is read sequentially through chapters, each focusing on a typeface. Readers move from conceptual explanation to structural breakdown and then to application examples.

This structure allows readers to actively understand how typographic decisions influence meaning, shifting the experience from passive viewing to analytical reading.
ئەندامانی تیم: Art Director: Tomohiro Kaji
Typeface Designer: Tomohiro Kaji
Book Designer: Tomohiro Kaji, Ivan Persoglia
کرێدیتی وێنەکان: Images: Tomodachi Ltd