Great Blue Hole Gerdenî لەلایەن Jung Ki Min

دیزاینی Great Blue Hole Gerdenî لەلایەن Jung Ki Min خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2026 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Zêrînatiyan.

TuncZêrînatî· 2026

Great Blue Hole Gerdenî

لەلایەن Jung Ki Min

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Zêrînatî

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خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #182523

بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Great Blue Hole Gerdenî

Great Blue Hole gerdenîyek e ku ji çala deryayî ya bi heman navî li Belîzê îlham girtiye. Ev dîzayn dîmenek xwezayî ya mezin vediguherîne formeke peykerî ya li xwe kirinê. Pêkhateyên metal ên tebeqekirî li ser têlên bi dirêjahiyên cuda bilind bûne da ku qebare û kûrahiyeke sê-alî biafirînin. Ji bo avakirina form û tekstûrên rûyê wê, teknîkên birrîna bi mişar, rijandin, mînakarî (emaye), danîna keviran û teknîkên chasing û repoussé hatine bikaranîn. Firehiya gerdenîyê 130 mm, kûrahiya wê 15 mm û bilindahiya wê 75 mm ye, digel zincîreyeke mirwariyan a 450 mm. Livîna laş ronahiyê li ser tebeqeyan diguhezîne.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Great Blue Hole Gerdenî xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Great Blue Hole Gerdenî tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Great Blue Hole Gerdenî pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
قەبارە و پاکێج: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
تاگەکان: silver, necklace, jewelry, natural
تەکنەلۆژیای بەرهەمهێنان: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
هەڵەنگاندنی دیزاین: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
توێژینەوە: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
ئیلهام: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
ماوەی پڕۆژە: The project started in August 2018 in New York, USA, and was completed in May 2019.
ڕێڕەوی کارکردن: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
کرێدیتی وێنەکان: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.