Skip to content
Movie Boxed Жарнамалык Кампания by Shaoyang Chen
Movie Boxed Жарнамалык Кампания by Shaoyang Chen
Movie Boxed Жарнамалык Кампания by Shaoyang Chen
Movie Boxed Жарнамалык Кампания by Shaoyang Chen
Movie Boxed Жарнамалык Кампания by Shaoyang Chen

Коло Жарнама · 2023

Movie Boxed Жарнамалык Кампания

by Shaoyang Chen

  • A' Design Award Коло байгеси 2023 in Жарнама
  • CLIENT: AyDaDa
  • Estimated Number of Design Views: 31,915
  • Verification code 20F2FC16B6 · Verify this award
Email this page

Colors

About Movie Boxed Жарнамалык Кампания

Movie Boxed - Boxed фильминин премьерасы үчүн түзүлгөн жарнамалык кампания. Кампания ар бир колдонмо аркылуу кутунун метафорасын алып жүрөт. Титрлер тизмеги, аягындагы титрлер, постер, билет, пресс-пропуск, билерик жана автобус аялдамасынын кыймылдуу постери бир идеяны улантат. Типография, тыныш белгилерин кошкондо, катуу куту формаларында жайгаштырылган. Кыскартылган жана оор тарыхый шрифт фильмдин винтаждык түстөрүнө дал келет. Кишенди эске салган билериктер көрүүчүлөргө көрсөтүү залынын кире беришинде таратылат.

About the A' Design Award Коло байгеси

Movie Boxed Жарнамалык Кампания – A' Design Award Коло байгесинин жеңүүчүсү, чыгармачылыгы, тапкычтыгы жана зээндүүлүгү менен айырмаланган сонун дизайндарга берилген жогорку бедели бар таануу. Коло жеңүүчүлөр – жетиштүү чеберчиликтүү жана таасирдүү чыгармачыл туундулар, алар авторлорунун бай тажрыйбасын, элестетүүсүн жана тапкычтыгын ырастайт. Movie Boxed Жарнамалык Кампания жогору бааланган, суктанууга жана сүйүүгө татыган буюм, өзгөчө кесипкөй жана жаңычыл болот деп күтүлөт. Бул Коло байгени жеңген дизайн искусство, илим, дизайн жана технологиядагы мыкты практиканы камтыйт жана майда-чүйдөсүнө көңүл бургандыгы менен мыкты. Movie Boxed Жарнамалык Кампания муктаждыкты сонун канааттандырат, каалоого тийет, сезимдерди арбайт жана кызыгууну козгойт.

Press Kit

Unique Properties
In this campaign, we aim to bring an immersive experience to the audience at the premiere of the movie Boxed, written and directed by Alam Virk. As we follow the main character, Andy Whiteman, we are forced to confront the reality that we too are often fed with modern culture and trapped in a vacuum of superficial living. Through various mediums, including posters and wristbands with curated copywriting, we seek to reinforce the movie's theme and deepen the audience's understanding of the void state of being portrayed on the screen.
Dimensions & Packaging
27 x 40 inch Poster, 14 seconds of Title Sequence, 8 seconds of Ending Credits, 6 seconds of Bus Stop Motion Poster, 1 Wristband, 1 Ticket,
Tags
Branding, Campaign, Graphic Design
Production Technology
VFX for Title Sequence and End Credits, Poster, Ticket, Press Pass, Wristband, and Motion Graphics for the Trailer and Bus Stop Advertisement
Design Challenge
We are faced with the challenge of how to intrigue the audience without telling the full story of the movie.
Research
For the typeface choice, since the movie color plate is quite vintage and the plot is suffocating, I chose a condensed, thick and historical typeface that fits the movie's story.

This campaign also tries to carry the box metaphor throughout. As for the ending credits, most typography layouts are rigid box shapes, including punctuation marks, to emphasize the box concept. Wristbands look similar to handcuffs. And from an architectural standpoint, the screening room is a box made of concrete. To leave more impression on the audience, we also distribute wristbands that say" boxed, aren't we" as they enter the screening room.
Inspiration
All applications are reinforcement of the idea of being boxed. For the opening title, the main character rips off the film title. For the ending credits, to emphasize the box concept, most typography layouts are rigid box shapes, including punctuation marks. At the premiere night, the stuff pass is tagged with the slogan we are boxed as the punchline for the event. Waistbands that say boxed, aren't we are distributed as the audience enters the screening room.
Project Duration
This project started in August 2022 and finished in November 1, 2022 in New York, NY.
Operation Flow
Considering this movie is the second film from an award-winning indie director, the whole campaign needs to be tailor-made. The logic of this campaign is to serve the story. Each application speaks to the scene in the movie and emphasizes the box metaphor.
Patents
Copyrights belong to Alam Virk and Shaoyang Chen
Image Credits
Writer and Director / Alam Virk
Executive Producer / Guljar Singh
Produceder / JR Cardona
First Associate Director / Sarab Sahni
Second Associate Director / Vittoria Giacomini
Script Supervisor / Vittoria Giacomini
Production Designer / Ant Ma
Production Design Assistants / Erica Zhang & Shuquing Zhang & Laila Matuk
Director of Photography / Yuanhao Zhang
First Assistant Camera / Ananyaa Dave
Gaffer / Aman Tulsian
Key Grip / Kgositielle Maleka
Best Person / Justin Cambrelen
Production Sound / Trevor Misplay & Daniel DeGeorges
Coloris / Yuanhao Zhang & Sarab Sahni
Editor / Sarab Sahni & Alam Virk
Sound Synching / Reuben Rojak
Sound FX/ Design Sound Mixing & Music / Marlon Fraser
Make-up/Hair / Kelli Hauber

Related Designs

View All

Good Design Deserves Great Recognition

Nominate Your Work for the A' Design Award.

Nominate