Hana Mitsui тарабынан Pixel Weave Monalisa Килем

Hana Mitsui тарабынан жасалган Pixel Weave Monalisa Килем — Текстиль, Кездеме, Текстура, Үлгү жана Кездеме Дизайны Мелдеш Категориясындагы абдан престиждүү 2025 A' Design Award Коло байгеси сыйлыгынын жогору бааланган жеңүүчүсү.

КолоТекстиль· 2025

Pixel Weave Monalisa Килем

Автору: Hana Mitsui

Кардар: Hana Material Design Laboratory inc.

Текстиль Категориясында A' Design Award Коло байгеси Жеңүүчүсү

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Текшерилген Сыйлык Жеңүүчүсү

#170574 үчүн Сыйлык Статусун Текшерүү

Сайтка кирүү A' Design Award сайтында көрүү Пресс-релиз Сыйлык белгиси

Түстөр

Дизайн

Pixel Weave Monalisa Килем жөнүндө

Хана Митсуи традициялык жапон татами токуусун Игуса чөбүнөн жасалган пикселдүү Мона Лиза аркылуу кайра жаңыча түшүндүрөт. Татами чеберлери менен кызматташып, ал бул урматтала келген материалдын азыркы күндүн визуалдык тили менен кантип өз ара аракеттенише аларын изилдейт. Татаминин токуусу менен санариптик пиксел торлорунун ортосундагы визуалдык окшоштукту байкап, Митсуи тактилдик, пикселге окшош формалар аркылуу нечен түрдүү оттенокторду туюндурууга ыкма иштеп чыкты. Натыйжа традиция менен азыркы көз караштын ортосундагы тымыз диалогду көрсөтөт. Анын практикасы маданий мурасты жаңы визуалдык туюндурууларга которууга болгон үзгүлтүксүз кызыгуусун чагылдырат.

Таануу

A' Design Award Коло байгеси жөнүндө

Pixel Weave Monalisa Килем – A' Design Award Коло байгесинин жеңүүчүсү, чыгармачылыгы, тапкычтыгы жана зээндүүлүгү менен айырмаланган сонун дизайндарга берилген жогорку бедели бар таануу. Коло жеңүүчүлөр – жетиштүү чеберчиликтүү жана таасирдүү чыгармачыл туундулар, алар авторлорунун бай тажрыйбасын, элестетүүсүн жана тапкычтыгын ырастайт. Pixel Weave Monalisa Килем жогору бааланган, суктанууга жана сүйүүгө татыган буюм, өзгөчө кесипкөй жана жаңычыл болот деп күтүлөт. Бул Коло байгени жеңген дизайн искусство, илим, дизайн жана технологиядагы мыкты практиканы камтыйт жана майда-чүйдөсүнө көңүл бургандыгы менен мыкты. Pixel Weave Monalisa Килем муктаждыкты сонун канааттандырат, каалоого тийет, сезимдерди арбайт жана кызыгууну козгойт.

Дизайндын артында

Пресс-комплект

Дизайнер тарабынан берилген кредиттер, команда мүчөлөрү жана техникалык маалыматтар.

Уникалдуу Касиеттер: Transforming traditional Japanese tatami weaving, I set out to explore new possibilities for Igusa grass.
I noticed a compelling visual similarity between the geometric patterns of tatami and the pixel grid of digital imagery. Inspired by this connection, I developed a weaving technique using Igusa grass that captures painterly impressions through pixel-like expressions.
By carefully blending the natural hues of Igusa, the image of the world-renowned Mona Lisa emerges—subtle, tactile, and reimagined through a uniquely Japanese material language.
The strength of this design lies in its ability to present tatami an everyday, familiar presence in Japanese life from a fresh perspective, refracted through the iconic gaze of the Mona Lisa.
It reveals the untapped potential within our daily surroundings, reminding us that even the most ordinary materials can be transformed into something artistic and profound.
Өлчөмдөр жана Таңгактоо: Dimensions: 1,760 mm (W) × 880 mm (H) × 5 mm (D)
Тегдер: Weave, Textile, Pixel, Craft, Rug, Art, Mona Lisa, Igusa grass, Tatami
Өндүрүш Технологиясы: This piece was produced using the same specialized machines used to weave traditional Japanese Tatami and Goza mats. Japan has unique looms specifically designed for Igusa, and these were essential in bringing this design to life. As the Igusa industry is a small, closed circle, collaborations with designers are rare, making this a new creative challenge for the artisans involved.
After choosing the Mona Lisa as the motif, I created a pixelated version and worked closely with the craftspeople to translate it into a weave structure. We exchanged data many times to adjust the pattern, then programmed the loom for production. Since Igusa is resistant to dye, the finished piece was coated to fix the colors. Through many stages, this design was carefully crafted into a new expression of Igusa.
Дизайн Чакырыгы: This project marked my first experience working with Igusa weaving.
Since Igusa is typically used for everyday household items, creating a large-scale jacquard weave for an artwork like this is quite rare.
Collaborating closely with skilled artisans, I carefully considered the weave structure and color combinations, aiming to achieve maximum expression within the technical limitations of the material.

At the same time, I also focused on ensuring the functionality of the piece as a rug, designing the weave with strength and durability in mind.
This design is the result of merging my background in textile design with newly acquired knowledge of Igusa—bringing together both experience and experimentation in a truly integrated way.
Изилдөө: Colorfully dyed Igusa mats woven with the Kakegawa-ori technique represent a rare and refined tradition, even within Japan. In recent years, however, many younger generations are unaware of the existence of such vibrant tatami, and the craft itself is at risk of fading into obscurity.

Having grown up in a home without tatami, I had little familiarity with it. It wasn’t until a work trip to Fukuoka that I encountered Kakegawa-ori in daily use. I was deeply moved by the beauty of this weaving method seamlessly integrated into everyday life, and at the same time, I felt a strong sense of loss and urgency in realizing how this cultural heritage is gradually disappearing.

This experience inspired me to launch the project, with the aim of reintroducing the value and beauty of this technique to a wider audience. I selected the Mona Lisa as the central motif because it is an iconic image recognized by virtually everyone, even those with no particular interest in art. It naturally captures attention, and its pixelated form retains a clear visual identity—making it especially well-suited to this method of expression.

The work succeeded in drawing attention at the exhibition, encouraging many viewers to engage with this traditional craft from a fresh perspective.
Илхам: This work was born out of a deep sense of urgency around the rapid decline of Japan’s Igusa culture.
Traditionally used in tatami mats suited to Japan’s humid climate, Igusa grass has seen a dramatic decrease in demand due to modern lifestyle changes, with farms now reduced to just one-twentieth of their peak.

To keep this heritage material alive for future generations, I sought to reframe Igusa in a contemporary context bridging traditional craftsmanship with digital aesthetics to explore new, sustainable possibilities for this time-honored material.
Долбоордун Мөөнөтү: The project began in Fukuoka, Japan in September 2024 and was completed in December 2024.
It was also showcased at a major design event, DESIGNTIDE TOKYO, held in Tokyo in December 2024.
Иш Агымы: This piece is an art rug made using traditional Japanese tatami techniques. Though it may look like a digital image, it is handwoven entirely from natural Igusa grass. The portrait of the Mona Lisa appears through pixel-like colored squares—abstract up close, but clear from a distance. It requires no special operation and can be used freely as a floor mat or wall piece. The natural texture and scent blend tradition with contemporary design.
Патенттер: [Copyrights : Hana Mitsui,2025]
Сүрөт Автордугу: [ Image#1,2,3,4 and 5 : Photographer:Naoaki Yokota]