Past at Last Vestitus Sustentabilis ab Tihana Miksa

Opus Past at Last Vestitus Sustentabilis a designatore Tihana Miksa est victor maxime honoratus praemii praestigiosissimi 2021 Praemium A' Design Award Argenteum in Categoria Certaminis Ars Vestiaria.

ArgentumVestis· 2021

Past at Last Vestitus Sustentabilis

a Tihana Miksa

Cliens: Tihana Mikša

Victor praemii Praemium A' Design Award Argenteum in Categoria Vestis

36,948

Victor Praemii Verificatus

Verifica Statum Praemii pro #113802

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Past at Last Vestitus Sustentabilis

Pondus in compositionibus vestimentorum positum est in texturis divitibus ludentibusque et coloratione inaequali. Ergo vestimenta ipsa symmetrica, simplicia et clausae formae sunt sine ullis interventionibus exigentibus ad structuram. Haec opera examinant aspectum visualem, tactilitatem, materialitatem, motum vivum et architectonicam textilium. Colores humili intensitate et achromatici sunt, praeter rubra quae intra hoc spectrum pallidum pulsant.

Agnitio

De Praemium A' Design Award Argenteum

Past at Last Vestitus Sustentabilis victor est Praemii A' Design Award Argenteum, honoris eximie amplissimi formis summi generis, pulchris et conspicuis dati. Victores Argenti opera valde splendida et creandi ingenio praedita sunt, quae praestantem peritiam, talentum et acumen auctorum suorum ostendunt. Exspectatur Past at Last Vestitus Sustentabilis opus mirabile, exemplare, valde professionale et penitus novum fore. Haec forma Argento victa inventum notabile et admiratum est, quod ad fines artis, scientiae, formandi rationis et technologiae promovendos confert. Past at Last Vestitus Sustentabilis creatio est, quam multi invident, quae cupiditates excitat, sensus bonos affert et admirationem miraculumque movet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Notulae: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Technologia Productionis: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Provocatio Designandi: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Inspiratio: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Duratio Operis: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Agnitiones Imaginum: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.