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Beimu Interior Tabernae Praecipuae by Huson

Beimu Interior Tabernae Praecipuae by Huson is a highly esteemed winner of the very prestigious 2021 Praemium A' Design Award Aeneum in Designatio Interior Competition Category.


AesInterior· 2021

Beimu Interior Tabernae Praecipuae

by Huson

Client: Beimu Home

Praemium A' Design Award Aeneum Winner in Interior Category

10,961

Verified Award Winner

Verify Award Status for #116018

Colors

The Design

About Beimu Interior Tabernae Praecipuae

Beimu est interior ornatus tabernae praecipuae Dongguan, in Sinis, octingentos quadratos metros complectens. Consilium ostentationem mercium extenuat et ipsum spatium extollit, ita ut visitatores natura ipsius interioris ornatus teneantur. Frons in tesseras nigras et albas lineis simplicibus secatur. Iuxta signum mercaturae, fenestra singularis 3,3 quadratorum metrorum aperitur, prospectum mutuum inter interiora et exteriora creans. Ruber et niger transitum elongatum efficiunt qui motum tardat. Mensae et sellae diversarum magnitudinum plures dispositiones ad congressus, quietem et colloquium praebent.

The Recognition

About the Praemium A' Design Award Aeneum

Beimu Interior Tabernae Praecipuae victor est Praemii A' Design Award Aeneum, honoris multum aestimati formis egregiis, creandi ingenio, sollertia et acumine insignibus dati. Victores Aenei opera perita et mire creandi sunt, quae experientiam, imaginationem et solertiam auctorum suorum confirmant. Exspectatur Beimu Interior Tabernae Praecipuae rem multum aestimatam, admiratam et carissimam, notabiliter professionalem et novam fore. Haec forma Aeneo victa optimas consuetudines artis, scientiae, formandi rationis et technologiae amplectitur et in cura minutiarum excellit. Beimu Interior Tabernae Praecipuae necessitates egregie explet, cupiditates tangit, sensus capit et curiositatem allicit.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
The client of Beimu flagship store hopes to further improve its brand paradigm through space design strategy.

The creative logic of a designer consists of three parts: the change of business model and the manipulation of consumer psychology under the background of the era; the uniqueness and displeasure of cultural aesthetics in the context of globalization; and the gradual design refinement technology starting from concept to form
Dimensions & Packaging
The store is about 40M(L)*20M(W) and covers an area of 800 square meters.
Tags
Flagship store, BEIMU Home, Commercial Exhibition, OD·O office
Production Technology
designers strive to create the symbol and spirit of the brand. Through the building facade, black and white color blocks are cut out with simple lines. Beside the highlighted brand logo, only a window of 3.3 square meters is opened to form a mutual peeping relationship inside and outside. The window plays the role of "soul and eye" and sends heartbeat signals to passers-by. Red and black construct a maze of time stagnation, guiding visitors to observe and pay attention to the strangeness after alienation. On the one hand, the deliberately elongated channel serves as the adjustment and transition of emotions, and on the other hand, it further strengthens the curiosity of the first-time visitors. Mirrors, stairs, and clever use of light all connect the feelings between people and space.
Design Challenge
Symbol and spirit communication of brand building
Research
the creative logic of designers consists of three parts: the change of business model and the pinch of consumer psychology under the background of the great times, the uniqueness and unpleasure of cultural aesthetics in the context of globalization, and the gradual design refinement technology which begins with the concept of form.
Inspiration
Designers advocate weakening products, emphasizing space, retaining visitors with the charm of space itself, and achieving stronger business interaction. The development of the Internet has transformed space into a new space of the dual world of reality and virtual. Therefore, the design of modern commercial space not only depends on pure aesthetic judgment, but also bears the responsibility of brand identity media.
Project Duration
The project started in Dongguan in April 2020 and completed in September 2020, opening to the outside world.
Operation Flow
How to ease the antagonistic relationship between buyers and sellers is the focus of designers' thinking.
Provide multiple negotiation scenarios for visitors to choose from, the designer's purpose is to weaken the commercial characteristics of space. The combination of tables and chairs with different scales and styles shows that the space is not only a place for commercial negotiation, but also a clubhouse for old friends gathering, but also a place for leisure and rest for the surrounding residents.
Team Members
HUSON
Zhou Yanjie
Yi Yongxian
Lin Wuyuan
Ye Bohui
Tang Xiaobo
Image Credits
Picture#0000:photographer Ouyang yun,2020
Picture#0001:photographer Ouyang yun,2020
Picture#0002:photographer Ouyang yun,2020
Picture#0003:photographer Ouyang yun,2020
Picture#0004:photographer Ouyang yun,2020

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