Interpreting Discomfort Series Picturarum Oleo Pictarum ab YunFen Wang

Opus Interpreting Discomfort Series Picturarum Oleo Pictarum a designatore YunFen Wang est victor maxime honoratus praemii praestigiosissimi 2022 Praemium A' Design Award Aeneum in Categoria Certaminis Ars Pulchra.

AesArs Pulchra· 2022

Interpreting Discomfort Series Picturarum Oleo Pictarum

a YunFen Wang

Cliens: YunFen Wang

Victor praemii Praemium A' Design Award Aeneum in Categoria Ars Pulchra

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Victor Praemii Verificatus

Verifica Statum Praemii pro #136563

Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Interpreting Discomfort Series Picturarum Oleo Pictarum

Incommoditatem Interpretari est series picturarum oleo pictarum de spatio personali et pressione sociali. Opera manus et oculos in scaenis compositis ostendunt quae momenta cotidiana anxietatis recreant. Actiones curae homines propinquiores facere possunt, attamen nimia attentio etiam incommoditatem creare potest. Picturae duas technicas coniungunt. Pictura indirecta fundamentum nigrum et album aedificat, quod deinde colore illinitur. Pictura directa colorem mixtum recta in superficiem applicat. Series ex oleo in tela et tabula lignea facta est, et in pinacothecis exhibetur ut initium colloquii.

Agnitio

De Praemium A' Design Award Aeneum

Interpreting Discomfort Series Picturarum Oleo Pictarum victor est Praemii A' Design Award Aeneum, honoris multum aestimati formis egregiis, creandi ingenio, sollertia et acumine insignibus dati. Victores Aenei opera perita et mire creandi sunt, quae experientiam, imaginationem et solertiam auctorum suorum confirmant. Exspectatur Interpreting Discomfort Series Picturarum Oleo Pictarum rem multum aestimatam, admiratam et carissimam, notabiliter professionalem et novam fore. Haec forma Aeneo victa optimas consuetudines artis, scientiae, formandi rationis et technologiae amplectitur et in cura minutiarum excellit. Interpreting Discomfort Series Picturarum Oleo Pictarum necessitates egregie explet, cupiditates tangit, sensus capit et curiositatem allicit.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: Many times “caring” actions will bring people closer together, but it can also make people uncomfortable with too much attention. In this series of works, she discuss how much attention is too much? How is this feeling of discomfort formed? For the attention given by others, we all want to classify it as concern, but too much attention may become a kind of pressure. She use this series of works to discuss with the viewer the comfortable distance of interaction between people.
Dimensiones et Involucrum: 24 x 48 inch / 24 x 30 inch / 20 x20 inch / 12 x 12 inch
Notulae: hands, eyes, oil painting, art, surrealism
Technologia Productionis: She examined the difference between indirect painting and direct painting, and used both of them in the picture. The indirect painting methods belongs to the technique of classic realistic oil painting, which is completed in black and white and then glaze color on top. Direct painting is the method of contemporary painting, which directly superimposes the adjusted color on the canvas.
Materials used: Oil paint, Wood Panel, Canvas
Provocatio Designandi: Ideation and the atmosphere is the hardest part of this project. In the presentation of the picture, the shape of the hands must be placed harmoniously in the picture without losing the beauty.
Investigatio: The first thing is to study how to create an uncomfortable atmosphere. Eyes and hands are good parts for expressing emotions. The unnatural feeling of combining these two makes the picture more attractive and intriguing.
Inspiratio: The images she make for this project are staged recreations of her own experience, and she believe that it is also the experience of many other people. This series deals with issues of discomfort and stress in everyday life. We all care about how others view us, this has become the same as our invisible living standards.
Duratio Operis: The project began in San Francisco in 2020. Participated in Contemporary Venice 2021, Italy and Small Works 2021, New York.
Cursus Operationis: It will be displayed in a gallery, and these paintings can be a tool for conversation.