Oita Soho Caupona Iaponica Moderna ab Mika Kanayama

Opus Oita Soho Caupona Iaponica Moderna a designatore Mika Kanayama est victor maxime honoratus praemii praestigiosissimi 2024 Praemium A' Design Award Argenteum in Categoria Certaminis Designatio Interior.

ArgentumInterior· 2024

Oita Soho Caupona Iaponica Moderna

a Mika Kanayama

Cliens: Muzo

Victor praemii Praemium A' Design Award Argenteum in Categoria Interior

24,153

Victor Praemii Verificatus

Verifica Statum Praemii pro #151700

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Oita Soho Caupona Iaponica Moderna

Oita Soho ita designatum est ut spatium elegans tranquillumque cum influxibus Iaponicis crearet, partem identitatis ex prima caupona Oita constitutae servans, quae familiaris erat et plantis virentibus per totum ornata. Spatium amplius requirebat quam accessus conventionales designationis Iaponicae modernae minimalisticae, ut experientiam singularem notabilemque praeberet quae synthesis elementorum aestheticorum culturaliumque esset. Opus incitatum est tractatu Tanizaki "In Laudem Umbrarum" qui de usu, significatione aestheticaque tenebrarum et umbrarum in arte, designatione architecturaque Iaponica tractat.

Agnitio

De Praemium A' Design Award Argenteum

Oita Soho Caupona Iaponica Moderna victor est Praemii A' Design Award Argenteum, honoris eximie amplissimi formis summi generis, pulchris et conspicuis dati. Victores Argenti opera valde splendida et creandi ingenio praedita sunt, quae praestantem peritiam, talentum et acumen auctorum suorum ostendunt. Exspectatur Oita Soho Caupona Iaponica Moderna opus mirabile, exemplare, valde professionale et penitus novum fore. Haec forma Argento victa inventum notabile et admiratum est, quod ad fines artis, scientiae, formandi rationis et technologiae promovendos confert. Oita Soho Caupona Iaponica Moderna creatio est, quam multi invident, quae cupiditates excitat, sensus bonos affert et admirationem miraculumque movet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: It was designed to create a sophisticated, relaxing space with Japanese influences, and carrying some of the identity established in Oita's first restaurant, informal and verdant with plants throughout the space. The space required more than the conventional approaches of minimalistic modern Japanese design to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.

The space required more than the conventional approaches of minimalistic modern Japanese design, to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark. Lighting is careful and muted throughout relying on position and shades. Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Dimensiones et Involucrum: The area of project is
Ground Floor - 67sqm
First Floor - 69sqm
Notulae: Japanese restaurant design, muzo, Oita, interior design, restaurant design, Japanese design, chinatown
Technologia Productionis: Grade II Listed Building
Material: Fire retardant timber & veneered oak MDF throughout.
Provocatio Designandi: As it was a Grade II listed building, the history of the premises was researched in depth prior to work. Great consideration was given at design stage and fit-out work was carried out carefully. Any finishes that needed repairing was matched to the original finish.
Investigatio: The space is abundant with plants and botanical imagery bringing a sense of exotic night garden or conservatory. Artworks by Imao Keinen featuring birds in seasonal settings with plants and flowers feature throughout, furthering the theme, Keinen’s masterful use of colours is utilised to play with the décor palette introducing flashes of bright colour that are echoed elsewhere, harmonising with the greenery and midnight shades to effect a unique, spectral contrast. The effect has almost the feeling of Japanese lacquerware artwork made real where living forms are presented luminously against the deep dark of lacquer surfaces.
Inspiratio: The work was inspired by the Tanizaki essay 'In Praise of Shadows' which discusses the use, meaning and aesthetics of darkness and shadows in Japanese art, design and architecture.
Duratio Operis: The project was completed in January 2023 in London.
Cursus Operationis: Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark.
Lighting is careful and muted throughout relying on position and shades.
Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Patentes: Copyrights belong to Muzo, 2023
Agnitiones Imaginum: Image #1: Photographer Sara Hibbert
Image #2: Photographer Sara Hibbert
Image #3: Photographer Sara Hibbert
Image #4: Photographer Sara Hibbert
Image #5: Photographer Sara Hibbert