Opus Gordafarid Vestimentum a designatore Mina Aliyari est victor maxime honoratus praemii praestigiosissimi 2025 Praemium A' Design Award Ferreum in Categoria Certaminis Ars Vestiaria.

FerrumVestis· 2025

Gordafarid Vestimentum

a Mina Aliyari

Cliens: Kahkeshan Shahab Danesh

Victor praemii Praemium A' Design Award Ferreum in Categoria Vestis

47,082

Victor Praemii Verificatus

Verifica Statum Praemii pro #167683

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Gordafarid Vestimentum

Gordafarid vestimentum est ex tapetibus Persicis iterum adhibitis confectum. Tapetes manu texti, laesi et inutiles, torsum efformant et structuram suam originalem servant. Bracae ex lino arte draperiae factae sunt, a vestitu tribuum Iranicarum inspiratae. Fascia capitis geometriam Iranicam cum arte origami coniungit. Pallium ex filis metallicis spiralibus et textili confectum in corpore varias formas sumere potest. Fasciae variabiles magnitudinem et functionem mutare permittunt. Pars tapetis etiam in pariete suspendi vel in solo poni potest.

Agnitio

De Praemium A' Design Award Ferreum

Gordafarid Vestimentum victor est Praemii A' Design Award Ferreum, honoris amplissimi formis bonis dati, quae postulatis professionalibus et industrialibus ab creationibus bene formatis exspectatis satisfaciunt. Victores Ferrei magnam peritiam, altam specializationem, intellectum periti et facultatem creandi auctorum suorum ostendunt. Exspectatur Gordafarid Vestimentum creationem multum aestimatam, admiratam et carissimam, practicam et novam fore. Haec forma Ferreo victa optimas industriae consuetudines integrat et proprietates technicas idoneas, cum scientia et talento coniunctas, habet. Gordafarid Vestimentum ob diligentiam suam honoratur et ad vitae qualitatem emendandam formatum est, ut mundum meliorem reddere iuvet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: This dress is a bridge between history and modernity
Reusing damaged and unusable handicrafts (Iranian carpets) and introducing them into the fashion industry without changing the original structure of the work, as well as the headband, which is a combination of Iranian geometry and modern origami technique

The items have multiple uses,
A springy and soft shawl that we can give different forms to on the body
. A carpet that can be worn or hung on the wall or placed on the floor as a work of art
Dimensiones et Involucrum: Blouse : width 250mm x 500mm
Pants: width 700mm x 1100mm
One look size 38
Notulae: Sustainable fashion, fashion design, clothing, cultural design, origami technique, persian carpet, redesign, draping
Technologia Productionis: This garment uses environmentally friendly materials such as linen in the pants and carpet in the torso

The pants are made using the draping technique, modeled after the clothing of Iranian tribes.

The garment and accessories use variable straps to allow for changing size and function.

A combination of metal spring wires and fabric is used to create a flexible and formable scarf.
Provocatio Designandi: Our main challenge in this project is how to combine the main concept, i.e. free woman, with the identity of Iranian culture and art, and also the correct interaction of these two concepts with fashion with a modern approach, considering sustainable fashion.
Paying attention to the fact that not everything damaged is worthless and can be given meaning and life again by redesigning.
And another problem solved by the project is how to transform handicrafts into clothing while maintaining the original structure of the material and its harmony with the body's form and anatomy, which has turned it into a comfortable and stylish garment.
Investigatio: Research and Investigations:
Historical facts about the clothing, arts and crafts of Iranian peoples throughout history have been made according to the different empires, and the commonalities and consequences of each part of their clothing have been considered. For this project, historical books such as the Shahnameh have been referred to in order to better understand the authenticity of Iran and the influential Iranian women, their role and power.
Inspiratio: The inspiration for this design is the expression of courage, freedom and beauty of women against anti-women thinking, who stand amidst the limitations of which the Maripach spring shawl is a symbol of these thoughts, and despite their wounds, which are shown on the torso of the dress with the damaged carpet, they inspire beauty and freedom.

Because of the social, cultural and artistic meaning of this work, we named it Gard Afridi, a symbol of a brave and free woman in Ferdowsi's Shahnameh.
Duratio Operis: The project started in May 2024 in Semnan and Finished in December in 2024 in semnan .
Cursus Operationis: Transmitting a sense of authenticity and beauty using an old Persian carpet, hand-woven trousers inspired by the Persian tribal customs, a red headband worn by Achaemenid warriors after winning a war, and a spring shawl that expresses limiting thinking like a cocoon wrapped around a woman, but a woman with her courage inspires freedom and beauty.
Membra Turmae: Mina Aliyari
Shahin Nayyer
Agnitiones Imaginum: Images #1 to #5 : Photographer Mahdie Jalali ,Gordafarid ,2024